The relationship between tutoring and teaching has been a recurrent topic of interest among writing center directors and writing program administrators. While scholarship agrees tutoring experience aids composition teachers with implementing process pedagogy and fostering a collaborative classroom, the relationship between tutoring and assessment of student writing is less clear. This qualitative study uses interviews with eight graduate teaching assistants with tutoring experience to examine how they transfer and juxtapose knowledge, practices, and values for response between the writing center and classroom. Like previous scholarship, this research finds writing center tutoring contributes to teachers’ enactment of constructivist, student-centered pedagogy and enhances their understanding of students’ relationship to writing and feedback, standard language ideology, and systemic inequities in education. However, evaluation led these instructors to experience tension between their values and preferred respondent roles, with many reporting anxious grading processes and some experimenting with alternatives to traditional grading. The article concludes with suggestions to build bridges between tutoring and teaching contexts, particularly through explicit attention to antiracist pedagogy and alternative assessment practices.

For many students, peer review can be muddled or frustrating. They can feel uncomfortable with the process if they do not feel confident with their own writing, and many believe poor past performances disqualify them from offering constructive feedback. Because writing center tutors are trained in sharing feedback in a kind and helpful manner, they are positioned to be excellent models for students inexperienced with or damaged by feedback. Learning how to participate in effective peer review can remove the emotional baggage attached to writing and create a respectful community of writers in the classroom. In this teaching tip, we explain how to embed writing center tutors in writing-intensive courses to improve peer review practices.

Creating inclusive pedagogies that serve the whole student is a goal of many writing programs and writing centers, but it's difficult to find pathways to implement this goal. Employing responsive reflection to students' writerly identity work may offer instructors and writing center directors an accessible path to both encourage writerly identity development across contexts as well as reflect on pedagogical practice for inclusivity.

As labor-based grading contracts gain momentum in first year writing classrooms, new kinds of response to writing take center stage. We explore how session notes composed by embedded peer tutors and students become rich tools in a writing process and create a gateway to the writing center for first-year students. By reading session notes in conversation with students’ reflective writing, we put forward three key findings: students articulate a relationship between building confidence in their writing and their willingness to seek, receive, and value feedback; students discuss how the labor required for an ‘A’ pushed them to access and learn about resources outside of the classroom; and students’ interactions with the Writer’s Workshop during their first two semesters of college indicate that they can build long-term relationships with peers and with the Writer’s Workshop (including as staff members) beyond first-year-writing and beyond their first semester.

Multimodality is recognized as a useful pedagogical tool, but it is often difficult to apply in real-life curricula. Further, expectations on educators and various campus units are increasingly complex and require nimble and innovative partnerships. In this article, Christina, a first-year composition instructor, and Lucie, the university’s writing center (WC) director, share their different but parallel paths to “going multimodal” for the first time. They show how they joined forces to determine how best to teach and respond to students’ diverse multimodal projects. First, Christina explains how she taught herself and her students about multimodal rhetoric and genres with the help of two dedicated WC tutors. She also outlines how she created a rubric to respond to students’ projects throughout their composing processes. Then Lucie shares her initial hesitancy about going multimodal and how she ultimately prepared her tutors to respond to the projects that Christina’s students presented. The article concludes with Christina and Lucie discussing the exciting synergy they experienced while working together and with the tutors and the challenges they faced. For composition instructors, tutors, and WC directors interested in adopting multimodal assignments, this article provides ideas and suggestions for teaching, giving feedback, and mentoring.

We are thrilled to introduce and welcome you to our fourth volume year of Journal of Response to Writing. This is the seventh installment of the journal, and we are encouraged by JRW’s growing readership and increasing dissemination of scholarship internationally. As we continue to offer a shared venue for practitioners and researchers of English composition, second language writing, foreign language writing, and writing center studies, we hope that you will kindly share this open-access, online resource with your colleagues and students who are interested in issues of response to writing. In this issue, we are pleased to introduce a range of fascinating articles that offers important insight into response practices across multiple formats, programs, and student backgrounds. In our first article “Peer Reviews and Graduate Writers: Engagements with Language and Disciplinary Differences While Responding to Writing,” Kate Mangelsdorf and Todd Ruecker examine the efficacy and potential of graduate L2 peer review sessions. This under-researched area of inquiry is meaningful given the assumptions many teachers and graduate students share that feedback on graduate-level writing is best provided by content experts with native language proficiency. This study followed 12 graduate students (nine L2 writers) over a 16-week peer review course to examine the impact of language background and discipline on peer review interactions. From their investigation, the authors argue that “students’ attitudes toward language difference. . .played a greater role in making successful peer reviews than students’ categorization as L1 or L2 students.” Manglesdorf and Ruecker further arranged students in peer review groups by similar disciplines, yet they still found that differences in education level (M.A. vs. Ph.D.) could interfere with helpful peer reviews. Nevertheless, the authors indicate that regardless of linguistic or disciplinary differences, all graduate writers can increase their r

While some studies suggest that teachers’ written comments help students transfer writing skills across contexts (Wardle, 2007), the literature on feedback’s role in the transfer process has yet to be fully explored. Research has indicated that feedback that is intentional, specific, and reflective benefits students’ writing growth and the transfer process. To rethink this process of providing feedback, this article discusses how writing center principles can be applied to commenting for transfer in first-year composition and writing-intensive courses. Writing centers offer an individualized, student-centered, conversational approach to learning. Universities have incorporated the writing center into the classroom through writing fellows programs. This article will cover how instructors can more effectively foster transfer, implementing the writing center through goal setting and dialogism in their feedback. One narrative in a writing-intensive research methods course illustrates the benefits of this pedagogy.

“English can be both amusing and treacherous,” notes Ben Rafoth, coeditor of ESL Writers: A Guide for Writing Center Tutors. Together with coeditor Shanti Bruce and dozens of other English, composition, and English as a Second Language (ESL) teachers and academics, this book presents the enjoyment and obstacles that tutors and tutees face. The 16 chapters cover a variety of ESL students: international, Generation 1.5, graduates of U.S. high schools, and professionals. In addition, this guide “also discusses differences in tutoring styles in various settings—for instance, with undergrads, peers, grad students, and instructors— as well as variations” also lays out differences in tutoring styles in various settings by undergrads, peers, grad students, and instructors, as well as variations in writing centers across the United States and at foreign universities

This article presents three case studies that closely examine various types of interactions taking place in writing center tutorials involving newly arrived pre-matriculated ESL writers. By learning what strategies tutors commonly use and how successfully the ESL writers negotiate their goals for the visit and the form and meaning of their text through this sample, this study aims to help identify what characterizes successful tutorials and what unique challenges English language learners might face when interacting with tutors. Results from these case studies show that it is not how many corrections tutors make or suggest for the students’ papers, but how much the tutors engage their tutees in a meaningful dialogue that brings satisfaction to the ESL students. Findings also suggest that deliberate efforts should be made to equip ESL writers with necessary metalanguage to communicate their goals for their visit.

Faculty and writing center tutors bring expertise to writing as practice and process. Yet at many institutions, the two groups work in relative isolation, missing opportunities to learn from each other. In this article, I describe a faculty development initiative in a multidisciplinary writing program that brings together new faculty and experienced undergraduate tutors to workshop instructors’ comments on first-year writing. The purpose of these workshops is to assist faculty in crafting inquiry-driven written responses that pave the way for collaborative faculty-student conferences. By bringing together scholarly conversations on tutor expertise and the role of faculty comments in student learning, I argue for the value of extending partnerships between writing centers and programs. Such accounts are important to the field for challenging what Grutsch McKinney (2013) calls the “writing center grand narrative,” which limits the scope of writing center work by imagining centers primarily as “comfortable, iconoclastic places where all students go to get one-to-one tutoring on their writing” to the exclusion of lived realities (p. 3). In this case, I describe a writing center where tutors bring their expertise outside the center and into the faculty office, consulting in small groups with faculty with the aim of enriching the quality of instructor feedback in first-year seminars.