Extending Bakhtin's chronotopic theory to the interpretation of nonfictional texts, this article examines the role of narrative conventions in the epistemological development of a health care field. The authors argue that changes marking the emergence of occupational therapy as an autonomous profession illustrate how explanatory narrative frames emerge from and embody assumptions about the world. Taking up pivotal lectures by key figures in this field as material for analysis, the authors demonstrate how biomedical, psychosocial, and dialogic-intersubjective narrative genres frame the dynamics of the therapeutic situation for clinical practitioners and other members of the field. By using chronotopic analysis to understand the narrative-epistemic transformation of academic and professional fields, the authors provide new ways to think about the long-term dialogue between explanatory frameworks in knowledge-making communities.

Rhetoric continues to struggle to theorize the simultaneous existence of pattern and contingency. Responses to this issue have been couched in elaborations of genre theory and, more recently, of Vygotskian activity theory. Activity theory offers two advantages in theorizing how change and continuity can coexist: It expands our ability to see how text and context influence one another and it encourages us to see that lack of unity is normal in any activity system. This study exemplifies these advantages by looking at four entry-level engineers who produced a genre they called documentation in their first 4 years at work. They defined documentation as writing that describes events to establish a common understanding of completed or promised actions. Documentation was one of the tools the participants used to create and maintain the activity system of their workplace and to reshape it as well.

Commentary: When this essay first appeared more than 10 years ago, it built on a small but substantial body of scholarship that declared scientific writing an appropriate field for rhetorical analysis. In the last 10 years, studies of scientific writing for both expert and lay audiences have increased exponentially, drawing on the long-established disciplines of the history and philosophy of science. These newer studies, however, differ widely in approach. Many take the perspective of cultural critique (e.g., the work of Bruno Latour and Stephen Woolgar), whereas others use the tools of discourse analysis (e.g., Greg Myers, M.A.K. Halliday, and J. R. Martin). But, application of rhetorical theory also thrives in the work of John Angus Campbell, Alan Gross, Charles Bazerman, Jean Dietz Moss, Lawrence J. Prelli, Carolyn Miller, and many others. Randy Allen Harris offers a useful introduction to this field in Landmark Essays on Rhetoric in Science (1997). “Accommodating Science” applies ideas from classical rhetoric and techniques of close reading typical of discourse analysis to the question of what happens when scientific reports travel from expert to lay publications. This change in forum causes a shift in genre from forensic to celebratory and a shift in stasis from fact and cause to evaluation and action. These changes in genre, audience, and purpose inevitably affect the material and manner of re-presentation in predictable ways. Two concerns informed this study 10 years ago: the impact of science reporting on public deliberation and the nature of technical and professional writing courses. These concerns have, if anything, increased (e.g., the campaign on global warming), warranting continued scholarly investigation of the gap between the public's right to know and the public's ability to understand.

Commentary: When “Thucydides and the Plague in Athens: The Roots of Scientific Writing” was written in 1988, genre analysis was an emerging area for scholarship. Thucydides' Historiae, which includes numerous political speeches in context, provides a rich resource for exploring the ancient roots of rhetorical genres. Thucydides' text also sheds light on the origin of a specific scientific genre - the medical case history. In describing a devastating plague in Athens, Thucydides uses the Hippocratic approach, following an ancient genre or form that is remarkably similar to the modern medical case history. Thucydides' case history of the Athenian plague enabled 20th-century epidemiologists to establish a diagnosis of the illness (influenza plus toxic shock syndrome), predict its return, and validate their diagnosis during a 1987 flu epidemic. Although “Thucydides and the Plague in Athens” only hints at Thucydides' genre knowledge, his case history of the plague and his presentation of speeches display considerable insight into the social construction and function of these recurring forms. In explaining the speeches in his text, for example, Thucydides says, “[M]y habit has been to make the speakers say what was in my opinion demanded of them by the various occasions” (1.22). He prefaces his account of the plague with a statement of purpose: to help future scholars recognize future outbreaks of the same illness. These remarks, viewed in the context of genre theory today, suggest that Thucydides not only knew how to use genres but also understood their social origin and purposes.

The relation between writing in formal schooling and writing in other social practices is a central problem in writing research (e.g., critical pedagogy, writing in nonacademic settings, cognition in variable social contexts). How do macro-level social and political structures (forces) affect micro-level literate actions in classrooms and vice versa? To address these questions, the author synthesizes Yrjö Engeström's systems version of Vygotskian cultural-historical activity theory with Charles Bazerman's theory of genre systems. The author suggests that this synthesis extends Bakhtinian dialogic theory by providing a broader unit of analysis than text-as-discourse, wider levels of analysis than the dyad, and an expanded theory of dialectic. By tracing the intertextual relations among disciplinary and educational genre systems, through the boundary of classroom genre systems, one can construct a model of ways classroom writing is linked to writing in wider social practices and rethink such issues as agency, task representation, and assessment.

This article presents descriptions of and examples from qualitative case studies of 3 high school classrooms in Norway and the United States. The focus is on how classroom discourse and writing interact with each other and provide an important and unique instructional resource. The teachers in 2 of the classrooms consistently elicited, overtly valued, and helped develop student opinions and ideas. In this process, authentic questions and uptake were common, and a great diversity of voices was heard. Bakhtin's and Rommetveit's dialogical framework is used as the basis of analysis, as is Lotman's theory about the functional dualism of texts. The main argument is that the interaction of oral and written discourse increased dialogicality and multivoicedness and therefore provided more chances for students to learn than did talking or writing alone. In this way, the texts, both oral and written, were used to generate thoughts and opinions.

Hedging refers to linguistic strategies that qualify categorical commitment to express possibility rather than certainty. In scientific writing, hedging is central to effective argument: Hedging is a rhetorical means of gaining reader acceptance of claims, allowing writers to convey their attitude to the truth of their statements and to anticipate possible objections. Because hedges allow writers to express claims with precision, caution, and modesty, they are a significant resource for academics. However, little is known about the way hedging is typically expressed in particular domains or the particular functions it serves in different genres. This article identifies the major forms, functions, and distribution of hedges in a corpus of 26 molecular biology research articles and describes the importance of hedging in this genre.

Amish-authored nature essays were introduced to the Amish by Samuel Miller, an Amish farmer with an interest in nature study developed at home and in school. Miller's nature essays published in the Amish periodical, Family Life, were the first examples of the nature essay genre that were widely circulated in Amish communities. The acceptance of this new genre was due to Miller's particular manner of appropriation that connected it to the Amish cultural value of closeness to nature and the soil by making the family farm and surrounding countryside the setting of his writing. Other key factors that facilitated the introduction of the genre included Miller's use of personalized knowledge of nature, expressed most clearly in personal narratives, as well as social change within Amish society brought about by the influence of an Amish publishing house. Miller's writing raises issues regarding the genre-mediated construction of identity and the effects of genre in reproducting and altering cultural values.

Student writing in history courses, graded evaluation of that writing, and faculty interviews all reveal a contradiction between the stated and implicit aims of historical discourse. The explicit definition of writing in history is “argumentation”; the implicit expectation, however, is for narrative. This apparent contradiction highlights what the author argues is the central function of academic historical discourse: the establishment of an autonomous subject of meaning who is always speaking from outside history about a distant and objectified past. Students are rarely aware of the importance of this voice, even at an unconscious level, because faculty themselves fail to articulate for students the distinctive nature of their genre or the function of historical discourse generally. This project thus builds on previous studies in rhetoric by using the work of theorists of history to identify more precisely what it is in historical discourse that is hidden from student view—the autonomous, transhistorical voice.

This article examines the writing and drawing produced by a group of children during “writing workshop” time throughout their first-grade year. The purpose of the study was to obtain insight into the general question: Do genres “emerge” in ways analogous to other aspects of writing development? While the study is limited to a specific group of first-grade writers, it provides insights which suggest that genre may indeed be “emergent.” Emergence is supported by evidence of the following: Quantitative and qualitative changes in the organization of texts, with genres appearing as adaptations rather than fixed forms or generalized verbal products; an interplay among drawing, talking, reading, and writing in the construction of genres; the influence of the specific recurring social context of Writing Workshop and the genres surrounding and embedded in it; and the impact overall of the socialization into literacy occurring within this specific classroom community.

Based on a year-long ethnographic study, this article presents a case study of a fourth-grade student, Kenya, who learned to participate in the literacy community of her classroom—in her terms “to be good”—by writing letters. It was through these letters, which began as daily written interactions about (mis)behavior, that Kenya gained confidence and skill as a writer. The genre of letters allowed Kenya to construct her identity as a writer in the classroom community, at the same time that she retained her identity as a member of a group of four, frequently defiant African American girls. In this classroom, teachers used writing to forge collaborative relationships with students—relationships that often were built around struggle and conflict—to encourage students' growth as writers. This study has implications for a new pedagogy of writing, one that provides a rich and challenging curriculum for all students, even those who might in other circumstances be considered “remedial,” and one which alters our conceptions of the roles of and relationships between teachers and students in a writing classroom.

That writing has unique powers for promoting learning has become a given among many composition teachers and researchers. Peircean semiotics suggest that writing is one of many forms of composing available for mediating thought and activity, and that the value of any form of mediation depends on the context in which it takes place. The present study used stimulated recall to elicit a retrospective account from an alternative school student following his production of an artistic text representing his view of the relationship between the two central characters in a short story. The student's account indicates that in composing his text he (a) initiated his interpretation by empathizing with one of the characters, (b) produced a graphic representation and transformation of the relationship between the two central characters, (c) situated his text in an intertext, and (d) produced a text that both shaped and was shaped by his thinking. Furthermore, the “text” he produced through the stimulated recall interview likely involved a reconsideration as well as re-representation of the graphic text he had drawn, thus enmeshing the investigative method itself with the student's growing realization of the meaning of his work. His account suggests that nonlinguistic texts—when part of an environment that broadens the range of communication genres available to students—can help students construct meanings that are appropriate to school activities and learning.

Using the theoretical perspective offered by recent genre studies, this study compares student and professional discourse within the same field through a set of case studies written for a third-year course in financial analysis—writing that was conceived and designed by the instructor to simulate workplace discourse. Observational and textual analyses revealed the radically distinct social action undertaken in this student writing as compared to related workplace discourse, despite the simulation. Social motives, exigent rhetorical contexts, social roles, and reading practices were all distinct in ways that profoundly affected both discourse processes and products. At the same time, certain commonalities were apparent in the student and workplace writing. These shared features point to ways in which student writing enables and enacts entry into sociocultural communities.

This article argues for an activity-based theory of genre knowledge. Drawing on empirical findings from case study research emphasizing “insider knowledge” and on structuration theory, activity theory, and rhetorical studies, the authors propose five general principles for genre theory: (a) Genres are dynamic forms that mediate between the unique features of individual contexts and the features that recur across contexts; (b) genre knowledge is embedded in communicative activities of daily and professional life and is thus a form of “situated cognition”; (c) genre knowledge embraces both form and content, including a sense of rhetorical appropriateness; (d) the use of genres simultaneously constitutes and reproduces social structures; and (e) genre conventions signal a discourse community's norms, epistemology, ideology, and social ontology.

This study reworks the concept of genre from rhetorical, dialectical, and dialogic perspectives. From these perspectives, genre is redefined as a stabilized-for-now or stabilized-enough site of social and ideological action. This definition is then applied to a specific literacy practice—medical record keeping—evolving in a specific context—a veterinary college. Data were gathered during a 6-month ethnographic study of the college. The larger research project focused on the teaching and learning practices that constituted literacy, i.e., the ways of speaking, reading, writing, and listening characteristics of veterinary medicine. The project consisted of interviews, observation, and document collection. Triangulation was achieved both within and between methods. Data were analyzed using Glaser and Strauss's “grounded theory” techniques. When the concept of genre is applied to medical record keeping, the complexity of this literacy practice becomes apparent. A specific record-keeping system—the Problem Oriented Veterinary Medical Record (POVMR) system—was the site of intense controversy at the college. The system articulated a set of values that one group of faculty and clinicians espoused and another group rejected. The system itself was embedded in the exam structure of the college, and a good deal of evidence emerged that the POVMR itself was promoting certain types of literacy abilities and making others less likely.

Technical books for women of the English Renaissance provide a microcosm for studying connections among the emergence of technical writing as a genre, the rise of literacy, expansion of knowledge and technology, and replacement of orality by textuality as a result of increasing knowledge. These books on Renaissance technologies such as cooking, carving, household “physick,” home management, silkworm production, farming and estate management, midwifery, medical self-diagnosis, and gardening exhibit some differences from technical books written for men. Books for women are shorter and less detailed, but their style is similar to that of books for men. The style does not suggest writers believed that their women readers possessed an inferior reading comprehension level. Content differences seem to suggest that women's work was different from men's with many skills taught by oral transmission. The increasing complexity of the styles of technical books for women during the 16th and early 17th centuries suggests that women's reading skills increased as knowledge increased. Thus the oral style of the early 16th-century technical books disappeared with the need for an analytical style that would better convey growth of knowledge in the English Renaissance.

This essay presents a critical case study of how shifts in the style and genre of written communication both reflect and influence historical shifts in political consciousness and action. The field of study is the discourse of environmental advocacy. With increased public support for actions that would forestall environmental degradation, environmental politics has diversified. Formerly a resistance movement directed toward influencing large-scale governmental or industrial actions through the rhetoric of polemical dispute, environmentalism has evolved into several distinct approaches, including a globalist movement and a grass roots movement that share an interest in policy and procedure, the traditional topics of instrumental discourse. A new genre built upon this proactive attitude—the green how-to book—currently dominates the popular literature on environmental problem solving. Capitalizing on the document designs of technical communication, these manuals recommend courses of action ranging from fixing the Environmental Protection Agency to fixing the toilet; they are directed to audiences ranging from the President of the United States to the ordinary householder. They have in common an attempt to break the paralysis of fear associated with realizations about the scale of environmental damage. But—because the instrumental genre tends to obscure relations of agent, action, and effect—covert political agendas may pass unnoticed into the personalist politics of the new literature.

Research reported by Daly, Miller, and their colleagues suggests that writing apprehension is related to a number of factors we do not yet fully understand. This study suggests that included among those factors should be the belief that writing ability is a gift. Giftedness, as it is referred to in the study, is roughly equivalent to the Romantic notion of original genius. Results from a survey of 247 postsecondary students enrolled in introductory writing courses at two institutions indicate that higher levels of belief in giftedness are correlated with higher levels of writing apprehension, lower self-assessments of writing ability, lower levels of confidence in achieving proficiency in certain writing activities and genres, and lower self-assessments of prior experience with writing instructors. Significant differences in levels of belief in giftedness were also found among students who differed in their perceptions of the most important purpose for writing, with students who identified “to express your own feelings about something” as the most important purpose for writing having the highest mean level of belief in giftedness. Although the validity of the notion that writing ability is a special gift is not directly addressed, the results suggest that belief in giftedness may have deleterious effects on student writers.

Explaining difficult ideas to lay readers is an important and frequently needed writing skill. When explaining, writers must recognize and overcome the confusions that lay readers may experience in learning abstract concepts. To date, there has been little study of this demanding writing skill. Consequently, this article identifies a particular class of explanatory discourse and proposes working hypotheses about the types of knowledge likely to be associated with skill in this genre. These hypotheses are explored through a study of individual differences in explanatory writing skill among 169 college students. The results of the study showed that variations in the accuracy and adaptiveness of the students' explanations were partially accounted for by measures of topic knowledge, social cognition, and discourse knowledge. A discourse knowledge index and a topic knowledge index were correlated with explanatory writing skill. Cognitive complexity, a measure of social cognition, was associated with adaptiveness in explaining but not accuracy. These findings suggest that explanatory skill is a function of several types of knowledge and that it may be as dependent on discourse or rhetorical knowledge as it is on topical expertise.

Linguists and philosophers have traditionally argued that definite constructions presuppose familiarity on the part of the addressee. This article examines empirically the question of what kind of familiarity, in the context of newspaper editorials, this might be. A significant issue, articulated by literacy theorist Walter Ong, is the nature of the reader and whether a writer can know what a reader is familiar with. Taking a case study approach, the author examines definite constructions in 15 editorial articles from the Christian Science Monitor. These constructions are classified, following Brown and Yule (1983), as either re-evoking, new, or inferrable. It is argued that for purposes of studying the writer-reader relationship, the inferrables are most interesting since they indicate what the writer believes the reader is capable of inferring. Ultimately both the new and the inferrable show that writers use definite constructions in accord with genre conventions. The author concludes that such conventions make communication efficient.

The research on the cognitive processes in writing has led to models of the writing process such as that of Flower and Hayes. The work underlying these models has been carried out on relatively unconstrained writing genres. The purpose of this study was to investigate the types of processes used by journalistic writers when producing texts of varying constraints. A three tier methodology was used to offset certain methodological difficulties. Journalism students wrote either a news story or an editorial under either a pausal procedure, a pausal interview, or a protocol. It was found that news story writers paused more often and carried out more activities per writing session than did editorial writers suggesting greater monitoring activity by news story writers. In addition, news story writers were extensively concerned with accuracy and appeared to use a preorganized structure to guide writing and a priorities list to determine order of mention. Editorial writers paused less often and somewhat longer indicating a more open ended task. They appeared to adopt one of two strategies—treat the editorial as a news story with an opinion paragraph or search for a personal viewpoint. The results indicated that the Flower and Hayes model is applicable in a limited manner to journalistic writing.

The environmental impact statement (EIS) was created by the National Environmental Policy Act in 1969 as a means of ensuring careful study of possible effects on the environment of projects involving public lands and as an aid to effective decisions regarding such projects. This article presents a case study involving the reading of several EISs produced by one government agency, the Bureau of Land Management. An analysis of these documents reveals that, to answer the leading question of rhetoricians in the field of technical writing—Is the document effective?—we must consider the social and cultural context of the EIS as well as the characteristics of the text, its organization and style. Simple notions of purpose and audience are ruled out. We must account for pragmatics as well as syntactics and semantics. The very category of “effectiveness” is conditioned by the historical and political forces that shape the EIS. An approach through genre theory is recommended.

In this decade, writing researchers have shown increasing interest in the social aspects of written communication. This interest has largely been stimulated by interest in writing-across-the-curriculum programs and dialogue journal keeping, as well as such pressing issues as the relationships of process to text and to the social contexts of writing, and the problem of genre. This article outlines a social-interactive model of written communication, highlighting the writer's role in negotiations with readers in the medium of text. Formalist theories of text meaning (meaning is in the text) and idealist theories of meaning (meaning in the reader) are reviewed and challenged. In social-interactive theories of discourse, which are proposed as an alternative to formalist and idealist theories, meaning is said to be a social construct negotiated by writer and reader through the medium of text, which uniquely configures their respective purposes. In the process of communicating, writers and readers may be said to make various “moves,” which achieve progressive and sequential “states” of understanding between them. Writers make three essential kinds of moves: They (1) initiate and (2) sustain written discourse, which they accomplish by means of (3) text elaboration. The rules for writers' moves are spelled out in a fundamental axiom and seven corollaries.

Literary criticism of the last decade has developed a new emphasis: the study of a work's reader alongside the more traditional study of literary texts. Some critics have suggested that literary works imply and project an audience. Drawing upon this body of criticism, as well as upon social commentary and advertising theory, this article attempts to demonstrate how composition textbook advertisements suggest, project, and perhaps even create an audience. Examining a series of composition textbook advertisements from 1982 to 1987 in addition to a number of works of art, this article proposes four different audience-related elements of the ad-object: context (the extrinsic circumstances that the advertisement connotes); genre (the kind of text or object the advertisement masquerades as); borrowings (the sources that the ad-object draws upon); and reflexivity (the image of the viewer mirrored by the advertisement). Each of these, while not entirely discrete, serves to imply and project certain features of the viewing audience. The article's conclusion speculates on the nature of this audience projected by the contemporary composition textbook ad and how this image is important to us as consumers of the ads and purveyors of the products they promote.

This article studies the fate of scientific observations as they pass from original research reports intended for scientific peers into popular accounts aimed at a general audience. Pairing articles from two AAAS (American Association for the Advancement of Science) publications reveals the changes that inevitably occur in “information” as it passes from one rhetorical situation to another. Scientific reports belong to the genre of forensic arguments, affirming the validity of past facts, the experimental data. But a change of audience brings a change of genre; science accommodations are primarily epideictic, celebrations of science, and shifts in wording between comparable statements in matched articles reveal changes made to conform to the two appeals of popularized science, the wonder and the application topoi. Science accommodations emphasize the uniqueness, rarity, originality of observations, removing hedges and qualifications and thus conferring greater certainty on the reported facts. Such changes could be formalized by adopting the scale developed by sociologists Bruno Latour and Steven Woolgar for categorizing the status of claims. The alteration of information is traced not only in articles on bees and bears, and so on, but also on a subject where distortions in reporting research can have serious consequences—the reputed mathematical inferiority of girls to boys. The changes in genre and the status of information that occur between scientific articles and their popularizations can also be explained by classical stasis theory. Anything addressed to readers as members of the general public will inevitably move through the four stasis questions from fact and cause to value and action.

This article focuses on ways in which school-age children “make meaning” when they are involved in reading and writing activities. An Analysis of Meaning Construction procedure was developed to describe the knowledge sources, specific strategies, and monitoring behaviors of 67 third-, sixth-, and ninth-grade children when they read and wrote stories and reports. Each student participated in either a think-aloud or retrospective self-report activity during (or after) reading and writing four story and report passages. The resulting transcripts were segmented into communication units and analyzed using the meaning analysis system. Comparisons were made between genres (story and report), domains (reading and writing), and ages (grades 3, 6, and 9). Findings indicate that meaning-making behaviors (1) are complex and varied, (2) change with age and difficulty, and (3) vary consistently between reading and writing. Although reading and writing are related language activities in that they tap similar underlying processes, it is inaccurate to conceptualize them as predominantly similar; reading and writing are also quite different in that the processes they invoke follow markedly different patterns.

This article explores children's notions of what stories and reports are, how they can be organized, and when to use them as revealed in the stories and reports they wrote or recalled, and in their responses to questions about each. There were 67 high achieving children in grades 3,6 and 9 who read and wrote similar kinds of stories and reports. This permitted comparison of ways in which they organized their knowledge across genre (story and report) and domain (reading and writing). Findings indicate the following: (1) Children have strongly differentiated notions of stories and reports and structure stories and reports in different ways from early on; (2) They use these structures in the pieces they read and retell as well as in the pieces they write; (3) Both stories and reports grow in complexity along a variety of measures; and (4) Both stories and reports show increased student control of genre-related organizational structures.

Three studies investigated the knowledge gained by students, ranging from grade 3 to graduate level, from exposure to single examples of literary types. Types were suspense fiction, the journalistic restaurant review, and an invented fictional genre. Students of all ages showed evidence of some pick up of rhetorical knowledge, although of limited complexity. The learning process involved is distinguished from that involved in more gradual learning from exposure to literary models.