Computers and Composition

143 articles
Year: Topic: Clear
Export:
writing pedagogy ×

September 2018

  1. Effective Social Media Use in Online Writing Classes through Universal Design for Learning (UDL) Principles
    doi:10.1016/j.compcom.2018.05.005
  2. Considerations of Access and Design in the Online Writing Classroom
    doi:10.1016/j.compcom.2018.05.001
  3. User-Centered Design as a Foundation for Effective Online Writing Instruction
    doi:10.1016/j.compcom.2018.05.006

June 2018

  1. Just a Tool: Instructors’ Attitudes and Use of Course Management Systems for Online Writing Instruction
    doi:10.1016/j.compcom.2018.03.004

March 2018

  1. Uncovering Student Perceptions of a First-Year Online Writing Course
    doi:10.1016/j.compcom.2017.12.006
  2. Shared Passions, Shared Compositions: Online Fandom Communities and Affinity Groups as Sites for Public Writing Pedagogy
    doi:10.1016/j.compcom.2017.12.003
  3. A Broad-Based Multiliteracies Theory and Praxis for a Diverse Writing Classroom
    doi:10.1016/j.compcom.2017.12.002

December 2017

  1. Online Peer Review Using Turnitin in First-Year Writing Classes
    doi:10.1016/j.compcom.2017.09.001
  2. Multimodal Composition Pedagogy Designed to Enhance Authors’ Personal Agency: Lessons from Non-academic and Academic Composing Environments
    doi:10.1016/j.compcom.2017.09.007

March 2017

  1. Game-based Pedagogy in the Writing Classroom
    doi:10.1016/j.compcom.2016.11.002
  2. The Limits of Hacking Composition Pedagogy
    doi:10.1016/j.compcom.2016.11.001
  3. Contents and Approaches to Technology in Digital Writing Instruction: Evidence from Universities of Two Canadian Provinces
    doi:10.1016/j.compcom.2016.11.007

December 2016

  1. A Critical Interpretative Synthesis: The Integration of Automated Writing Evaluation into Classroom Writing Instruction
    doi:10.1016/j.compcom.2016.05.001

June 2016

  1. Intervention in Online Writing Instruction: An Action-theoretical Perspective
    doi:10.1016/j.compcom.2016.03.010

March 2016

  1. Audio, Archives, and the Affordance of Listening in a Pedagogy of “Difference”
    doi:10.1016/j.compcom.2015.11.004

September 2015

  1. Infrastructure and Wiki Pedagogy: A Multi-Case Study
    doi:10.1016/j.compcom.2015.06.002

March 2015

  1. The Pedagogy of the Digital Archive of Literacy Narratives: A Survey
    doi:10.1016/j.compcom.2015.01.001

December 2014

  1. From Screen to Screen: Students’ Use of Popular Culture Genres in Multimodal Writing Assignments
    doi:10.1016/j.compcom.2014.10.001

September 2014

  1. Design Thinking and the Wicked Problem of Teaching Writing
    doi:10.1016/j.compcom.2014.07.001

June 2014

  1. Teaching Writing in the Context of a National Digital Literacy Narrative
    doi:10.1016/j.compcom.2014.04.003
  2. Improving Writing Literacies through Digital Gaming Literacies: Facebook Gaming in the Composition Classroom
    doi:10.1016/j.compcom.2014.04.005

December 2013

  1. Re-Inventing Digital Delivery for Multimodal Composing: A Theory and Heuristic for Composition Pedagogy
    doi:10.1016/j.compcom.2013.10.004
  2. Kindle in the Writing Classroom
    doi:10.1016/j.compcom.2013.10.005

March 2013

  1. A Pedagogy of Resistance Toward Plagiarism Detection Technologies
    doi:10.1016/j.compcom.2013.01.002

December 2012

  1. Blog-Based Peer Reviewing in EFL Writing Classrooms for Chinese Speakers
    doi:10.1016/j.compcom.2012.09.004

March 2012

  1. Peer Review via Three Modes in an EFL Writing Course
    doi:10.1016/j.compcom.2012.01.001

December 2011

  1. Tubing the Future: Participatory Pedagogy and YouTube U in 2020
    doi:10.1016/j.compcom.2011.10.001

March 2011

  1. Using I, Robot in the Technical Writing Classroom: Developing a Critical Technological Awareness
    doi:10.1016/j.compcom.2010.12.001

June 2010

  1. Palin/Pathos/Peter Griffin: Political Video Remix and Composition Pedagogy
    doi:10.1016/j.compcom.2010.03.004

March 2010

  1. The Digital Imperative: Making the Case for a 21st-Century Pedagogy
    doi:10.1016/j.compcom.2009.12.004
  2. Paradox and Promise: MySpace, Facebook, and the Sociopolitics of Social Networking in the Writing Classroom
    doi:10.1016/j.compcom.2009.11.003

December 2009

  1. Digital Underlife in the Networked Writing Classroom
    doi:10.1016/j.compcom.2009.08.001

September 2009

  1. Strange Bedfellows: Human-Computer Interaction, Interface Design, and Composition Pedagogy
    doi:10.1016/j.compcom.2009.05.004

June 2009

  1. Usability Research in the Writing Lab: Sustaining Discourse and Pedagogy
    doi:10.1016/j.compcom.2008.10.001

January 2008

  1. Digital Divide 2.0: “Generation M” and Online Social Networking Sites in the Composition Classroom
    doi:10.1016/j.compcom.2007.09.004
  2. Teaching with Wikis: Toward a Networked Pedagogy
    doi:10.1016/j.compcom.2008.06.001
  3. The Design is the Game: Writing Games, Teaching Writing
    doi:10.1016/j.compcom.2008.04.006
  4. Analyzing Students’ Perceptions of Their Learning in Online and Hybrid First-Year Composition Courses
    doi:10.1016/j.compcom.2008.01.002
  5. A Pedagogy of Play: Integrating Computer Games into the Writing Classroom
    doi:10.1016/j.compcom.2008.04.005

January 2007

  1. CMS-based simulations in the writing classroom: Evoking genre through game play
    doi:10.1016/j.compcom.2006.06.004
  2. Implementing an open process approach to a multilingual online writing center
    doi:10.1016/j.compcom.2007.05.003
  3. Computer-mediated communication and the linking of students, text, and author on an ESL writing course listserv
    doi:10.1016/j.compcom.2006.12.004

January 2006

  1. Writing work, technology, and pedagogy in the era of late capitalism
    doi:10.1016/j.compcom.2005.08.008
  2. Why Napster matters to writing: Filesharing as a new ethic of digital delivery
    Abstract

    This article discusses the Napster phenomenon and its cultural significance, traces some of the threads of the current “copyright crisis,” and connects these cultural and legal dynamics to show how the current filesharing context of digital environments pertains to issues affecting writing teachers. The article (1) urges writing teachers to view the Napster moment—and the writing practice at the center of it, filesharing—in terms of the rhetorical and economic dynamics of digital publishing and in the context of public battles about copyright and intellectual property and (2) argues that digital filesharing forms the basis for an emergent ethic of digital delivery, an ethic that should lead composition teachers to rethink pedagogical approaches and to revise plagiarism policies to recognize the value of filesharing and to acknowledge Fair Use as an ethic for digital composition.

    doi:10.1016/j.compcom.2006.02.001
  3. Paying attention to adult learners online: The pedagogy and politics of community
    doi:10.1016/j.compcom.2005.12.006

January 2005

  1. Comparing grades in online and face-to-face writing courses: Interpersonal accountability and institutional commitment
    doi:10.1016/j.compcom.2005.08.005
  2. Second language writing research and pedagogy: A role for computer logging?
    doi:10.1016/j.compcom.2005.05.003

September 2004

  1. Of flags: Online queer identities, writing classrooms, and action horizons
    doi:10.1016/j.compcom.2004.05.003

June 2004

  1. The impact of e-feedback on the revisions of L2 writers in an academic writing course
    doi:10.1016/j.compcom.2004.02.003

March 2004

  1. Reimagining writing program web sites as pedagogical tools
    doi:10.1016/j.compcom.2003.08.019