Even though learning outcomes have become an expected part of writing programs, how they are defined and subsequently used is often unclear. This study did a textual analysis of the terms used for outcomes on 42 universities’ first-year writing webpages. The study found that university writing programs use different terms for outcomes and define those terms differently across programs. The lack of clear definitions for outcomes across programs makes these documents difficult for writing programs, faculty, and students to use. Consequently, the author argues that composition studies needs to study definitions of outcomes terminology and then clearly define those terms in the materials programs, teachers, and students use. The author then presents suggestions for how programs and teachers might do this definitional work to make outcomes more useable for effective course design.

In this article, I argue for centralizing revision in FYC classrooms, thereby establishing it as the vital component of composition that it is. I show that engagement with revision in FYC courses tends to be minimal, relegated to the end of a project, or completely omitted. These low standards for revision pedagogy can result in students not having the know-how or confidence to revise their work as they advance in their careers. Thus, one aim of mine is to invigorate the conversation surrounding revision pedagogy and, in doing so, invite composition instructors to consider altering their own approaches to guiding student revision. To this end, I offer FYC instructors several pedagogical strategies which are easy to implement and which may help students establish and build effective revision practices they can carry with them throughout their college careers and beyond.

The theme course has not held a distinct place in scholarship, despite being a longstanding practice in the field; meanwhile, it has come under scrutiny in teaching for transfer (TFT) scholarship, which perceives the practice as conflicting with writing-centered approaches. In contrast, scholarship on theme courses suggests that a resilient motive for selecting and implementing a theme is to support writing as subject matter. A survey of current practice confirms this motive. If the theme course is not in conflict with disciplinary values, and instead a proponent of them, then the practice should be studied with more intent as a peer or supporting practice to other writing-centered approaches. This article diffuses tensions between TFT and the theme course to reposition the theme course as a method for teaching writing as subject matter.

This article presents students’ experiences with hybrid grading contracts through a thematic analysis of data. We specifically focused on students’ perceptions of the grading contract’s role in improving their writing skills, issues of fairness, labor, and stress. We argue that the stressful conditions of COVID-19 illuminate the benefits and drawbacks of contract grading, especially regarding fairness and equity, when used at institutions that predominantly serve working-class students. This article can serve as an example of how graduate teaching assistants can use hybrid grading contracts in writing classrooms. We conclude with recommendations for instructors on how to adapt grading contracts to meet the needs of the students and suggest a future research agenda to examine grading contracts and stress levels.

This article argues that in the teaching of writing online, incidents of linguistic discrimination can be (in)directly caused by faculty unfamiliarity with online teaching best practices, lack of critical linguistic awareness, and the prevalent legacy of racist and monolingual ideologies. To address this issue, it is necessary to cultivate empathy as a bridge between instructors and students. This article calls for the interconnectedness of empathy and linguistic justice in online writing courses as tools to create more equitable and inclusive environments for all students. The article uses data from a longitudinal, cross-institutional study to apply an empathetic, linguistically just approach to OWI to examine assumptions around technology instructions and use. The authors stress the importance of understanding student perspectives and experiences and outline strategies that humanize students in online writing courses. Implications for teaching include a need for increased reflexivity and pedagogical clarity.

This article offers composition theorists and practitioners insight into how social media pedagogies can help support the development of distributed expertise in writing classrooms. Reporting on the findings of an IRB-approved qualitative case study, this article showcases how students learning from and alongside one another in a Slack social media learning environment can enact distributed expertise within the classroom. After reviewing the study’s findings and contributions, the article offers some “best practices” for supporting distributed expertise with social media pedagogies in composition courses. It closes by considering social justice implications for social media pedagogies, distributed expertise, and composition pedagogy.

While graduate students’ struggles with isolation, self-doubt, low self-esteem, imposter syndrome, anxiety, depression, and burnout are well-documented (Morrison-Saunders et al.; Stachl and Barranger), few writing programs directly address their emotional wellbeing (Russell-Pinson and Harris). Drawing on our backgrounds as a therapist and a writing and yoga instructor, we adapted Cognitive Behavioral Therapy (CBT), contemplative practice, and embodied pedagogies to develop WriteFest, an intervention program that supports graduate students’ wellbeing while writing. In WriteFest, we developed a supportive community and deepened students’ mindful awareness of the physical and mental experience of writing. Through CBT, we built on this foundation of awareness to help students identify and reframe unhelpful belief systems, recognize strengths, and develop self-efficacy (Beck). Our theoretical frame and curriculum are valuable for readers in multiple contexts, as our materials could become a unit within a course or a workshop series offered by a graduate school, student counseling center, or academic support unit.

This course design integrates the use of contemplative practices, specifically applied improvisational theater, into writing pedagogies to foster mindfulness and critical engagement. It explores the theoretical, neuroscientific, and practical rationale for incorporating contemplative pedagogies in writing classrooms, arguing that applied improv offers a unique framework for examining sociocultural and political contexts in writing instruction. Drawing on research in neuroscience, it demonstrates how applied improv promotes affective well-being, interpersonal skills, and rhetorical listening. By embracing uncertainty and cultivating resilience, students engage in contemplative practices and presence, challenging dominant discourses and power dynamics. The course design emphasizes the potential of applied improv to disrupt conventional teaching paradigms and empower students in their literacy learning. Through reflective analysis and student feedback, it evaluates the effectiveness and limitations of this approach in facilitating mindful engagement with writing and dismantling inequitable structures in education.

Student writers labeled “underprepared” by colleges often have trouble imagining themselves as scholars. Challenges these students routinely encounter include difficulty forming original insights and translating ideas to the page. Although the usage of the term “underprepared” varies across institutional contexts, the designation commonly requires that students enroll in a developmental writing course, making it difficult for these students to feel confident in their work and academic abilities. In this article, I position mindfulness as a strategy instructors can use to nurture students’ emerging scholarly identities. After describing common teaching challenges and the role mindfulness might play in overcoming them, I share a sample course schedule and series of assignments for a first-year writing course that incorporates mindfulness practices, such as slow reading and deep listening. These exercises and assignments can help students develop unique voices and connections to course material, qualities that tend to translate to higher levels of student confidence in both the writing classroom and in the college environment more generally.

The COVID-19 pandemic has generated new pressures for students and exacerbated their pre-pandemic stressors. One example is the impact of increased technology use upon students’ mental health. Interest in contemplative pedagogy has recently grown as instructors seek methods to alleviate the worries that students carry. This piece describes a writing course design that uses written reflection as a contemplative practice. Because the author’s institution requires classes to explicitly align with learning outcomes, the course design is a balance of contemplative practice and the learning outcomes expected by the university.

In response to the increasing alienation from nature exacerbated by digital living, this course design presents an advanced composition “rewilding” course. Combining natural history writing, nature therapy research, and mindfulness activities, the course aims to reconnect students with the natural world. Inspired by Micah Mortali’s concept of rewilding and Barry Lopez’s exploration of inner and outer landscapes, the course emphasizes experiential learning. Through natural history writing, students develop attentiveness to the environment, fostering a sense of wonder and connection. By centering on our innate relationship with nature, rewilding becomes a transformative practice, preparing students for ecological literacy and meaningful engagement with the world.

Mental health challenges, notably anxiety, disproportionately affect graduate students, with research indicating a 41% prevalence rate compared to the general population (Evans et al.). Academic writing anxiety (AWA) stands out among these concerns, correlating with lower grades, self-esteem, and self-efficacy (Martinez et al.; Daly and Wilson; Goodman and Cirka). Traditionally, AWA has been viewed through a cognitive lens, neglecting its complexity. To address this, we conducted a comprehensive survey gathering both quantitative and qualitative data on graduate students’ AWA experiences. Our analysis of student narratives unveils how academic cultures alienate marginalized students, fostering impostor syndrome and AWA. We advocate for integrating mindfulness-based and contemplative pedagogies within feminist and anti-racist frameworks (Mathieu and Muir; Inoue; Graphenreed and Poe) to catalyze transformative change amid this pressing historical moment.

This essay explores contemplative pedagogies in the writing center, a space the authors believe allows for practices of mindfulness, awareness, and reflection in organic ways, as writing center pedagogy focuses on the importance of the relational, flattening hierarchies, and a focus on the conversation between writer and tutor (or between writers). With a focus on the whole person, the writing center advocates for the type of contemplative pedagogy Mathieu and others have called for: “To see any problem as an opportunity to make ourselves more aware of the way we perpetuate pain and suffering in the world” (Minnix). Grounding this essay in bell hooks’ framework of community, we will explore two important pedagogies to our center: intentional kindness (Boquet) and rhetoric of respect (Rousculp), and ways in which they have fostered contemplative pedagogy in the writing center during difficult and tenuous times in the current political climate.

There is valuable scholarship on the importance of teaching narratives in the FYC classroom, but none does so through the frame of vulnerability. This paper explores, through an IRB approved case study, how composition teachers can best guide students to write powerful and well-crafted personal narratives to ignite students’ own voices, histories, and stories to be born, made into art, to enact positive personal and social change. This work will examine how being vulnerable and understanding one’s own story as an instructor has the ability to produce powerful community in the college classroom (Mathieu; Garcia; Parks). Ecocomposition invites this writing experience to be seen through the lens of mindfulness, healing, and the belief that stories hold power to enact cultural change, not only within the writer, but also the classroom and beyond.

University students can become overwhelmed and hopeless as they pursue their final capstone writing projects. They are also navigating trying times of overlapping crises such as poverty, environmental decay, and war. To address these challenges, our Capstone Writing Groups (CWG) are designed to develop students’ writerly competence and enhance global citizenship traits of wisdom, courage, and compassion by utilizing contemplative and sōka strategies. Our group sessions focus on “good” writing, time management, and self-care strategies. The findings indicate that our writing groups enhanced participants’ writerly identity, writing skills, and critical reflection. They also fostered sōka global citizenship traits. We advocate for contemplative approaches and sōka global citizenship education to provide a human touch to supporting student writing.

This essay proposes a pedagogical approach to writing instruction in universities facing familiar institutional goals and barriers alongside the heightened emotional complexities of students post-pandemic. Students at these universities often pursue vocational paths, yet since spring 2020, their interpersonal and cultural challenges have deepened, alongside a broader societal awareness. Amidst these changes, students’ desire for meaningful relationships persists. In response, I’ve developed a pedagogical framework called “yogic agency,” which integrates inward experiences with external events. Its principles include writing as an offering, embracing uncertainty, acknowledging the fragility of narratives, and viewing purposeful work as strategic. These principles facilitate critical engagement with inner experiences, bridging the gap between personal feelings and the writing classroom, extending to the broader university context. In essence, yogic agency leverages inward experiences within the writing classroom to influence the world beyond.

The United States is undergoing unprecedented religious change, including an increasing diversity of religious tradition, rapid disaffiliation from conventional religious institutions, and a rise in syncretic and sometimes corporatized spiritualties. Given the speed and scope of these changes, all of which affect our students, rhetoric and writing studies (RWS) must undertake the study of spirituality. Insofar as RWS seeks to prepare students for democratic citizenship, it should engage in public discussion and study of the practices that appear to be replacing traditional religious observance. RWS has a special claim on spirituality studies, which have often undertaken scholarly work on writing, reading, and speaking practices. In fact, RWS has already begun to pursue this kind of scholarship, even if it does not always go by the name “spirituality.” This essay will therefore discern the ways in which RWS is engaged in this work, and it will offer reasons why we must engage it further.

This article offers “Self/Society Care,” a pedagogical unit originally developed for a Professional Writing Skills course. The unit aims to have students reconceptualize “self-care” as “self/society care,” a reframing that requires recognizing our interconnectedness with others. It centers on care- and listening-based versions of mindfulness—distinct from neoliberal ones—and thus offers both a holistic and embodied approach to care. Following a personal reflection on prejudice, isolation, and care, I discuss four components of the unit: 1) Mindfulness Media Literacy, 2) Beginner’s Mind and Listening, 3) Beginner’s Mind of Inner-Rhetorics and Emotions, and 4) Brain/Body Literacy.

This article explores the transformative potential of mindfulness and rituals of regard, drawing inspiration from bell hooks’s insights on communities of care. Focusing on the intersection of epistemology, ontology, and pedagogy, I investigate how mindfulness can serve as a liberatory pedagogy, challenging Cartesian legacies and fostering relational selves. Through storytelling and cross-cultural meditations, I illuminate the limitations of traditional pedagogies and the expansive possibilities of mindfulness. By examining concepts like the reconciled self and without-thinking, rooted in Arabic-Islamic and Buddhist traditions, I highlight the power of mindful attention and regard. This piece navigates the tension between critique and affirmation, emphasizing the importance of non-self and regard in mindfulness practices. Ultimately, it underscores the role of mindfulness in shaping both individual and collective narratives, offering pathways to freedom and connection.

In the pursuit of fostering vibrant and inclusive learning environments, this article explores how the practice of community-building can be a contemplative practice. Drawing upon personal experiences and pedagogical insights, Muir navigates the rewards of cultivating authentic connections among students while dismantling hierarchies within the classroom. Through reflective anecdotes and theoretical frameworks, this article underscores the significance of shared values, respecting diversity, and democratic engagement in shaping transformative learning communities. Emphasizing practices such as establishing common ground, engaging in creative expression, and co-constructing syllabi, the article advocates for a holistic approach to education that prioritizes empathy, agency, and reciprocity. By integrating the contemplative practice of community building into the fabric of academic discourse, Muir envisions a future where students and educators alike embrace interconnectedness, compassion, and collective growth.

The article addresses the multifaceted concept of practice as it relates to writing, drawing parallels to various domains such as sports, music, and professional life. Through reflections on the dichotomy between practice and performance exemplified by Allen Iverson’s famous quote, Goldblatt explores how writing is perceived and approached as a practice. He highlights the diverse ways in which writing is conceptualized, from a social practice embedded in cultural norms to a spiritual endeavor akin to Zen meditation. Ultimately, Goldblatt argues for a holistic understanding of writing practice that encompasses both the craft and the lived experience of the writer.

This program profile focuses on the collective work and beginning stages of moving a very large writing program from default orientations of predominantly white institutions (PWI) to practices responsive to Hispanic-serving institution (HSI) opportunities over a five-year period. Throughout this profile, I narrate how faculty of all ranks within the first-year composition program at the University of Central Florida worked together to turn the belief that all students’ language and literacy practices are worth sustaining and expanding into an action-oriented sociocultural literacy model. For other programs interested in or needing to undergo similar redressing, this profile offers a story of change that culminates in outcomes development, and that includes examples of our community’s collective actions to localize curricula towards students’ languages, literacies, and rhetorics. Specific emphasis of each phase of work (from 2017-2022) might be useful as programs embark on large-scale change; or the spirit of each movement might be more useful.

Despite a rapid growth in student interest, the Rhetoric and Composition minor at the College of the Holy Cross faces staffing challenges due to its placement in an interdisciplinary center but reliance on faculty lines in English. In an attempt to address these challenges, we sought to develop a new gateway course to the minor that was deeply situated within our unique Jesuit small liberal arts context. This profile explains our development of such a course, focusing on the Jesuit rhetorical concept of eloquentia perfecta , or writing and speaking for the common good. Ultimately, we suggest that mission alignment is an important strategy for writing programs at small liberal arts colleges as we work to articulate our value to the institution and draw needed resources to the program.

Recent translingual, CLA, and sociocognitive scholarship call for increased attention to language and show enduring interest in language in composition. This article suggests these calls persist but don’t succeed because of composition’s limiting habitus: the norms and inertia propelled by U.S. linguistic miseducation and the field’s uneven attention to language. To date, composition has emphasized language ideologies or language itself, but not both together. To change habitus, we need consciousness-raising as well as alternative approaches in encounters with language. This article historicizes attention to language in composition in three traditions, then categorizes the main challenges to attention to language in the field, then offers two pedagogical interventions: (1) developing course language acknowledgements, and (2) analyzing diverse linguistic patterns. The article closes with conceptual shifts important for connecting social and linguistic knowledge.

While transfer remains the dominant yet controversial metaphor for describing how learning from one context affects learning in another, writing scholars propose numerous alternatives better aligned with current models of learning in consequential transitions , boundary crossing , and threshold concepts ; however, each shares a pervasive epistemic constraint: a systematic metaphor that frames transfer as transportation . Drawing on Lakoff and Johnsen, I identify four dimensions of spatiality as transfer’s experiential bases: physical, technological, social, and temporal. I argue that transfer entails metrics of distance biased towards unilateral transitions and traditional educational trajectories, and it objectifies learning, perpetuating outmoded theories of language, mind, and transfer. I support calls to replace transfer with a more generative metaphor, turning needed attention to pragmatic issues of uptake and circulation. However, contending that terminological change is not enough to mitigate its entailments, I propose conventionalizing mindfulness of the metaphor via existing processes and practices of disciplinary enculturation.

Universities across the globe have begun to invest in transdisciplinary research: a complex form of collaboration that places divergent disciplinary specialists and community members in participatory research aimed at addressing an applied research question. For a collaboration to succeed in this knowledge work, participants must engage in radical boundary crossing among disciplinary and community knowledge cultures wherein language is the substance of these boundaries and crossings. Effective collaboration, communication, and writing are essential to the success of transdisciplinary research, but composition research on collaborative writing has yet to address what collaboration looks like in transdisciplinary settings. This article offers a theoretical synthesis that brings transdisciplinary research theory into conversation with composition theory and pedagogy by providing an overview of the core principles of transdisciplinary research, offering an activity systems interpretation of transdisciplinary research, and outlining a framework for incorporating transdisciplinary collaboration into university composition programs.

This article explores the sources of student dispositions toward rhetorical approaches to first-year writing instruction through a case study of Lora, a particularly motivated writing student. The study traces Lora’s performance and development of her identity through the imparting of personally meaningful objectives like “standing out” and “standing up for the right things” to particular activities across her primary, secondary, and university education. Lora’s attributing of these personal objectives to certain activities but not others is the construction and maintenance of her identity and correlates with her exhibition of generative dispositions. I argue that, in Lora’s case, dispositions are attitudinal and affective expressions of how and to what extent Lora has attributed personal meaning to a social activity in the process of identity formation. I then show how Lora identified my first-year composition (FYC) course with her personally meaningful goal of standing out as a student and, consequently, exhibited generative dispositions and productive learning practices to the challenges of developing a more rhetorical approach to writing. I conclude by suggesting that continued research on writing-related transfer must situate inquiry within the broader process of each individual’s repurposing of meaningful objectives across experience.

In a recent survey completed by 84 graduates of rhetoric and composition PhD programs at various phases of their career, a majority of respondents reported that their graduate programs provided excellent guidance when it came to teaching but insufficient guidance toward scholarly publication. An analysis of survey responses suggests that scholarly publication is troublesome because it marks the transition from student to scholar and because prior knowledge of “school genres” can impede learning of scholarly genres. Furthermore, the liminality novice scholars experience in transitioning from student to scholar evokes anxiety and feelings of impostor syndrome for many. This suggests that mentorship should help emerging scholars develop strategies for recontextualizing genre knowledge in response to diverse rhetorical situations in order to navigate the emotional strain that accompanies the recontextualization process in high-stakes situations.

Much of the research in composition about Hispanic-serving institutions focuses on the tripartite of writing program administrators, faculty, and students and the complexities of multilingual learner pedagogies. This article draws on conversational interview methods and data to analyze the servingness of three Floridian HSIs through critical race theory’s interest convergence thesis. The interest convergence thesis advances that institutional efforts toward racial equality will persist only so far as those efforts also preserve the interests of racial dominance in social institutions. Guided by an institutional critique and racial methodological approach, this interest convergence analysis examines the impact of culturally White institutional ideologies on general education writing curriculum choices, professional development, and the ethnic-racial cultural composition of institutional governance. Interviews with WPAs from the three institutions detail how the institutional epistemologies of literacy affect their decisions and opportunities for Latinx-centric programmatic servingness at their HSIs.

In this program profile, we describe the development of a new track in Science Communication (SciComm) for an existing Professional Writing minor offered by an independent Writing Program. We identify the international and local exigencies for improving SciComm; the resources needed for this new track—both those already in place and those created; the three lines of SciComm theory that underpin the course designs; and the challenges and opportunities we have identified. Throughout, we offer examples of specific assignments and activities that may interest readers who are considering incorporating more SciComm approaches into their courses and/or programs.

This program profile describes the establishment and development of the English Language Learner Writing Center (ELLWC) at Miami University. The Center’s mission is to help multilingual (ML) students whose first language (L1) is other than English build writing skills while improving their academic English proficiency. The ELLWC’s profile details peer consultants’ professional training for supporting ML writers’ academic literacy development. Finally, the profile shares ELLWC assistance for faculty members who are interested in making their pedagogy more accessible and inclusive for linguistically and culturally diverse students.

Researchers have examined many strategies for instructor preparation, but the role of common textbooks has received little attention, despite Yancey listing them as an essential feature to consider in developing instructor preparation. This case study examines the impact of the custom common textbook on graduate and professional instructors in a First Year Writing program at a large Midwestern research university. Data were collected through a survey, focus groups, and interviews with instructors, as well as interviews with textbook authors. I found that although instructors varied widely in their use of the text, it did contribute to instructor preparation by influencing choices of content and awareness of program culture and values, especially for experienced instructors. Although additional instructional preparation measures are necessary for new instructors, common textbooks should not be ignored in research and assessment of instructor preparation strategies.

Research on writing pedagogy education (WPE) emphasizes the importance of engaging graduate student instructors (GSIs) in mindful reflection about their own practices and about composition theory. Little research, however, has explored what we learn from a systematic, empirical investigation of GSIs’ reflective writing. In this article, we describe a writing assignment we created for a graduate composition theory course that required GSIs to connect their own beliefs and experiences with the theory they read. We analyzed 60 essays to learn how new writing teachers understand and use composition theory. Our analysis shows that GSIs rely on three discursive patterns to write about theory (we call these cite-comment , cite-apply , cite-engage ) and adopt three orientations towards theory (using theory to explain prior beliefs and maintain a teacherly identity , to solve classroom problems and shore up a teacherly identity , and to accept uncertainty and become a reflective teacher ). We discuss connections between GSIs’ discursive strategies and their theoretical orientations. We conclude by sharing how we have revised both this assignment and our training program to help GSIs better engage theory as they reflect on their own experiences. Finally, we explore the implications of what we learned for WPE broadly.

This article presents the results of an IRB-approved study investigating what learners self-identify about their writing-transfer learning in 3,404 reflections on providing peer feedback. Drawing on writing-transfer theory, results are analyzed according to what learners self-identify about writing transfer in the following three areas: writing-knowledge transfer; near- and far-writing transfer; and dispositions toward transfer. This article proposes foregrounding writing transfer from providing peer feedback by making the following questions explicit for learners in peer-feedback experiences: How might you become a better writer by providing peer feedback? What might you learn about writing from providing peer feedback?

The bias against personal experience manifests in writing courses as privileging the citation of scholars, fearing emotional writing, and equating argumentation with democratic ideals. To value the lives and knowledges of marginalized students, the curricular goals, assignments, and activities for writing courses needs to be reconsidered. Culturally sustaining pedagogy explores, extends, and examines the experiences of students. Meaningful, experience-based, narrative writing assignments are suggested: memoir essays, ethnographic research reports, and multigenre interview projects. Analysis activities challenge students to examine a chosen experience through several scholarly lenses. By adding complex analysis to their writing, students gain a challenging new experience that considers past, present, and future influences upon their identity formation. Experience-based writing assignments make room for home language through dialogue and informal genres that include intentional code meshing and translingualing. This inclusion prompts questions about academic language conflicts and opens discussion about how language represents identity, negotiates hierarchies, and permits agency.

Responding to the call for embracing mêtis in the classroom, this piece puts scholarship on embodiment and emergent gameplay in conversation with one another to explore a potential means of cultivating mêtic intelligence in the composition classroom by empirically examining how the open world game The Legend of Zelda: Breath of the Wild ( BOTW ) scaffolds mêtic intelligence and encourages mêtic strategies in its players. Founded in Jay Dolmage’s understanding of mêtis as a means to turn the tables on those with greater bie (brute strength) and Karen Kopelson’s use of mêtis as a means of subtle resistance, this piece takes a mixed methods approach and utilizes interview data to see what design elements of BOTW may be able to be brought into composition course design to help cultivate cunning in our students both inside and beyond the classroom.

This program profile describes the development and implementation of the Faculty Writing Fellows program at Curry College. The Writing Fellows program is designed to introduce faculty outside of Writing Studies to Writing Across the Curriculum theory and practice, which leads to their development (or reworking) of a Reading and Writing Enriched course at the College. It was designed to orient faculty to best practices in the assessment of reading and writing, while minimizing the labor associated with writing-intensive courses.

Although enlivened by its recent recontextualization as a feminist rhetorical practice, listening in rhetoric scholarship is often equated with silence and its metaphorical and material dimensions rendered indistinct, even as instructors require better tools to interpret students’ classroom behaviors. This article fills a gap in the ability to interpret moment-to-moment listening behaviors by developing the term “gestural listening,” referring to listening’s embodied manifestations. Analyzing instances of gestural listening and applying interpretive frameworks drawn from rhetoric, gesture studies, and pedagogy, this article shows how gestural listening exerts pressure upon communicative situations inside and outside of the classroom, and how expectations for gestural listening must acknowledge how it is inflected by aspects of identity such as race, gender, neurodiversity, and ability. Ultimately, this essay argues that gestural listening should be understood as a palpable rhetorical force that shapes discursive conditions.