Teacher written feedback is a central area of L2 scholarship and writing teacher education yet considerable research has focused on written corrective feedback (WCF) with considerably less attention paid to discourse-level (DLF) teacher written feedback. Our article identifies the gaps in the current teacher written feedback scholarship, explains why these gaps are problematic, and provides detailed recommendations for an agenda that examines teacher DLF and students’ use of this feedback. Our goal is to encourage scholars to explore new avenues of research that better take into account what writing “is” and “does” as well as take into account the linguistically heterogenous reality of 21st century writing classrooms.

Academic socialization has been a common framework in writing studies for decades. Recent scholarship on rhetorical genre studies and feedback on writing can develop this paradigm in generative ways. In particular, examining how writers take up feedback as they write in genres can inform how writing pedagogy understands such activities. This study examines and interprets the case of a graduate student as she works with in-person and textually mediated feedback in research group meetings and reviewers’ letters. Approaching graduate students as advanced academic writers—simultaneously performing the role of expert and learning the content needed to be a full member of a discourse community—enables the identification of genre competencies that are needed for such activities in students’ socialization. The article concludes with a discussion of the potential insights these genre competencies might provide for instructors who teach and mentor student writers.

This study explores student written responses to teacher feedback and analyzes these responses through the framework of critical discourse analysis (CDA). Drawing on CDA, we examined the structural, interactional, and interdiscursive features of 21 students’ paragraph-length comments on formative teacher feedback on their first assignment draft in a first-year composition class and investigated relations between the text, interaction, and context. The structural analysis indicates that the students’ comments demonstrate their emerging academic literacy skills. Our interactional analysis shows that most students took on an active role as a good student and a hardworking writer, but some students exerted their agency by taking the opportunity to resist the authority of the teacher, while others rejected it altogether. Our interdiscursive analysis illustrates that students used not only language from the teacher’s comments, but also metalanguage of the composition classroom to formulate their responses. Based on our findings, we discuss implications for teaching practices and future avenues for research on students’ responses to teacher feedback.

Peer Pressure, Peer Power: Theory and Practice in Peer Review and Response for the Writing Classroom ($38.00 in paperback; 296 pages) compiles research and theory articles from a wide assortment of scholars interested in peer review, an area of research that, according to the editors, is woefully underdeveloped, despite being “a ubiquitous feature of the composition classroom” (Lawson Ching, p. 15). As such, this book provides valuable insights into theories and research-based pedagogical suggestions to increase the effectiveness of peer review in various contexts. With the aim of keeping this review concise, I will not address each article featured in this book, and will cite individual articles only by author name with the page number for direct quotes. This in no way is intended to act as a slight toward those chapters that aren’t included; each chapter contributes to the larger discourse in meaningful ways and warrants attention.