Virtual reality (VR) technologies are increasingly marketed to knowledge workers as productivity tools for focused, immersive work. Yet little empirical research examines the lived experience of sustained VR use for complex academic writing tasks. This study presents a 10-week diary study of a doctoral candidate using VR to compose her dissertation during summer 2025. Through weekly reflective entries, screen recordings, and artifact analysis, we examine the user experience dimensions of immersive academic writing. Our thematic analysis reveals six major findings: (1) technical infrastructure constraints dominated the writing experience; (2) embodied discomfort consistently limited sessions to 30–50 min; (3) affective dimensions shaped productivity; (4) learning curves remained steep throughout the study; (5) task type significantly influenced success, with structured administrative writing outperforming open-ended academic drafting; and (6) technical disruptions fragmented flow and made momentum recovery difficult. We argue that VR writing tools require task-appropriate design, realistic session expectations, and user agency to discontinue when needs are not met. These findings contribute user-centered evidence to technical communication scholarship on emerging composing technologies and offer practical guidance for graduate writing programs.

In this article, we use extant International Business Machines' internal communications to demonstrate how Boje’s notion of “antenarrative” can serve as a methodology for feminist historiography and as a way of uncovering forgotten and unchallenged systems of power and legitimacy in technical and professional communication. The antenarrative fragments of any official, sanctioned story give us insight into the ways in which power has been distributed throughout an organization and where agency can be claimed in real time. We also see that a methodology that considers the untold and unofficial stories of women in the workplace works to explain current distributions of power. This can be done by investigating the antenarratives that threaten to disrupt the prepackaged grand narrative of organizations; we show this specifically through a case study of International Business Machines' archival memos in contrast with the company’s website and public relations documents.

Recently, human and user-centered design methods have challenged older system-centered practices, enriching resources and providing better technological artifacts for end-users. This article argues that though design has become more user-centered, something is still lacking: more opportunities exist for articulating feedback already present in technology-culture networks. To encourage the recovery of this feedback, this article examines discourses surrounding transportation technology and the Chōra, the variety of stakeholders who shape the progression of technology through use, negation, or re-appropriation. While this article is far from a programmatic or procedural document, it suggests opening design processes to a variety of cultural inputs beyond those marked as “users.” It attempts to open a space for technical communicators in these multifaceted feedback loops, where Chōral influences are articulated and rearticulated for more effective transportation design.

While the importance of “expressive writing,” or informal, self-directed writing, has been well established, teachers underutilize it, particularly in technical writing courses. We introduce the term expressive/exploratory technical writing (XTW), which is the use of informal, self-directed writing to problem-solve in technical fields. We describe how engineering students resist writing, despite decades of research showing its importance to their careers, and we suggest that such resistance may be because most students only see writing as an audience-driven performance and thus incompletely understand the link between writing and thinking. The treatment of invention in rhetorical history supports their view. We describe two examples of using XTW in software engineering to plan programming tasks. We conclude by discussing how a systematic use of XTW could shift the technical writing curriculum, imbuing the curriculum with writing and helping students see how to problem-solve using natural language.

Beginning in the 1850s, authors of American and British scientific and technical publications began to integrate photographs into their texts. These chemical and photo-mechanically reproduced images often functioned as the basis for carefully defined claims for truth. In the natural sciences, in microscopy, in medicine, in the emerging studies of psychology and the social sciences, and in the dissemination and promotion of technological accomplishments, the verity of early published photographs led authors to claim that an image could be equal to its referent in nature, or even exceed its referent when conveying scientific and technical information. This article presents a technological, cultural, and rhetorical history of published photographs based upon twenty-three images selected from a review of forty photographically illustrated texts published between 1854 and 1900.

The roles of physicians and nurses working in trauma centers are mirrored in their writing. Physicians must focus intensely on patients' injuries if lives are to be saved. Their professional prose is correspondingly, and appropriately, focused, with attention given to injuries and their repair. The doctors' partners in the admitting area, trauma nurses, adopt a holistic view, caring for patients' physiologic and psychologic stability. Nurses tend to be more comprehensive in their writing, describing patients as individuals, the families involved, and the threatening and encouraging events that emerge during recovery. Although the distance and impersonal nature of medical writing, as a subset of technical writing, is criticized by technical writing scholars, published works by trauma surgeons may require exactly those characteristics. Perhaps a reflection of that disparity, medical publishers give mixed messages regarding style to physicians and nurses who choose to be authors.