The Accessibility Working Group (AWG) aims to create a collaborative culture of access within our group, our composition program, and our larger professional and pedagogical communities. To create a culture of access, participants need to be collaborative members of a community to continuously negotiate access needs that change over time. The AWG has benefited our composition program as it is a decentralized, auxiliary group dedicated to conversations about accessible pedagogy that have inspired more effective pedagogical practices. This program profile provides the theories, goals, practices, and challenges of the AWG as a model to foster a collaborative culture of access in other composition programs and contexts.

Student retention and persistence is increasingly prioritized by state and local policies as well as national scorecards and rankings—however, the policies that politicians and administrators undertake to improve university metrics tend to ignore the realities faced by students at the heart of our institutions. Drawing on a survey/interview project involving 67 students repeating first-year writing classes at a diverse institution in the Southwestern US, this article takes a student-centered approach to understand the reasons they drop first-year writing, such as health concerns, lack of engagement with the curriculum, and their incompatibility with online learning or poorly taught online classes. In making recommendations to address the challenges students face, the author calls on writing teachers and administrators to take a more activist stance in their roles, by engaging in actions such as pushing back against exploitative working conditions, recognizing the racism inherent in strict attendance policies, drawing on work from directed self-placement to better guide students when considering online writing classes, and advocating for readings and curricular choices that take into account the diversity of students in writing programs.

Empirical methods to evaluate undergraduate pedagogy have become quite common in the field of composition studies. Reflection on and evaluation of graduate pedagogy in the field is much less common, however. In this article, the authors suggest that scholars in the field endeavor to develop pedagogical methods for graduate education, while also proposing one such pedagogical approach. The first author developed an approach for the graduate course History and Theories of Composition using an adaptation of Teaching for Transfer pedagogy. With the help of his graduate student co-authors and with interviews from experienced graduate instructors and additional graduate students, the research team further developed this pedagogy to be more effectively applied to graduate courses in composition studies. We believe this approach may be one among many to use, and we encourage other scholars to further develop this method and to develop alternatives.

This case study of students enrolled in a composition course at a large public university examines multilingual students’ application of multimodal composition practices to writing assignments that emphasize delivery and circulation. Assignments in which students remediate or translate a text in one genre or medium into another are widely used to foster transfer of writing knowledge from classrooms to public discourse. Remixing may be especially useful for multilingual writers by allowing them to draw on translingual meaning-making strategies. However, such assignments must be framed in ways that make explicit the rhetorical implications of how remediated or translated texts are taken up and circulated within larger ecologies and suggest how uptake can be measured and assessed to be useful. This article draws on Rhetorical Genre Studies and Translingualism to address this issue in Multimodal Composition by outlining a pedagogical approach that emphasizes delivery and measuring uptake.

In this article, we argue that using students’ reflective writing to understand specific aspects of their classroom experience requires that researchers systematically integrate into the curriculum reflections that responsibly attend to both students’ learning and the focus of classroom research. Informed by recently published articles on reflection and collaborative writing and learning, this argument contributes to recent Composition Forum discussions (e.g. VanKooten; Fiscus; Winzenreid et al.; Jankens, Learning How to Ask ). We also aim to demonstrate that the process of learning how to do research “right” is a recursive endeavor. Addressing the challenging results of our study, we consider ways that more systematic reflection in our paired courses might have brought collaborative learning even more to the surface both for students and our research. We pose that, in retrospect, had we developed a series of reflective writing assignments that explicitly prompted students to describe learning as part of a social process within the classroom, this reflective writing would likely have better highlighted collaboration for our research and for students’ meta-awareness of their learning processes.

Drawing on qualitative data gathered from interviews with twelve doctoral students in a composition program at a mid-size public university in the Northeast United States, this article documents graduate teacher-scholars’ conceptual understanding of translingual pedagogy in the context of college writing instruction. I analyze and describe the possibilities and challenges confronted by prospective composition teacher-scholars in implementing translingual pedagogy and conclude the article with a discussion of implications for mentoring programs, WPAs, and TAs.

As WPAs at a research institution without a WAC program, we embarked on this project to learn about the types of writing prompts faculty across the disciplines assign and their expectations for student writing. Although our first-year composition program is genre-based and focuses on teaching for transfer, we did not know what genres other faculty assigned nor which writing skills they hoped students could apply to their assignments. We also wanted to understand how they crafted writing assignment prompts and how they perceived students’ abilities to meet their expectations. We conducted semi-structured interviews with 10 faculty members from a range of disciplines about their writing assignments in courses in the major. We found that faculty (1) want or even expect students to take on certain disciplinary roles as writers in their assignments; (2) but they are not routinely making these expectations clear to students in their writing assignment prompts. To address these impediments to transfer, we present a three-part rhetorical framework for faculty that relies on genre to clarify expectations and allows for cuing to promote transfer for students in disciplinary writing contexts.

This program profile describes the development and implementation of The Black Ink Project at Morehouse College. The Black Ink Project is a curricular initiative intended to support the development of writing abilities among the Men of Morehouse and immerse them in the writing process in the tradition of articulating servant leadership for which the institution is known. Their study informs them of the Black Experience in Africa, America, and the Diaspora. Key to the success of The Black Ink Project is the preparation of faculty, equipping them with the knowledge of culturally relevant pedagogy and strategies for teaching and assessing writing across the curriculum and within the disciplines.

After the pandemic necessitated a move to online learning and brought forth a multitude of traumas for students and faculty, faculty teaching in the graduate Composition program at San Francisco State University came together to redesign our graduate courses. This program profile describes a process by which the redesign efforts were organized, which included establishing a framework for online teaching and learning before reassessing course outcomes, reading lists, and assignments. The process also included deep meditations on inclusive pedagogical practices and trauma-informed teaching and learning. Ultimately, our process helped us articulate our shared values as graduate faculty, gaining new understandings of our practices to better serve students in the graduate Composition program.

Over the past two decades, reflective writing has occupied an increasingly prominent position in composition theory, pedagogy, and assessment as researchers have described the value of reflection and reflective writing in college students’ development of higher-order writing skills, such as genre conventions (Yancey, Reflection ; White). One assumption about the value of reflection has been that skill in reflective writing also has a positive connection with lower-order writing skills, such as sentence-level conventions of academic discourse. However, evidence to confirm this assumption has been limited to small qualitative studies or deferred to future longitudinal research (Downs and Wardle). In the mixed methods assessment study presented here, we first investigated this assumption empirically by measuring the relationship between evaluative skills embedded in the genre of reflective writing and lower-order writing skills that follow sentence-level conventions of academic discourse. We found a high-positive correlation between reflection and writing assessment scores. We then used qualitative methods to describe key features of higher- and lower-scored reflective essays.

This essay describes writing and conversations that took place in my First Year Writing class at St. John’s University in Queens, New York. I analyze student responses to my invitation to consider more deeply—and wield more consciously—the language resources they bring into classrooms. I seek to understand the potential for their often deeply racialized assessment of their own language resources, and those of others, to enable them to build common cause across language communities and racial communities. In particular, I look at the role of Black language as a recurring trope in multilingual students’ writing about their experiences navigating the designation of “ESL” in school. I argue that the volatility of this trope—Black language serves in their work as a call-to-arms, stumbling block, source of strength, or taboo—poses a challenge to contemporary scholarship on language diversity. Ultimately, I center students’ invocations of Black language in the emerging discussion of translingual writing in composition studies, arguing that these students do the work Keith Gilyard has called for in connecting global and local US language struggles. This essay draws from a longer chapter in my book, Mapping Racial Literacies: College Students Write About Race and Segregation , in which I argue that student writing can contribute to and reshape contemporary understandings of how US and global citizens are thinking about race.

The writing process has helped define students as autonomous writers within the composition classroom. Yet, our writing identities are not stable and shift throughout the writing process. I argue that composition instructors should enhance students’ awareness to their own dynamic, writing subjectivities through a more expansive view of rhetorical invention, using posthumanism as a lens for composition pedagogy. This article presents a pedagogical practice utilizing concept maps and reflective prompts that help students recognize their ecological, writing landscapes. By tracking the human and non-human elements in their writer’s network, students can learn that writers operate within fluid, writing situations that continuously impact their writerly identities.

This article examines how online writing projects can provide students an opportunity to critically reflect upon their literal and conceptual position within university spaces. We begin by discussing the underlying connection between classical notions of ethos and spatial dwelling before considering how writing in online environments provides new opportunities for students to engage in a dynamic form of ethos-building. We then discuss two different online writing projects wherein students narrated the strategies they used to negotiate a variety of institutional environments and the learning experiences that happen therein. In doing so, these projects demonstrate how online writing assignments can reinforce students’ confidence in their ability to traverse a variety of educational scenarios which, in turn, can help them chart a path for achieving their own academic, professional, and personal goals.

This program profile details the incorporation, scaffolding, and assessment of a large programmatic common reading initiative as a framework for other program directors to incorporate programmatic change and generate faculty buy-in. This profile describes the integration of a diversity-themed common reader used in a first-year experience program into a first-year composition program. The authors describe the main elements of implementation: selecting a diversity-themed common reader and preparing and executing multiple methods of faculty training. Additionally, the assessment methods of the program—including a faculty survey providing feedback on the administrative support and activities surrounding the common reading program, a survey collecting students’ diversity experiences, and student focus groups that collect the students’ responses to the pedagogical methods engaging them in diversity-themed work—are discussed. How the program’s implementation, faculty development activities, and assessment methods have been modified based on faculty engagement, student feedback, and survey results is also defined.

This profile offers insights from an established dual credit first-year composition program at a public state university in Texas, focusing in particular on the preparation and professional development of high school instructors who deliver college writing curriculum through an embedded partnership. The authors provide an overview of dual credit’s expansion and exigency nationwide, describe the history of the program at their institution, offer a discussion of relevant literature and research opportunities in composition studies, examine the program’s affordances and constraints, and conclude with strategies for writing pedagogy administrators and others with stakes in first-year composition/dual credit partnerships.

This article reports findings from a single-bounded case study on student-athletes’ performance of what educational psychologist Yves Karlen refers to as metacognitive strategy knowledge (MSK) in two first-year composition assignments. This case study is focused on the following research question: how might the promotion of MSK in a FYC class support the development of student-athletes’ writing skills? Data collection includes semi-structured, in-person interviews, visual and bodily mapping exercises, and textual analysis of research participants’ academic writing. This essay offers a two-pronged argument based on the data. First, promoting the development of MSK through established composition and rhetoric writing assignments dovetails with student-athletes’ athletic literacy and supports their development as academic writers. Second, student-athletes’ prior knowledge and practice of metacognition helps instructors gain a stronger understanding of how they may use MSK to facilitate future writing assignments.

Current paraphrasing instruction in the composition classroom may ironically promote “knowledge telling” source use, such as patchwriting. We argue for an approach to source use instruction that teaches paraphrase as a spectrum of task-dependent rhetorical skills ranging from knowledge telling to knowledge transforming. We encapsulate and test the effectiveness of this approach in a series of interactive videos. These videos present a rhetorically-grounded framework for source use instruction, including think-aloud protocols that demystify how reading processes can be used to critically engage with source content. We validate this approach with two different demographics: Non-Native English speaking graduate students and First Year Writing students. Findings suggest our approach, compared with a workshop that used ‘traditional’ fear-of-plagiarism tactics, helped NNES students better recognize knowledge transforming as a task-dependent option and understand the process of note-taking to transform source texts. In contrast, the traditional workshop promoted knowledge telling behaviors.

This article proposes a model for collaboration between composition instructors and instructional librarians to promote visual literacy instruction in first-year writing courses. While the creation of visual content is essential to digital composing technologies, it often remains underutilized as a tool for writing development in first-year curricula. Drawing from complementary threshold concepts outlined in composition scholarship and the ACRL Framework for Information Literacy , we demonstrate how librarians and writing instructors can engage in collaborative instruction to bridge gaps between theory and practice and leverage existing institutional expertise to support multimodal instruction in first-year writing.

This program profile describes how teachers and administrators have collaborated in the design and implementation of a number of linguistic, cultural, and transmodal pedagogical and curricular initiatives. Strategies that writing teachers can implement to best meet the needs of multilingual students across a range of institutional contexts are discussed via a social justice lens. A focused examination of our First-Year Writing program’s layered response to increased international multilingual student enrolment as well as a brief discussion of campus-wide responses are offered to showcase how translingual, transcultural, and transmodal approaches to First-Year Writing can empower students, inviting them to learn from their existing linguistic and cultural funds of knowledge.

As the number of multilingual students increases at small campuses in rural areas that lack multilingual composition programming, there is a need to explore pedagogical and institutional strategies that help to pool limited or emerging resources to promote language justice for multilingual students. This narrative case study looks at two small regional campuses’ efforts to advocate for and facilitate supports such as instructor training and tutoring programs for a growing multilingual population in Northeast Ohio.

This multimedia article shares five short video-recorded stories that highlight specific moments of struggling to practice antiracist and linguistic justice values within different disciplinary situations: giving feedback on student writing, training tutors in the writing center, working with pre-service teachers, debating learning objectives in department committees, and responding to prescriptivist attitudes from colleagues. This praxis-driven work responds to Inoue’s 2019 CCCC Chair’s Address and his calls to confront white language supremacy by providing vulnerable accounts of the intellectual, interpersonal, emotional and pedagogical labors and challenges involved in fighting for raciolinguistic justice. Teachers and administrators may find the video stories and accompanying reflections useful when developing pedagogical approaches, designing professional development workshops, or reimagining departmental policy-making and curriculum development.

This article threads together multilingualism and disability studies research in writing studies, and introduces composition pedagogies that embrace multilingualism, multimodality, and accessibility simultaneously. We argue that writing teachers can work toward social justice in writing courses by considering accessibility through intersectional (Crenshaw; Martinez) and interdependent (Jung; Wheeler) approaches that put language diversity and disability in conversation (Cioè-Peña). Each of us shares two pedagogical examples that consider language diversity/difference and embodied diversity/difference as unified concepts. Our pedagogical examples include projects related to multimodal and digital rhetoric, multilingual/multimodal community engagement, reflecting on communication differences, and analyzing multimodal/multilingual communication in practice. Through what we call intersectional, interdependent approaches to accessibility in writing classrooms, students and teachers can honor the multitude of valuable communication practices that students engage in within and beyond the English writing classroom.

Although writing scholars have increasingly emphasized the need for more equitable approaches to language (difference) in the composition classroom, specific examples of teaching praxis remain sorely needed. In this article, we offer three sets of activities that we have used in our own classes designed for multilingual students. In formulating these activities, we adopt a critical-pragmatic approach to linguistic social justice, inviting students to grapple with standard language ideology and its consequences while questioning the idea that students can or should be liberated by us. Focusing on notions of “standard” and “correct” English, our proposal is grounded in relevant debates, connecting insights from sociolinguistics and World Englishes/Global English Language Teaching with Jerry Won Lee’s theory of “translanguaging pedagogy.” We hope that these examples will inspire more concrete initiatives aimed at promoting linguistic social justice and student agency.

This article affords insights into the interdependence between writing and critical translation to inform implementations of antiracist and translingual writing pedagogies. Promoting linguistic and social justice for multilingual writers, it presents a writing assignment design that focuses on critical translation across asymmetrical power relations between languages, texts, writers, and readers. Critical translations by an international student and a resident multilingual student receive particular attention in this article in that they strategically utilize paratexts as discursive spaces for interrogating, resisting, and reconstituting academic English writing standards and conventions. Foregrounding such paratextual interventions in critical translations as forms of translingual and anti-racist practice can bring about social justice and change in multilingual writing and its teaching.

This program profile describes the process the Writing Program at the University of Arizona took to create a pathway to course completion for students during the pandemic-induced remote transition in Spring 2020. While the majority of students continued to have access to the hardware and software necessary to complete the term online, some students did not have these critical access requirements. We designed an independent study style correspondence packet that harkens back to traditional distance education offerings. Recognizing that students might not have access to the web or library for research, instructional materials, or printers, the packets allowed students to use the resources to which they had access and mail in their materials to complete their courses. Designing and implementing this course packet allowed us to continue our mission of inclusion in a moment of crisis by meeting our students where they were as they were displaced from the institutional spaces they had been relying upon to finish their coursework. This work has given us language to use in helping our instructors continue to support their students in crisis.

In expanding our minor in Professional and Public Writing (PPW), we drew on scholarship exploring tensions inherent in the field’s efforts to understand and present itself as a cohesive, yet capacious, discipline. Missing from the scholarship are the voices of students. To fill this gap, we conducted focus group interviews with PPW students at Roger Williams University. Our findings suggest that disciplinary tensions surrounding conceptions of writing are echoed in students’ perceptions of their experiences and how they understand themselves as writers. Even as they assert the importance of good writing skills in the workplace, they express an appreciation for courses in which writing for a variety of audiences is conceptualized as complex and flexible. Understanding the tension between these beliefs about writing holds significant implications for our future program development, especially with curriculum and recruitment. It can also help other programs as they expand their offerings.

This article reports survey and interview research on how graduate student instructors (GSIs) across the United States navigate the boundaries of disciplinary expertise that define their work as students and teachers. The disciplinary backgrounds of GSIs in this study influenced their experiences with formal writing pedagogy education and their teaching practices. GSIs imported content, mindsets, pedagogies, and skills and expertise from their home disciplines into the FYW classroom and exported practices and dispositions from FYW into their own work as graduate students. I suggest how writing pedagogy educators might reframe preparation experiences to recognize the disciplinary boundaries GSIs work across and to repurpose these boundaries as sites for richer professional development and writing instruction.

This article seeks to answer two questions: what kinds of expertise are needed to lead an effective dissertation boot camp; and how can those outside the graduate student’s discipline support their writing? Drawing on four years of application data and post-camp interviews, I reveal how writing process knowledge—similar to that described in the scholarship on first-year composition—is a fundamental reason dissertators seek help from the boot camps. Ultimately, the article argues that the importance of writing as a dissertation-related threshold concept should be clearly stated and understood across all disciplines: doctoral researchers continue to learn and practice writing. As part of broadly accepting this threshold concept, it becomes clearer that those trained in writing pedagogy and its theories are best situated to lead the most helpful writing-process style boot camps.

Wikipedia’s gender gaps are both well-established and well-challenged, and while Wikipedia-based assignments have become more common in composition, teacher-scholars have not fully explored the opportunities for feminist pedagogy offered by the encyclopedia. This article reports on a teacher research study designed to examine the efficacy of the feminist rhetorical approach for understanding critical literacy learning through Wikipedia-based assignments in First-Year Composition (FYC). Findings from student forum posts, surveys, and reflection essays suggest that, despite its benefits, the Wikipedia assignment has been met with challenges that hinder students from making contributions critically and effectively, especially as they struggle to assume agency and criticality in the FYC classroom. By identifying and addressing these challenges, we seek to offer alternative approaches to teaching feminist rhetorical inquiries in FYC, and to expand the current critical practices in Wikipedia-based writing instruction.

Teachers’ identities as writers and language users can have an important impact on their pedagogical practices. As the population of writing teachers becomes increasingly diverse, the development of teachers’ identities is an important but under-researched topic. This study examines how three prospective teachers from varied linguistic and cultural backgrounds constructed new identities through a multi-draft literacy autobiography project. We trace how these teachers’ identities changed and developed across the drafts of their literacy autobiographies, how their identity construction was mediated by the feedback they received, and how their language and literacy identities related to their emerging professional identities as prospective writing teachers.

Writing about writing (WAW) is an increasingly popular approach to teaching writing that, while often discussed as a single pedagogy, has always referenced a wide variety of curricula, pedagogies, courses, and assignments. While this diversity has been acknowledged, scholars have yet to fully explore the sources, nature, and implications of this variation. From our reading of over 40 published accounts of WAW courses, curricula, or programs, we articulate a WAW typology using an axiological heuristic that non-reductively but clearly identifies variations of WAW as well as the values that underlie the differences among them. We then explore the implications of these theoretical and axiological differences for the probable results of different WAW approaches, particularly related to claims that WAW effectively facilitates transfer of learning. We conclude with an exploration of questions regarding WAW and transfer that our typology and analysis raise that might be the focus of future research.

The forces of globalization and the development of English as a lingua franca have made many scholars and practitioners highlight the urgent need for foreign language literacy. The Norman M. Eberly Multilingual Writing Center (MWC) at Dickinson College addresses that need by offering peer writing tutoring in eleven languages. This profile explains the development of the MWC, the rationale and benefits of the model, the collaborative governance structure that undergirds it, and the redefined pedagogical goals of tutor training.

Positioned within our field’s work on supporting transfer of writing-related knowledge through careful course design, this article describes the development of a pedagogical intervention designed to help students identify knowledge gaps and pose questions about rhetoric and genre. Below, I tell the story of a 2012 teacher research study that helped me identify a key problem in my inquiry-based first-year composition classroom: while students were comfortable asking questions, they were not asking the kinds of questions that would help them move across assigned genres most successfully. I explain how this finding led me to develop a rhetorical reflection assignment and explore the rhetorical reflections of two students in my fall 2016 FYC course to identify and describe what happens when these knowledge domains are explicitly emphasized in reflective tasks and to consider questions for future study of this kind of reflective writing.

This article searches after more nuanced understandings of safe space pedagogies in writing classrooms. Drawing on experiences of teaching a first-year writing course on a campus that had been tagged with white supremacist graffiti, this article uses autoethnography and narrative to rethink the function of place in composition pedagogy and develop feminist tools for teaching. This article suggests that classrooms should not be thought of as singular places, and for that reason a safe space pedagogy cannot be thought of in stable or static terms; instead, this article attempts to articulate a situated and contingent idea of safe space pedagogies.

This article explores the scope , foundation , and application of autoethnography in first-year composition and critical thinking classrooms. I broaden autoethnography’s scope from Mary Louise Pratt’s focus on colonial power dynamics to engage rhetoric, discourse, ideology, and materiality at large. I argue that indexing this broader conceptual scope to place-based education produces four key pedagogical effects : to increase students’ awareness of assumptions and practices, their engagement with learning, their opportunities to encounter difference, and their capacity to effect change. Place-based autoethnography, in turn, spatializes writing theory by attending to student geographies. Two assignments—the “autoethnography” and “cultural artifact”—redevelop writing as a space between chaos (disorder) and cosmos (order). I suggest that writing functions as a way to take up space and endow it with place, or value. Mapping the effects and affects of cultural artifacts from their lives, students chart the meaningfulness of objects and discourses in their socialization, leading to the aforementioned pedagogical effects. Consequently, place-based autoethnography is uniquely situated to engage students ( and teachers) with their lifeworlds.

In this article, we investigate a new construct for conceptualizing learning transfer with writing knowledge: Transformative Experience (TE). With origins in educational psychology, TE has been effective for promoting transfer with scientific concepts in previous research, but not yet considered in relation to writing or other presumably procedural subjects. To investigate the usefulness of TE for revealing new dimensions of writer development, we present a brief case study focused on faculty members writing for scholarly publication. We use qualitative responses to a survey about faculty members’ experiences in a formal writing group to illustrate the three dimensions of TE in the context of writer development: active use, expansion of perception, and experiential value. Although we study advanced faculty writers, findings have implications for teaching and learning writing more broadly. Specifically, we argue that using TE as a framework for interpreting what learners do with writing knowledge widens the “warming trend” in transfer research, nuancing our understanding of writing transfer by attending to perceptual and experiential aspects of learning. We propose instructional interventions to test how incorporating TE into writing pedagogy might enhance teaching and learning for transfer.

This article revisits the relationships among gender, service, and composition pedagogy through a qualitative study of active-duty military officers who teach first-year writing at the United States Air Force Academy, one of the five major U.S. national military service academies. The U.S. national military service academies are under-studied sites of writing; there is little published about the experiences of the active-duty officers who comprise a significant portion of the first-year writing teaching faculty at these institutions. Interviews with the officers about their first-year writing pedagogy are framed by an analysis of military leadership policy as well as scholarship on writing teacher development, feminist composition pedagogy theories, and critiques of the role of service in composition studies. This study describes the officers’ first-year writing pedagogy and argues that the experience of these officers, framed through the theories of military leadership and the military service ethos, introduces a new way to understand how the concept of service could operate in first-year writing pedagogy. The officers’ experiences also support arguments that service in composition classrooms is still problematically gendered: even within a military environment, female officers report that they have less freedom than their male colleagues to demonstrate an ethic of care towards their first-year writing students.

This study examines the ways in which 28 top-rated Canadian universities are using required and elective courses to focus on developing student writing skills. Currently, 40 percent of the universities rated in the top 15 of MacLean’s magazine’s 2018 ‘Comprehensive’ category require that their students take at least one course which focuses on writing, usually in the first year. Thirteen more top-rated schools require writing courses. Some also offer many upper-division courses to further develop and refine students’ writing and critical thinking skills, using Writing Across the Curriculum and Writing in the Disciplines programs. These schools are responding to a clear call from professors, employers, government oversight agencies, and the students themselves for more advanced communication skills, especially writing, upon graduation.

Writing Studies’ emphasis on knowledge-transfer and learning stems from our pedagogical focus and is motivated by the fact that much of our research is about and our teaching is directed at students who will be entering other disciplines. Much of the research in the field has focused on tracing transfer and learning longitudinally through students’ college careers. This paper contributes to this larger body of research by presenting an approach to researching transfer and learning that focuses on the situated, moment-to-moment interactions that occur when students learn, when their dispositions form, and when they experience transfer. Initial findings from a study conducted at an R1 public university following this approach reveal that within these moments, students engage in complex boundary-marking interactions that iteratively define the material and discursive world and students’ place within it. The boundary marked in each iteration then affects future boundary-work, a phenomenon this study calls micro-transfer . The initial findings reveal that any given moment can have a profound impact on the trajectory of a student through a class, and that boundaries themselves have different characteristics and micro-transfer depends upon these characteristics. This study presents an initial set of categories of boundaries based on their flexibility and permeability and the field in which they form that could be a foundation for future research in boundary-work and micro-transfer in writing studies.

This profile describes the first three years of initiating new writing-intensive seminars for the General Education curriculum at a small, career-focused, Catholic University. The primary reason for implementing the program was to initiate new writing-intensive seminars to replace existing writing-intensive General Education introductory courses that were not achieving hoped-for results of improving student writing skills, based on a faculty survey. It explains the strategies and theories used for involving faculty across the disciplines to teach theme-based courses each faculty member designs, the workshops that supported faculty efforts, and the administrative details of incorporating new seminars into the General Education program for students earning Associate or Bachelor degrees. Seminars are designed to be discipline-based and include writing-in-the-disciplines as well as writing-across-the-curriculum components.

This article argues that composition studies’ professional artifacts and pedagogical materials can perpetuate tacit ideologies about academic language that are in conflict with our field’s larger goals toward social justice and inclusion in FYC. In order to exemplify a systematic analysis of our artifacts and materials for their tacit language ideologies, the author compares how three popular FYC textbooks— The Norton Field Guide to Writing , Everyone’s An Author , and They Say, I Say— represent academic language in seven major categories: name, placement, definition, characterization, features, examples, and instruction. This textbook analysis illuminates how no representation or discussion of academic language can be neutral, and it also illuminates the obvious gaps that still exist between scholarship on academic language and textbooks’ representations of academic language. The author ultimately advocates for this kind of systematic and proactive analysis across our professional artifacts and pedagogical materials so they might be revised to better align with social justice and inclusion initiatives.

Writing transfer research often illuminates the writing abilities, attitudes, and assumptions college writers bring to a writing assignment, but faculty members across the disciplines may not have the tools for understanding what the students in their particular classes bring to their particular writing assignments. In this proposed model, students respond to a series of reflective prompts before, during, and after completion of a major upper-division writing assignment. Faculty members then reflect on how these responses might change the way they assign writing and teach course content. The disciplinary and course-based threshold concepts emerging from this process suggest a dynamic and situated approach that both facilitates faculty understanding of transfer and offers a method for responding to it.

In this article, we discuss what it means to learn troublesome “threshold concepts” about writing that cannot be adequately grappled with in a single course or assignment. Here, two faculty members and a graduate of a writing major reflect on elements of the writing curriculum, the writing center practicum, and the learning dispositions and experiences the student brought to the program in order to consider what ongoing, deep learning of writing threshold concepts can look like, as well as how programmatic and pedagogical elements may afford and constrain such learning.

Genre has emerged as a central concept in writing studies, with numerous scholars advocating for its prominent role in writing instruction. Despite this interest in genre, however, research has not explored teachers’ understanding of the concept, which is critical to how they address genre in their classrooms. This study traces the evolving conceptions of genre among thirty-three new first-year writing teachers, examining their understandings--and, occasionally, tensions--at different points in time as they encounter the concept in their teacher preparation and with their own students. Through written reflections and focus group interviews, we identify key patterns in how the teachers define genre over time and some of the influences on those dynamic conceptions. Findings from this research have implications for teacher preparation and curriculum development in the context of U.S. college composition.

In this interview, Shirley Wilson Logan reflects on her major roles as a scholar, teacher, and an administrator. She describes her journey as chair of the Conference on College Composition and Communication, only one of a few black women to do so. Logan is also credited with launching the study of African American women’s rhetoric as a field, writing one of the early books on African American women rhetors. Logan discusses her motivations for writing this book, With Pen and Voice: A Critical Anthology of Nineteenth-Century African American Women , and makes connections between her scholarly focus and her work as both a teacher and an administrator.

The following is a side-by-side review of two recent additions to the growing “Keywords” genre: Keywords for Disability Studies and Keywords in Writing Studies. Often considered a niche issue, or, in the classroom, solely the concern of specialists, what Keywords for Disability Studies does is reveal the tacit norms behind (dis)ability that inflect all bodies and minds with meaning. Keywords texts offer a number of entry points into their respective fields, and, because of their formal structure, challenge readers and teachers to devise their own pathways through the text. Reading Keywords for Disability Studies alongside Keywords in Writing Studies reveals opportunities for all composition scholars and teachers of writing to both apply an awareness of (dis)ability norms in the field and the classroom and map productive intersections between the two fields of study.

This essay offers a review of Jay Dolmage’s Academic Ableism: Disability and Higher Education and Asao Inoue’s Antiracist Writing Assessment Ecologies: Teaching and Assessing Writing for a Socially Just Future with the intent of reminding composition instructors of the importance of intersectionality and accessibility. Each text encourages us to challenge traditional perceptions of success and failure thereby also interrogating imbalanced power dynamics between instructors and students particularly in regards to writing assessment and other pedagogical priorities. Finding ways to acknowledge difference, and affirm it, is vital to our collective success especially in the writing classroom.

This program profile of the Critical Writing Program at the University of Pennsylvania focuses on how disability came to be a valued term, a structuring philosophy, and a pedagogical touchstone for the program’s philosophy, curriculum, and practices. After exploring various challenges involved in addressing the needs of students with disabilities, we provide an overview of our program’s efforts to address the needs of students with disabilities. In so doing, we explain how we came to adopt an orientation towards disability that depends for its philosophical force on a return to Derrida’s advocacy of the deconstructive notion of différance . Différance seeks to overturn binary thinking, challenge uninterrogated binaries such as abled/disabled and the normate templates that enact and enforce these, replacing them with a relational, fluid, contextual approach.