ABSTRACTInspired by challenges we faced in an undergraduate community-literacy cohort, we theorize “epideictic listening” as an important concept for articulating the range of listening strategies necessary both for our work in local public schools and for sustaining the cohort’s internal cohesion. Through critical reflection, we (faculty and student coauthors) offer a definition of “epideictic listening” that draws from, but also distinguishes itself from, other theoretical frameworks, such as rhetorical listening and community listening. We situate epideictic listening within the larger rhetorical tradition of epideixis. We end with a concrete application for epideictic listening—the debrief—and gesture toward the larger significance for epideictic listening in community settings.KEYWORDS: Debriefepideictic listeningepideixisethosrhetorical listening Disclosure StatementNo potential conflict of interest was reported by the author(s).

On 13 July 2016, President Barack Obama delivered a speech memorializing five police officers slain during a peaceful protest in downtown Dallas, Texas. Obama’s speech came on the heels of many other mass shootings, some associated with acts of racialized violence, during his administration. We argue that by deploying aporia, Obama addressed the conflicting constraints and exigencies exposed by the Dallas shooting and opened inventional possibilities that included virtuous behavior, commemorative speech, and dialogic-reciprocal encounters that also reappraised the concept of double consciousness. We conclude by exploring how aporia enables and undercuts discussions of complex social problems during epideictic encounters.

Scholars have often noted that the Greek rhetorical term, kairos, relates etymologically to weaving. However, many accounts of this connection overlook the weaving technology used in ancient Greece, the warp-weighted loom. Examining this technology alongside archeological experiments, ancient depictions on vases, and references in ancient lexicons, we propose adopting a definition of kairos (in its weaving sense) as a “chained spacing cord” used to ensure balance and evenness. By focusing on kairos’ relationship to weaving, we shift its etymological resonances away from the idea of an opening to be penetrated, reemphasizing a concept of kairos grounded in embodiment, materiality, balance, and due measure. More broadly, attending to the materiality of praxis highlights rhetoric’s connection to other technai and offers an additional way to understand gendered histories of rhetoric.

In this article, I argue that an epideictic approach to climate rephotography may produce what Jenny Rice has referred to as “exceptional” public subjectivities by encouraging audiences to further distance themselves from the complex political and rhetorical processes of climate inaction. To elucidate this claim, I conduct an analysis of two popular climate change documentaries that position rephotography as the lynchpin of rhetorically impactful climate advocacy (Chasing Ice and Chasing Coral). Both documentaries function as a form of epideictic in their own right by displaying exemplary moments of emotional conversion as the desired rhetorical outcome of a rephotographic encounter. I then turn to consider how epideictic rephotography potentially forecloses deliberative possibilities enabled through this mode of visual advocacy. I thus conclude by offering insight into how deliberative approaches to rephotography might be incorporated into rhetorical pedagogies.

This essay uses the figure of pollice verso, the “turned thumb” gesture synonymous with Roman gladiatorial contests, as a speculative tool to account for Donald Trump’s use of ambiguity in his rhetoric. Specifically, the essay argues that translating Trump’s demonstrative rhetoric into a deliberative frame can lead to misunderstanding one of his chief resources as a rhetor: the ambiguity of his “thumbful” rhetoric. Through a discussion of Third Sophistic rhetorical theory, affect, and the comedian Sarah Cooper’s parodies of Trump, the essay argues why countergesture should be considered just as indispensable as counterargument for rhetoricians who teach about affordances of digital media.

ABSTRACTDuring a 2018 sentencing hearing of former Olympics and Michigan State University doctor Larry Nassar, 156 survivors offered Victim Impact Statements, and Judge Rosemarie Aquilina made national headlines for her impassioned responses to each survivor. This essay shows how Aquilina’s responses use epideictic rhetoric to make audible a judicial practice of feminist witnessing of assault testimony. In so doing, Aquilina challenges the way blame “sticks” to survivors and casts a scrutinizing gaze on a culture that silences survivors; praises the individual act of testimony and constitutes a collective of “sister survivors,” thereby fostering connection and potential for coalition building; and reframes sexual assault testimony as a public act with socially transformative effects.KEYWORDS: Epideictic rhetoricfeminist judicial theoryfeminist witnessingsexual assault Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 I rely on the VIS reproduced on the website In Our Own Words, a resource created by Heartland Independent Film Forum and sponsored by the Michigan Daily Newspaper, MSU’s student paper. Because the statements were published with survivors’ permission on inourwords.org as an educational resource, I have used the survivor’s name if it was released. In cases where it was not, I use the number or symbols that appear on inourwords.org.2 The VIS followed Nassar’s guilty plea to seven counts of sexual misconduct. Although the plea deal meant there would be no public criminal trial during which survivors could testify, Aquilina invited any survivor impacted by Nassar’s abuse, including parents, to offer a statement.3 Aquilina’s vengeance-focused comments also received criticism from feminists, even as they often acknowledged them as an understandable response to Nassar’s abhorrent acts (Gruber; Press). Her comments, in this moment, demonstrate the limitations of what Elizabeth Bernstein calls carceral feminism, wherein criminal prosecution is viewed as a solution to gender violence, without attention to the ways criminal law is entrenched in “masculinism, racism and cruelty” (Gruber).

This essay shows how Plato uses methods of fourth-century rhetorical theory to build a theory of language-as-signification, which he constructed to overcome the problem of lies and “false speech” in sophistic culture. By deconstructing Plato’s theorization of signification, I question the historical process by which the “sovereignty of the signifier” (in Michel Foucault’s terms) came to be established, and I reposition Plato as a theorist in the rhetorical tradition who, by redefining the key terms of onoma, rhêma, and logos, created a theory of language that made lies all the more potent by reducing them to “mere signification.” It is this understanding of language as merely signifying and referencing the world that, I argue, lies at the root of the post-truth problem in 21st-century politics. While Plato’s truth problem is characterized by “silence without disproof,” our own post-truth problem is characterized as “disproof without silence.”

When, after having registered for the ninth grade, I told my dad I was going to take Latin, he raised an eyebrow and a question: “Why?” Thinking it would be a reason a practical person like him wou...

This essay will demonstrate how both the cultural and temporal antecedents of classical rhetoric are linked to Mesopotamian writing by their shared use of similes, such as fable, aenigma, and parable as pardeigmae. Mesopotamian myths employed allegory and aenigma to advance a cultural argument that intersects with common theoretical topics in ancient rhetoric through analogical reasoning. Finally, this essay will introduce this obscure but highly relevant source of rhetorical thinking from Mesopotamia and their culturally transmitted theories in a neglected primary source, Enmerkar and the Lord of Aratta. This brief epic shares similar philosophical ground with ancient Greco-Roman rhetoric, and addresses rhetoric’s fundamental nature at a much earlier point in history than accounted for in existing histories of classical rhetoric.

This essay contributes to scholarship on precarity and rhetoric by exploring how participatory epideictic rhetorics, data, and infrastructure contribute to precarity. We concentrate on how shared data practices (i.e., systems for archiving, storing, distributing, and communicating information) produce and sustain human/material vulnerabilities for users, developers, and systems with observational research of VirtualLearners, a business that created, aggregated, and sold data (i.e., videos, texts, and games) to educators. We argue that VirtualLearners’s glitching online ratings system and its associated data nurtured user precarity by encouraging barriers to education, the basis of economic and social mobility. In this essay, we expose VirtualLearners’s backstage computational techniques and tactics that transformed the rhetorical capacities made available to students and teachers. As part of this study, we introduce the concept of affective data technologies to explain how publics are encouraged to become invested in data practices that can make them complicit in their own precarity.

With Editorial Bodies: Perfection and Rejection in Ancient Rhetoric and Poetics, Michele Kennerly has produced an erudite contribution to the fields of ancient rhetoric, intellectual history, and c...

Demagoguery is a subject of much discussion around the world in light of recent international political affairs. But since demagoguery remains a contested term, the definition invites continued deliberation as rhetoricians grapple with its usefulness, persistence, and presence in world affairs, and as they consider what, if anything, to do about it. Building from Aristotle’s famously imprecise definition of demagoguery and from contemporary definitions that locate demagoguery in culture not in a specific speaker, this essay argues that demagogic rhetoric necessarily incorporates arguments, topoi, and evidence that attack and attempt to undermine the legitimacy of democratic institutions. Specifically, demagogic rhetoric hyperextends or supercharges direct democracy by amplifying “the will of the people” to undermine the constraining functions of democratic institutions.

This article considers how rhetoricians might access rhetoricity, that which precedes and pervades meaning. The three pieces of minimalist music I examine—Steve Reich’s It’s Gonna Rain, Alvin Lucier’s I Am Sitting in a Room, and Philip Glass’s Einstein on the Beach—experiment with speech, peeling back the meaning-filled dimension of language in order to expose how affect and material move people. This peeling back of meaning, my analysis suggests, is achieved through refrain and rhythm, two forceful sonic rhetorical phenomena that rhetoricians might both study and deploy.

This essay reads The Civil War in France, Karl Marx’s account of the 1871 Paris Commune, as an example of revolutionary epideictic rhetoric that takes debt as a central unifying trope. Marx deploys the rhetoric of debt as a synecdoche to unify diverse French and international political constituencies around the political project of the Paris Commune. Simultaneously, in the wake of the Commune’s destruction, the trope of debt allows Marx to signal the political potential of the Commune outside its immediate context, inviting thinkers and activists after Marx’s time to invest in the Commune’s project in new and creative ways. I argue that this reading of The Civil War in France contributes to conversations about revolutionary community within Marxian rhetorical studies, as well as furthering discussions of the links between epideictic rhetoric and social change.

The historical relationship between Judaism and Islam has been the subject of scholarly inquiry for decades. Until recently, however, this fourteen-century-old relationship has gone unremarked on by theorists and historians of rhetoric. In this article, I explore the interconnectivities between legal rhetoric in Judaism and Islam. Looking at the Nicomachaean Ethics and Chaim Perelman’s analysis of rhetoric, justice, and law, I first investigate how, like Aristotle, Jewish and Muslim jurists link virtuousness to obedience to the law. Then, I show how sharia and halakha, Islamic and Jewish law, use rhetoric and systematic argumentation to articulate the place of law in the lives of Muslims and Jews. Finally, using the medieval Mamluk Sultanate and the Geniza community as the basis of a comparatist rhetorical analysis, I demonstrate the lived interconnectedness of Judeo-Muslim legal rhetorics pertaining to marriage, divorce, and the juristic agency of medieval Mediterranean women.

“A dog walks into the middle of Aristotle’s Rhetoric” (1).In reading the opening line to Hawhee’s most recent book, published with The University of Chicago Press, a reader might anticipate the eme...

Marouf Hasian, Jr.’s Forensic Rhetorics and Satellite Surveillance is timely and relevant to contemporary issues of human rights violations and crises in the wake of emergent terrorist organization...

Since his election in 2013, Pope Francis has attracted worldwide attention for his break with the public style of his immediate predecessors. This seeming rupture has often incited controversy, particularly between liberals and conservatives in American Catholicism. This division was exacerbated by the 2015 publication of Laudato Si’, Francis’s encyclical letter on the environment. Yet the apparent divergence of opinion masked a more fundamental agreement that popes should normally steer clear of scientific matters. The belief that science is one thing and religion another rests on what Bruno Latour has called “the Modern Constitution,” which draws sharp divisions between science and politics and relegates religion to the private sphere. Laudato Si’ rejects this framework in favor of a more holistic analysis articulated through epideictic rhetoric. I name this approach “nonmodern epideictic” and argue that it both confirms and supplements Latour’s understanding of religious rhetoric.

This essay examines citizen correspondence to the White House following Franklin Delano Roosevelt (FDR)’s “Fala speech.” During the 1944 presidential election, citizens often engaged in prosopopoeia by writing from the perspective of their pets and Roosevelt’s dog, Fala. I argue that citizens used this classical rhetorical figure to identify with the president and express their views of FDR’s character. Thus, animals offered a strategic, seemingly nonpolitical locus for expressing judgments about the election.

The humanist tradition of rhetoric has historically emphasized differences rather than similarities between humans and nonhuman animals. Attending to similarities between humans and other species is considered anthropomorphic; however, avoiding similarities is anthropocentric. Using case studies of feral children, this essay attends to the way similarities may be constituted across differences, particularly in cases where wolves domesticate human children. Domestication is the constitution of common sense. Aristotle theorizes common sense as an interspecies capacity, while Cicero contends it is innately human. The humanist tradition has favored Cicero’s rendering. This essay works through the consequences of this adoption and concludes by speculating on Aristotle’s notion of common sense as zoomorphism, a form of animal troping.

Wearable technologies in general and mHealth data in particular are championed frequently for ways they afford individual agency and empowerment and promote what the Robert Wood Johnson Foundation (RWJF) calls a “culture of health.” This article complicates such epideictic rhetorics based on results from a situational analysis of the RWJF’s Data for Health listening events, which incorporated panelists from the RWJF, JawBone, Inc., the Quantified Self, and other mHealth technology organizations as well as audience participants who work in community health. Given panelists’ and audiences’ diverging claims about how mHealth data either succeed or fail in creating a culture of health, I mobilize precarity as an analytic construct for critiquing the coexistence of technoscientific progress alongside the persistence of health disparities among vulnerable populations.

The death of philosopher and public intellectual Jacques Derrida drew international attention and generated public acts of mourning in the media. Several of the published obituaries for Derrida are notable for their overtly hostile and dismissive tone. This essay explores the genre of epideictic rhetoric and is grounded in Derrida’s work on mourning, analyzing several instances of “uncivil” epideictic rhetoric including three hostile obituaries and several responses to them written by friends and colleagues of Derrida for the insight that they yield regarding ethical public remembrance. We argue that a sincere engagement with the ideas of the dead, while always incomplete, is at the heart of an ethical, civil mourning.

The aim of this essay is to demonstrate how Aristotle's conception of tragic catharsis provides a basis for fleshing out the political office he tacitly assigns to rhetoric: defending a city-state's constitution against its characteristic forces of corruption so as to promote stability over the long-run. By inquiring into the Politics' emphasis on preservation and its endorsement of ostracism, this essay argues that Aristotle's theory of constitutions enables a rethinking of rhetoric's political efficacy in terms of a non-representational cathartic process that by means of facilitating civic purgation renews a community's political identity and so strengthens its commitment to the task of preserving the constitution. It demonstrates how, in articulating the grounds for exile, appeals to ostracism work toward the clarification both of the community's organizing principle and the emotional bonds of political philia. The essay concludes by reflecting on the persistence of rhetorical catharsis in today's Western democracies.

In his last seminars, Michel Foucault analyzed parrēsia (frank speech) in classical Greece and Rome, a subject also addressed by classical rhetoricians. Foucault regards parrēsia as an idealized modality of truth telling—unartful, sincere, courageous speech that tells an unwelcome truth to power. Aligning rhetoric with flattery, Foucault excludes rhetorical parrēsia from his history of thought. This essay offers an alternative analysis of parrēsia from the perspective of classical rhetoric. Drawing especially on the comprehensive description in the Rhetorica Ad Herennium, this essay identifies within the classical tradition a feigned parrēsia as well as a sincere one and a rhetorically artful parrēsia as well as the unartful, bold one that Foucault favors. Furthermore, the essay traces a genealogy that highlights changes in the practice of parrēsia as the term is conceptualized in the context of friendship, at which point parrēsia takes on an unmistakably rhetorical character.

The essay argues that no substantial connection exists between Stanley Fish's work and the tradition of sophistic rhetoric. The purpose of this argument is to show that Fish's work undermines and weakens the development of a rhetorical pedagogy that focuses on the role of language in the formation of beliefs. I contend that Fish's book, Doing What Comes Naturally, is actually hostile to most forms of a classical rhetorical education and can only issue from theoretical grounds that misunderstand the rhetorical tradition. Thus this essay seeks to critically examine one of the foremost defenders of rhetoric over the last twenty years by contextualizing his work in classical rhetorical theory. Fish produces a thin account of rhetoric that disassociates the language arts from citizenship in contemporary democracies. Such a move shapes his highly disciplinary and epistemological understanding of the function of higher education.

Women's rhetoric in the Middle Ages reflects their participation in the deliberative rhetorical genre inherited from classical antiquity. The deliberative tradition, which was often theorized by medieval rhetoricians as existing in consular practice, can thus serve as an example of women's rhetoric which, as Christine Mason Sutherland has noted, could take place in sermo. Women's letters were often hortatory, civic, and sometimes agonistic in tone. These rhetorical artifacts demonstrate that women operated in the rhetorical tradition as eloquent, powerful agents of persuasion in the civic arena, and they also show that, although unmoored from traditional spaces and practices associated with deliberation in antiquity, deliberative rhetoric was a more viable form of rhetoric in the Middle Ages than previously believed.

David Timmerman and Edward Schiappa's Classical Greek Rhetorical Theory and the Disciplining of Discourse sustains the substantive claim that ancient authors codified rhetoric in conceptual terms i...

This article uses Foucault's enunciative analysis and stasis theory to explore the rhetorical work of the Midwest Pain Group (MPG) as its members struggle to collaborate across disciplinary difference to transform the discourse and practice of pain science. Foucault's enunciative analysis explains how discourse formations regulate statements, but not how formations can be transformed. We argue that stases can be thought of as nodes in the networks of statements Foucault describes and that stasis theory explains the rhetorical means through which members of the MPG work to transform the discourse of pain science. As the members of the MPG confront the epistemological incommensurability that exists between their individual disciplines, they establish a meta-discourse in which the definitional and jurisdictional stases help them invent a new definitional topos. We describe the way this rhetorical work occurs “off- label” in violation of the discursive restrictions of scientific disciplines, regulatory agencies, and insurance institutions.

Abstract Rhetorical analysis of John Locke's monetary arguments reveals that Locke relied on a core enthymeme that deployed several rhetorical devices (including a narrative diegesis, a dissociation and hierarchization of terms, and several metaphors) to synthesize two contradictory and common beliefs about money's value—money's value is determined by supply and demand; money's value is determined by substance. Moreover, this analysis revitalizes the conversation between economists and rhetoricians by presenting rhetorical analysis as a way to discover causal mechanisms. Finally, locating causal mechanisms allows an historical understanding of how debates have been shaped by the available means of persuasion. Acknowledgments Special thanks to James Aune, Martin Medhurst, and the editor and anonymous RSQ reviewers for their feedback at various stages in this article's production. Notes 1The stalled nature of the conversation is nowhere better captured than in Fabienne Peter's “Rhetoric Vs. Realism in Economic Methodology.” 2For another social-scientific discussion of causal mechanisms, see Sayer 105–117. 3My description of a “deep-seated” mechanism depends on the assumption that a social formation can be productively imagined as a stratification of numerous causal powers, some deeper and more pervasively effective. What we immediately witness at the top of a formation is thus “overdetermined” by the causal mechanisms layered beneath. For a fuller exploration of this concept, see Andrew Collier's “Stratified Explanation and Marx's Conception of History.” 4For a fuller explanation of how England's various parties formed into a “military-financial state,” see Dickson (chs. 1–3) and Carruthers (chs. 2–3). 5Aristotle asserts that “an ability to aim at commonly held opinions [endoxa] is a characteristic of one who also has a similar ability to regard the truth” (33). Pierre Bourdieu differentiates between orthodoxy and heterodoxy (Outline 164–171). According to Bourdieu, crises can disrupt all the rhetorical resources available to a population, both the heterodox and the orthodox, creating a space for an allodoxia, a new, potentially revolutionary, set of assumptions (Language 132–133). 6For more on the term “crisis of representation” and its relation to seventeenth-century England, see Poovey 6. 7Although they disagreed about recoinage, Locke and Nicholas Barbon believed that commodities' values are set by the intersection of supply and demand (Barbon Trade 15–19; Locke Some Considerations 66). 8James Thompson contends that Locke made an “ontological” appeal to the “ineluctable being of silver,” thus strictly emphasizing its substance value (63). Thompson, on the other hand, also notices that Locke accredited the socially constructed forces of supply and demand with value creation (61). He therefore concludes that Locke contradicted himself. 9Vaughn dubs Locke's model a “proportionality theory of money,” but given the overwhelming use of the term “quantity” in post-Lockean monetary theory, I choose this term to emphasize the model's persistence in subsequent arguments. 10James Thompson rightly notices the central importance of security in Locke's monetary theory. Locke wanted a stable monetary system that guaranteed transmission of value: “The return is always the same, for the ideal is an exchange system, or a system of debit and credit, in which one receives what he gave” (58). Karen Vaughn notes that Locke was an unusual metalist because he did not believe in money's ontological value, while he did believe that the substance (silver) was necessary to guarantee stability (35). 11For further treatment of Locke's economic writings and his theory of natural law, see Appleby; Finkelstein 165–170; and Vaughn 131. For a dissenting perspective, an argument that money had no place in Locke's imagined state of nature or in his theory of natural law, see Tully 149. 12In this paragraph, I rely on Perelman and Olbrechts-Tyteca's explanation of dissociation, hierarchy, and the topic of order (80–83, 93–94, 411–415). 13For a fuller review of the Bill, its enactment, and its effects, see Horsefield (61–70) and Feavearyear (135–149). 14Marx contended that Locke emphasized one side of money's contradictory composition, its substance (Contribution 159). Eli Heckscher similarly contended that Locke accepted the mercantilist equation of metal and value, saying that Locke confused Juno for the cloud, money for what money represented (209). Additional informationNotes on contributorsMark Garrett Longaker Mark Garrett Longaker is an Associate Professor in the Department of Rhetoric and Writing at the University of Texas at Austin, PAR 3, Mailcode B5500, Austin, TX, 78712, USA.

Christopher Tindale has for some time been a not-particularly-dark champion of the proposition that the rhetorical dimension of argumentation cannot be ignored. Books such as Acts of Arguing (1999)...

That a single author creates a rhetorical artifact is fundamental to traditional genre theory. This article draws on posthumanist notions of linguistic “citationality” in order to divest the epideictic rhetoric of the Minuteman Project of the fantasy of the original author. We argue that, in epideictic engagements, language is reinvigorated; it recurs and circulates infinitely, accumulating meaning in each new instantiation. Using a text with considerable ethical complexity, we examine three themes of particular interest to posthumanism: accountability/responsibility, the potential for (political) resistance, and community. Epideictic discourses tell us not only who to be, but how to be; from a posthumanist point of view, those constructs, we claim, are enfoldments of the exterior. By positing citationality as key dimensions of genre, and following the theoretical works of Jean-Luc Nancy and Giorgio Agamben, we explicate the significance of subjectivity as a rhetorical outcome of the social.

Situations calling for judgment give impetus to rhetoric's ability to “bring before the eyes” absent or unapparent persons, places, or things. Rhetoricians often attribute this aspect of rhetoric's power to phantasia, the capacity through which images of stimuli past, passing, or to come are generated and made present. This article proposes and pursues a conceptualization of “rhetorical transport” predicated on civic phantasia, a mode of distance collapse whereby rhetors move subjects or objects so as to enable or impede particular judgments. Rhetorical transport abounds in rhetorical practice, but this article focuses on its presence in Gorgias, Cicero, and Thomas Paine.

Abstract While traditional rhetoric missed opportunities for potent change in the New World, alternative rhetorical theory nonetheless existed. This essay argues that a play by renowned nun Sor Juana Inés de la Cruz is a source of protofeminist, New World rhetoric, prompted by multicultural seventeenth-century New Spain. Immensely respected by the dominant powers of Church and state, Sor Juana was also attuned to issues of nondominance because she was criolla and female. Her religiously orthodox Divine Narcissus is simultaneously a rhetoric of listening that rewrites classical rhetoric's focus on speaking within a community to attend to people at odds with one another. It highlights the need for Spaniards, criollas, and Mesoamericans to go beyond talking at one another, and instead listen with care. The Divine Narcissus is an important text in rhetorical theory, concerned with dominant and nondominant rhetors and audiences in early Mexican society. Notes 1See Merrim and Kirkpatrick on the echo; Stroud's Lacanian reading; Gonzalez, Granger-Carrasco, and Kirk on theology; and Merrim on narcissism. Like me, Ackerman emphasizes the theme of utterance and hearing voices, but stresses this as a means of encouraging an "interpretive devotion to Christ" (73). 2Work on rhetoric and listening is now being explored by rhetoricians such as Royster, Krista Ratcliffe (see "Cassandra," Rhetorical Listening), Michelle Ballif, and Gemma Fiumara. Wayne Booth is one of the few scholars to posit listening as an overlooked but traditional part of rhetoric. See also Cynthia Selfe's recent argument for composition studies to reclaim "aurality," "the reception and production of aural communications" (646, note 1). 3Naming indigenous groups is a fraught endeavor. Current scholarly practice favors using an ethnic group's name for itself when feasible; the specific group Sor Juana refers to here are the Mexica. I use Nahua (of which Mexica are a prominent subgroup) to refer to a wider group of Nahuatl speakers and their religious practices, and I use Mesoamerican as a general term for indigenous peoples of central Mexico and environs. While sensitive to the history of associating native with pejoratives like primitive, I use native as a neutral term for connoting indigenous inhabitants. 4For example, Flower suggests that in composition studies we teach students how to "speak up" and "speak against" but not "how to speak with others" (2). Her rhetoric of public engagement aims for intercultural dialogue in urban settings, often through "hybrid discourse" or nontraditional delivery (32). Ratcliffe investigates rhetorical listening as "a stance of openness that a person may choose to assume in cross-cultural exchanges" (Rhetorical Listening 1). Glenn examines how nondominant groups use silence, "as a rhetoric, a constellation of symbolic strategies" (xi). 5As an auto sacramental, The Divine Narcissus is a one-act play with a prefatory loa. While both are divided into scenes, the numbering of lines is consecutive throughout each respective unit, so my citations specify loa or auto and the line number only. This and subsequent citations from The Divine Narcissus (hereafter abbreviated DN in parenthetical citations) are from the first and only full English translation of the play, by Patricia Peters and Renée Domeier, now out of print. 6For poems in which Mesoamericans speak Nahuatl and Blacks speak their own dialect of Spanish and an African language, see Obras completas 2.14 (translated into English in Trueblood 125), 26, 39, 71, 94, and 138. Sor Juana's use of Nahuatl in these poems reflects a concern for native speakers that is also a rhetorical device, making parishioners feel the Church was also theirs. 7See Pratt's discussion of Guaman Poma's letter ("Arts"). 8Méndez Plancarte, one of the two twentieth-century editors of Sor Juana's collected works, argues against the possibility that this auto was used to explain doctrine or that it had a missionary goal of educating indigenous groups (Juana, OC 3.511). 9 Auto sacramental is a generic designation for a religious play that is often allegorical, and which typically during this period honored the Eucharist (Granger-Carrasco Ch. 1). 10Between 1691 and 1725, The Divine Narcissus was published in Spain several times in collections of Sor Juana's works. It was not reprinted again until 1924, in Mexico. 11Echo plays the part of "Angelic nature, fallen from grace." 12New Spain's literary scene was determined by Spain, where Narcissus was a "ubiquitous" literary presence from the fifteenth century on (Méndez Plancarte in Juana, OC 3.514). Both Méndez Plancarte and Paz aver that Sor Juana's play is not only different from but also far superior to Pedro Calderón de la Barca's play (Juana, OC 3.lxxiv; Paz 351). 14 Yo iré también, que me inclina la piedad a llegar (antes que tu furor lo embista) a convidarlos, de paz, a que mi culto reciban. I offer my own translation because Peters's and Domeier's is quite off the mark: "And I, in peace, will also go/(before your fury lays them low)/for justice must with mercy kiss;/I shall invite them to arise/from superstitious depths to faith." Sor Juana's Spanish is more generous. There is no mention of "superstitious depths"; both Nahua and Spanish religious practices are referred to as cultos (forms of worship; cf. Loa 95, 178). 13My reading contrasts with Gerard Flynn's: "All in all, her attitude towards the Conquest seems neutral. She shows no recrimination for Zeal, and yet the pagan Occident and America are not ugly…. Sor Juana assents to both that which is Spanish and that which is Indian. The Conquest happened, and she accepts it" (74). 15Octavio Paz views Sor Juana's works as crucial to the early formation of criollo identity. It is only recently, though, that Sor Juana's works have been classified as literature of Mexico, not Spain (Granger-Carrasco 15). 16A similar multiplicity of identity is what Gloria Anzaldúa capitalizes on in her twentieth-century rhetorical theory for Mexican Americans. 17The Requerimiento demands allegiance to the Church as supreme ruler, but also tells Mesoamericans that Spaniards "shall not compel you to turn Christians, unless you yourselves, when informed of the truth, should wish to be converted to our holy Catholic faith" (Washburn 308). 18It is this aspect of language that Moraña attributes to Sor Juana, claiming that her "rhetoric of silence" (the capacity for words to persuade beyond their overt reference) is affiliated with the sublime (176). 19Sor Juana seems to be conflating rituals that apply to two different Nahua gods, Huitzilopochtli (god of the seeds) and Quetzalcoatl (to whom human sacrifices were made) (Sabat de Rivers 290–291). 20The incident is quite possibly apocryphal, and at the very least, sculpted to resonate with the stories of St. Catherine of Alexandria and the young Jesus in Luke 2:46–47. 21"An attitude of complete receptivity, of openness to 'any view or hypothesis that a participant seriously wants to advance,' still puts a woman, I believe, in a dangerous stance," Susan Jarratt cautions, quoting Peter Elbow (117). 22"Why is the Devil a woman?," Merrim asks of the play, and reconciles the dilemma by finding parallels between Satan and Sor Juana, who must also dissimilate because divine authorities restrict her voice (114). 23In Spanish, the last line cited here (line 1300) reads, "Suene tu voz a mi oído": "Make your voice sound within my hearing." Sor Juana is playing upon verse 2.14 of the Song of Songs: "Let thy voice sound in my ears" (Douay-Rheims version). The English translation given by Peters and Domeier does not change the meaning, and the use of pour manages to allude to the fountain into which Narcissus gazes. Additional informationNotes on contributorsJulie A. Bokser Julie A. Bokser is Associate Professor in the Department of Writing, Rhetoric and Discourse at DePaul University, 802 W. Belden, Chicago, IL 60614, USA.

In 1925 Everett Lee Hunt contributed “Plato and Aristotle on Rhetoric and Rhetoricians” to Studies in Rhetoric and Public Speaking in Honor of James A. Winans. He approvingly noted the work of Ferd...

Abstract Scholars of rhetoric have veered away from non-traditional rhetorical artifacts in the classical period. In this article I examine the Ara Pacis Augustae, Altar of Augustan Peace, as one such overlooked rhetorical artifact. I argue the altar, although constructed as a war monument, shapes public memory to persuade the people of Rome to accept the dynastic succession of Augustus's heir. In addition, I show a variety of rhetorical theories operate on the altar in visual form including amplification, imitation, and enthymeme. Ultimately I contend that by focusing on non-traditional rhetorical artifacts, we can deepen our understanding of the rhetorical tradition in a period in which rhetoric is generally believed to have faded away. Additional informationNotes on contributorsKathleen LampKathleen Lamp is a Doctoral Candidate in the Department of Communication, University of Illinois, Urbana-Champaign, 702 S. Wright St., 244 Lincoln Hall, MC-456, Urbana, IL 61801, USA. E-mail: lamp@uiuc.edu

Why is it that discussion of the sophists and sophistic activity routinely mentions the fees they charged, but never explores why the sophists might have charged fees and why this rather mundane detail would warrant such regular reiteration? I argue that the sophists charged fees to demystify the ways in which gift-exchange made it possible to naturalize culturally established values and misrecognize power relations as relations of generosity and friendship. By charging fees, the sophists showed that trade in skillful political discourse was always tied to the pursuit of advantage and power. This critical practice was rejected by Socrates, so that when his students needed a way to highlight the distinctions between their master and other teachers and schools (since in the popular mind all alike were sophists), they fixated upon the fees the sophists charged as a distinguishing trait. As a result, it took on the form of a stigma, and has been remained a defining charge against the sophists ever since.

Hans-Georg Gadamer's idiosyncratic reading of what he calls “the distant ancient meaning of rhetoric” pulls out an unfamiliar thread in the history of the Greek logos from the weave of the ancient texts, and his separation of the sophistic challenge from rhetoric proper stems from his commitment to rhetoric. What has typically been read as rhetoric's counter-tradition, a kairotic-performative rhetoric championed by Isocrates and Cicero against Platonic essentialist philosophy, is for Gadamer the counter-tradition to Western essentialism as a whole, anchored squarely in Plato's dialogic example. In this reading, Plato becomes strange to all ersatz platonists, and the great body of the dialogues become the gravitational center of a humanist rhetoric. Gadamer's recommendation that we treat Plato's dialegesthai as the highest fruit of ancient rhetoric provides a fresh opportunity to reimagine our interdisciplinary debates.

The official apology is a discursive phenomenon with complex rhetorical significance and must be distinguished from the apologia. The main difference is that the official apology entails an element of regret and acknowledgement of wrongdoing that makes it an even more delicate rhetorical matter than the apologia—not least because it involves a collectivity such as a nation state. The symbolic nature of the assumption of guilt is therefore particularly clear. This article argues that official apologies, however circumscribed by public skepticism, nevertheless may serve important functions as loci for articulating the norms of a society at a given time. The article discusses how the official apology raises a host of issues concerning rhetorical agency and argues that this particular type of rhetoric is promising point of departure in the ongoing pedagogical and theoretical exploration of the concept of rhetorical agency. By integrating theories of epideictic rhetoric and of rhetorical agency, the complexity of the official apology is analyzed, and through a reading of an official apology by the Danish Prime minister, the essay examines how rhetorical agency is both established and undercut by the speaker.

This article asserts the viability of key topoi in feminist historiography: first, to establish presence for everyday women rhetors, and second, to explore ramifications of their positioning within variant historical narratives. Catalina Hernández was one of six European women recruited to Christianize indigenous girls immediately following the military conquest of Mexico. Her letter to the civic judicial council seeking autonomy for her community of women teachers was perceived as sufficiently dangerous to warrant its deletion from the historical record and the subsequent “disappearance” of the writer herself; only excerpted accounts of Catalina's writing remain. I seek the historical Catalina Hernández in the sophistic mode, assaying four motives and four contexts for the production and reception of her letter.

At a time when Athenians were still trying to explain the loss of their empire, Plato's Gorgias—through its dramatic structure and themes, through its allusions to critical moments in the Peloponnesian War, and through its literary engagements with Thucydides, Isocrates, and Polycrates—challenged both the actuality and legitimacy of that power as well as the rhetoric with which democratic Athenians rationalized their former tyranny. By portraying imperial Athens as an unjust student of sophistic rhetoric, as an immoderate practitioner of opportunistic reasoning, Plato offers an instructive explanation for its defeat. Interpreted in its historical contexts, his Gorgias has new relevance.

Click to increase image sizeClick to decrease image size Notes Heath's previous work in the field includes a translation of Hermogenes's On Issues with detailed introduction and commentary (1995) and numerous essays in journals and edited collections (listed among the works cited at the end of this review). See Kennedy (2003 ——— . “Some Recent Controversies in the Study of Later Greek Rhetoric.” American Journal of Philology 124.2 ( 2003 ): 295 – 301 . [Google Scholar]) for an overview of some of the recent work in the study of Greek rhetoric under the Roman Empire. Much important work on Hellenistic rhetoric and rhetorical criticism of the Bible is being done in the “Pepperdine” series of books and conferences, including, most recently, Olbricht et al. (2002 et al. . Eds. Rhetorical Argumentation in Biblical Texts: Papers from the Lund 2000 Conference . Harrisonburg , PA : Trinity Press International , 2002 . [Google Scholar]; 2005 ———, et al. Eds. Rhetoric, Ethic, and Moral Persuasion in Biblical Discourse . Harrisonburg , PA : T&T Clark International , 2005 . [Google Scholar]). See Dilts (1983 Dilts , Mervin . Scholia Demosthenica . Leipzig : Teubner , 1983–1986 . [Google Scholar]) and Gibson (2002 Gibson , Craig A. Interpreting a Classic: Demosthenes and his Ancient Commentators . Berkeley : University of California Press , 2002 . [Google Scholar]) for recent work on Demosthenes scholia. For consensus, see, inter alia, Kennedy (1983 ——— . Greek Rhetoric Under the Christian Emperors . Princeton , NJ : Princeton University Press , 1983 . [Google Scholar]), Pernot (1993a Pernot , Laurent . La rhétorique de l'éloge dans le monde gréco-romain. Tome 1: Histoire et technique . Paris : Institut d'Etudes Augustiniennes , 1993a . [Google Scholar] and 1993b ——— . La rhétorique de l'éloge dans le Monde gréco-romain. Tome 2: Les Valeurs . Paris : Institut d'Etudes Augustiniennes , 1993b . [Google Scholar]), Russell (1983 Russell , D. A. Greek Declamation . Cambridge : Cambridge University Press , 1983 .[Crossref] , [Google Scholar]), and Walker (2000 Walker , Jeffrey . Rhetoric and Poetics in Antiquity . Oxford : Oxford University Press , 2000 . [Google Scholar]). Parks (1945 Parks , E. P. The Roman Rhetorical Schools as Preparation for the Courts under the Early Empire . Baltimore : Johns Hopkins University Press , 1945 . [Google Scholar]) takes a position similar to that of MRC. Other scholars who emphasize the collaborative and evolving nature of ancient pedagogical works include Dilts and Kennedy (1997 Dilts , Mervin S. and George Kennedy . Eds. Two Greek Rhetorical Treatises from the Roman Empire . Leiden : Brill , 1997 .[Crossref] , [Google Scholar]), Gibson (2002 Gibson , Craig A. Interpreting a Classic: Demosthenes and his Ancient Commentators . Berkeley : University of California Press , 2002 . [Google Scholar]), and Poster (1998 Poster , Carol . “(Re)positioning Pedagogy: A Feminist Historiography of Aristotle's Rhetorica.” Feminist Interpretations of Aristotle . Ed. Cynthia Freeland . University Park : Pennsylvania State University Press , 1998 . 327 – 350 . [Google Scholar]; 2007 ——— . “A Conversation Halved: Epistolary Theory in Graeco-Roman Antiquity.” Letter-Writing Manuals from Antiquity to the Present . Eds. Carol Poster and Linda Mitchell . Columbia : University of South Carolina Press , 2007 . [Google Scholar]).

The assumption that black women lack a positive and respectable ethos is a historical and contemporary problem. To address the problem with ethos, I turn to Aristotle's Rhetoric to foreground an analysis of ethos. Then I examine Harriet Jacobs's slave narrative and the autobiography of Billie Holiday and Sister Souljah, respectively, to illustrate the difficulty they faced as they attempted to redefine an ethos of immorality to an ethos of respectability in their narratives. As each text demonstrates, acquiring a positive ethos becomes problematic given that a classical model such as Aristotle's excludes their lived realities and experiences as black women living in a slave and post-slavery society.

This article argues that figures of speech are cultural forms that serve performative ends. After introducing this claim through an analysis of a Daily Show segment, the article reexamines treatments of the figures in Aristotle, Quintilian, and Peacham, claiming that these verbal devices are rituals of language that organize social experience while shaping relationships among communicative participants. The article then examines George W. Bush's address to Congress shortly after 9/11, and an article by John Edgar Wideman. Although Bush uses the figures in conventional ways, Wideman challenges the use of such rituals of language to shape public opinion in the wake of 9/11.

Because of its familiarity, Plato's Gorgias frequently is treated as if it is stable in its material composition and meaning. However, closer attention to historical reception reveals that the text is not as stable as it might first appear. For example, today, we take for granted that Plato's text is available to English-only readers in clear and engaging prose, but until the nineteenth century, most intellectuals would have considered a "popular Plato" to be a contradiction of terms. This article examines the complex ideology that prompted John Stuart Mill to publish a "popular" translation of Plato's Gorgias (1834). By exploring the motivation behind Mill's English text, we illuminate key assumptions that have shaped the modern reception of ancient Greek rhetoric.