“The Schooling of Gestural Listening” attends to how gestural listening—defined as all of listening’s embodied manifestations, such as nodding and nonverbal backchanneling—is used, shaped, and then evaluated by school. The author shows how gestural listening is first leveraged to help students gain literacy, then disciplined into overly-restrained embodied norms, eventually fusing with notions of classroom management and student attitude. To illustrate this trajectory, the article draws upon Nicolas Philibert’s 2002 film Être et Avoir and the work of early literacy figures Marie Clay and Megan Watkins. Throughout, the essay argues that gestural listening’s relegation to an amalgamated landscape of “good” or “correct” conduct in school inordinately affects neurodiverse students. The author investigates this phenomenon by highlighting the writing of two students with self-disclosed ADHD diagnoses, and by engaging with scholars of neurodiversity and disability such as Melanie Yergeau, Shannon Walters, and Thomas Brown. By reminding readers of gestural listening’s affordances in early literacy acquisition, and its subsequent flattening by the process of schooling, this article ultimately aims to render it visible to educators once again, especially to those working in secondary and college environments where listening’s rich gestural register is often delimited to narrow perceptions of “correct” conduct.

Deborah Brandt’s concept of literacy sponsorship remains foundational in writing studies but, as Brandt herself noted in 2015, its sharper insights into power, ideology, and asymmetry have often been softened in application. Building on this framework, Kara Poe Alexander has shown how reciprocal forms of sponsorship emerge in service-learning contexts where students act as both recipients and providers of literacy support. Inspired by this expanded model, this symposium essay returns to the original concept of sponsorship not to dispute its fundamentals but to continue extending it toward a more networked, mutual vision that better reflects the conditions of AI-mediated, experiential learning. Drawing on my own institutional example, this essay traces how literacy sponsorship moves bidirectionally across instructional, technological, and community spaces. It invites further dialogue about the future of literacy sponsorship in an age of distributed expertise and asks how our field might adapt its theories to better account for the tangled, mutual economies of literacy unfolding around us.

The language movement in East Pakistan (now Bangladesh) was a social movement that seeded Bangladeshi consciousness and is often considered as prefiguring Bangladeshi independence in 1972. It underscored the centrality of linguistic identity in modern nationalism. Developments in the language movement also provide a generative example of how development and modernity can frame discussions around language reform and literacy in contexts characterized by a multilingual norm and postcoloniality. This article examines the rhetorics of language reform in the movement through a reading of a set of recommendations for developing a simplified register of Bangla, called Shahaj-Bangla, within a sense of the overall language movement and its discourse. I argue that the new register simultaneously presents a scientific and cultural view of language to suit the needs of the region. This study contributes to current scholarship in the field by showing how an example of language reform assumes a fluid nature of language while also arguing for a form of standardization aligned with modern nationalism. It also adds to our developing conversations around language and literacy transnationally through its focus on a language debate about a non-European language set in a non-Western context.

This article examines the presence of intensive mothering within incarcerated motherhood and how mothers in jail manage the constraints this ideology imposes on their mothering practices. Analyzing questionnaire data collected from mothers in a Texas county jail through a feminist maternal framework reveals that these mothers have been influenced by the ideology of intensive mothering to serve as their children’s educator. Considering the standard to educate one’s children reinforces the idea that mothers must apply an autonomous model of literacy to childrearing, this article examines the ways in which mothers feel compelled to seek further instruction in order to mother and communicate with their children effectively. This article also examines incarcerated mothers’ simultaneous use of literacy to (re)appropriate intensive mothering and (re)claim agency as mothers. 

Because algorithms form the audiences that reach us online, students need algorithmic literacy as well as rhetorical awareness when learning to write online. This article examines student writing to explore how students can use theorycrafting to systematically test an algorithm to gain more critical awareness of how the algorithm functions and forms publics online. Finally, this article explores how students can use the algorithmic knowledge they learned from theorycrafting to reflect on the ethics their algorithm constructs for users and how it constructs ad hoc publics. The article then explores how students can create multimodal intersectional counternarratives in response that they can also more effectively circulate online to more deliberately construct inclusive online publics.

This essay reconsiders the role of the “self-sponsored” writer in the attention economy by suggesting that contemporary do-it-yourself publishers have not only attempted to negotiate a public sphere which has linked "self-sponsored" to "entrepreneurial," but contend with a digital environment that makes it difficult to parse authorial desire from neoliberal rationality. Ultimately, this essay suggests that materialist models of circulation should be accounted for in studies of extracurricular literacies, specifically by drawing from the literacy narratives of public writers such as zine authors. It thus provides a method of analysis for understanding how these writers, who must necessarily exist within a broader political economy, have developed publishing strategies to negotiate an alternative position — a stance which can benefit not only our disciplinary research on literacy and public writing, but our publicly-oriented composition classrooms as well.

In Writing Across the Curriculum/Writing in the Disciplines and Academic Literacies, researchers have produced compelling evidence of the disjunction between faculty members’ assertions that good writing is universal—i.e., the autonomous model of literacy—and faculty’s own tacit practice of discipline-specific conventions. In studies of race and language in education, scholars have identified disconnections between what teachers profess to value—e.g., students’ right to their own language—and how they actually grade. Contradictions are a natural part of any ideology, and these are commonly understood to demonstrate the resilience of the autonomous model. In this article, however, I introduce a set of theoretical tools from the sociology of scientific knowledge—namely, the concept of interpretative repertoires and of variability in participants’ interpretations as an analytic resource—that can reveal cracks in the autonomous model. Although these tools are over thirty years old, they have not circulated widely in literacy and composition studies. I apply the tools to text-based interviews with two faculty writers who had espoused universal “rules” for writing. After identifying apparent disconnections between the rules and their own practices or those of other writers with whom they worked, I present this evidence to them and analyze their explanations: They maintain that the rules still apply, but their accounts are complex, shifting, and self-contradictory. These case studies reveal, rather than its strength, the inherent instability of the autonomous model. Ultimately, I hope that these research tools can, in conjunction with systemic efforts, aid in dismantling the construct of “good writing” and its inherent privileging of white language practices.

This paper examines three students’ multimodal composition experiences in Basic Writing where conceptions of literacy interacted with moments related to transfer across media. Extending Brian V. Street’s work on literacy and Rebecca S. Nowacek’s transfer theory to multimodal composition through video, we use analysis of ethnographic data to conclude that for some students, video facilitated both a robust conception of literacy as ideological and transfer across media. For others, external forces inhibited opportunities for transfer and reinforced a conception of literacy as autonomous. We close reflecting on how we might more usefully scaffold student learning for transfer and more complex conceptions of literacy.

This article focuses on how Street’s naming and delineation of the concept of “literacy practices” and the “ideological model” of literacy enable us to see and understand the literacy work of two 19th century African American women “literacy workers.” It introduces and provides an overview of the work of Frances (Fanny) Jackson Coppin and Hallie Quinn Brown and seeks to add early Black feminist voices of literacy workers in spaces often left out of dominant discourses around literacy. This article reveals how literacy for African American was, and is, tied to political, and social survival of a people.

In U.S. secondary schools there is an overriding emphasis on formulaic approaches to argumentative writing instruction in English language arts that tends to trivialize disciplinary norms of argument and evidence because of institutional pressure to bolster students’ test performances.  This paper seeks to provide an ethnographically-informed framework for understanding for whom, how, when, and to what extent it is possible for students to participate, through writing, in the study of literature as the central disciplinary content of English language arts. The corpus of data used in this study of an 11th grade International Baccalaureate (IB) classroom (26 students) consisted of classroom instruction (video-recordings and field notes) that occurred across an initial instructional unit (September 8th to November 3rd). Of particular importance is a summative writing assignment, teacher interviews and collaborative data analysis (with video clips), student interviews about instruction and their writing, samples of student writing, and related documents. We also analyzed two essays written by the two case study students in response to a writing assignment that the teacher, described as an IB “literary commentary with an unspecified topic” that she reframed as a literary argument. Discourse analysis of a series of events within instructional conversations revealed that rather than prescribed forms, the teacher offered “possible” writerly moves for her students’ arguing to learn. Consequently, her students enacted their writerly moves in a variety of patterns suggestive of disciplinary ways of knowing in English language arts rather than in a pre-set formula that they had learned in previous grades. In order to trace how the students enacted modes of participation (procedural display and deep participation) in disciplinary activity (literary argumentation) as writing practices and shifting writer identities  we also conducted a multi-phased and multi-layered ana

Our patterns of connection shape how we think, write, read and relate. In response, scholars have begun to understand and teach literacy as a networked phenomenon. This essay contributes to that effort. I argue that in an age of media convergence, to think networked literacy is to think everyday digital media literacy habits, particularly as they relate to the design and maintenance of information ecosystems. Combining new materialist writing studies scholarship with design thinking and media theory, I propose and model a materialist approach to literacy analysis that respects both the human and non-human elements in such systems. I then discuss how this approach might inform writing pedagogy.

This essay details the development of The Twiza Project, an initiative designed to allow students in the United States and Algeria to engage in on-line dialogues on issues such as human rights and democracy. At a time when there is a global crisis in democratic institutions, the goal was to enable students to collaboratively develop frameworks and responses which would address the crises of their specific contexts. It soon became clear, however, that while “social media” might allow terms, such as “human rights,” to circulate back and forth in their conversations, when embedded in the materiality of their lives these same terms seem to lead to unavoidable conflicts amongst them. It is out of such conflicts, out of such contradictions, we argue, that new democratic strategies and human rights practices much emerge.

Approximately 1.8 million students in the United States are homeschooled, according to 2012 data from the National Center for Education Statistics (Redford et al.). However, researchers have only begun to examine how these homeschooled students reflect on their own literacy development, especially once they have entered college. Using the Digital Archive of Literacy Narratives (DALN), I gather and analyze eighteen literacy narratives of currently and formerly homeschooled students, exploring how these students reflect on their own developing literacies, especially as they contrast their experiences with those of their traditionally-schooled classmates. The results of this study reveal, first, that these homeschoolers participate in a wide variety of literacy practices that both respond to and redefine those of the “traditional” classroom. Second, many of the narratives tend to embrace the “child prodigy” literacy structure, as identified and defined by Kara Alexander (2011) and Stephanie Paterson (2001). Third, four narratives reveal problems that can occur in homeschooling: namely, a parent-educator’s perceived lack of authority, and, in two cases, a tendency to trap students in unhealthy family environments. Despite these exceptions, most narratives reveal their family network as a place of vibrant literary sponsorship; and a few students narrate the “pedagogic violence” that may occur when they transition from this warm family environment into traditional secondary schools (Worsham 121). Overall, I argue that as participants in a non-dominant mode of education, these homeschoolers feel the need either to justify or to repudiate their literacy acquisition process against the dominant group. More quantitative research is needed to understand whether these experiences represent trends across the homeschooling movement.

Civic engagement has long been a topic that has drawn the attention of scholars in literacy and composition studies more broadly, and it is also a particular interest of both religious literacies and Age Studies. This article has an eye toward bringing these two conversations together—civic engagement in religious settings and civic engagement as practiced by older people—-through the lens of literate activity as practiced by progressive Christian churchgoers. Drawn from ethnographic fieldwork with a church book group, I argue that the members of the Pub Theology book group push back against the isolation and individualism of decline ideology and cookie-cutter notions of volunteerism promoted by productive aging, instead creating a robust model of civic engagement for older adults that is rooted in literate activity. Instead of being obsolete and useless, their familiar literate practices are crucial to connecting what they learned from their chosen texts, The New Jim Crow and Just Mercy, to their more expansive experiences of civic engagement as older members of their community.

This article, based on an ethnographic study of aging among women, reports on the benefits of literacy across the lifespan. Using methods based on phenomenological human science, I selected four participants in their eighties and nineties from a small town in Western Massachusetts whom I regarded as exemplars of positive aging. The importance of reading and writing over a lifetime emerged as a central theme in helping to explain how these women coped with the challenges of aging. In the participants’ elder years, literate activities were particularly significant as a way of constructing meaning. With illustrations drawn from the women’s literacy experiences over the better part of a century, I focus on the importance of early literacy development, the key role of literacy sponsors, the self-sponsored nature of memorable literacy experiences, and the differing ways in which the women used reading and writing in their adult years. All four expressed alienation from computers and modern communication technology. Despite this limitation, however, literate activities remained central into old age, helping them to make meaning of their lives, a crucial developmental task in old age. For the women in this study, active, lifelong literacy was a key factor in their continued vitality and involvement in the elder years.

In order to contribute new knowledge about the digital literacies of midlife and older adults on social media, this study examines the literate practices of a subpopulation of Instagram users: female lifestyle Instagrammers and bloggers who self-identify as being over fifty. Survey results reveal why these women use blogs and Instagram, how they developed digital literacies, and who or what influences their practices. Case studies provide examples of the unique ways three women use Instagram to achieve visibility. Whereas most existing scholarship on visual depictions of age focuses on images that are controlled by other people (e.g., advertisers, community groups), I show how women use digital literacies and the affordances of Instagram and blog platforms to control their self-representations. Through their multimodal performances of identity, the women participate in discourses on aging and gender and pursue their goals of self-expression, inspiration, connection, and promotion.

Contact zones are useful for literacy research because they foreground the contexts that recent decades of literacy studies scholarship have deemed essential: history, orality, language difference, and power, with an emphasis on interaction rather than divides. While literacy studies has demonstrated the importance of these contexts for understanding literacy, there is not yet a model that organizes them into a framework for research. Compositionists have paved the way for understanding contact zones not just as spaces to observe and describe but also as spaces in which challenging learning and instruction can occur. In a contact zone, different languages interact through writing, reading, speech, and other expressions because of historical circumstances and with greater and lesser privileges afforded to them on account of these historical circumstances. A literacy contact zone approach calls for researchers to account for the oral, linguistic, historical, and differential power contexts for the literacy phenomenon under investigation.

During World War II, the US Office of the Coordinator of Inter-American Affairs (OIAA) and the Walt Disney Company produced a series of educational films promoting literacy, hygiene, and American (US) values for distribution across the Americas. Through these films, literacy was to move across borders in service of inter-American cooperation. That movement, however, also reinscribed the distance between a modern, powerful, literate United States and a stagnant, resistant, illiterate “other America.” The program’s insistence on film as a pedagogical tool imagined the United States as a site of technical modernity in contrast to its American neighbors. Working in light of recent scholarship addressing how literacy controls and constrains movement, this essay considers the effects of literacy for literacy's others—in this case, the population of what the OIAA termed the “other American republics.” It highlights the American assumptions that circulated within the literacy films and became enmeshed with the reading and writing skills they claimed to provide. Examining how film moved literacy practice and ideology across national borders, this essay demonstrates how thoroughly the contexts and the media of literacy's movement shape the consequences of its transmission.

This essay argues that literacy actors compose agency through the embodied practice of literacies in combination with self-aware feedback loops. The argument brings together recent conversations on agency, embodiment, and cognition in composition studies, neuroscience, and the humanities to develop the concept of discursive readiness potential. Discursive readiness potential refers to one’s embodied agency and accounts for the range of possible actions available to an actor on the basis of her or his past experiences. Furthermore, discursive readiness potential points to one’s capacity to navigate a field of potential literate practices into one actualized action. As such, the essay supports a renewed call for research on agency and embodied cognition in composition studies by outlining discursive readiness potential as a flexible process model for understanding how agents act in emergent discursive situations.

This article theorizes the development of a hybrid literate identity—one of both reader and writer. That is, prior to the emergence of social and digital media, the act of meaning-making in models of audience and writing developed in or emerging from the social turn in composition were more heavily dependent on the writer. Based on analysis of wiki talk pages, I describe a model of writing that accounts for “readers-as-writers.” Consequently, this article builds upon audience scholarship to develop a “hypersocial-interactive model of writing” to help us to better understand possible reader and writer roles in digital writing environments.

Previous scholarship in literacy and composition has noted the importance and function of ancestors in the literacy and rhetorical practices of descendants. However, such research has not explored how ancestorship functions for people at the marginalized intersection of racialized otherness and queer sexualities and genders. This article offers one response to this gap by reporting on the role of literacy in the life stories of sixty Black queer people residing in various regions across the United States who named historical erasure as a particularly detrimental form of oppression enacted by, though subverted through, literacy. An analysis of participants' uses of literacy to navigate historical erasure reveals that as participants encounter historical erasure, they disrupt its negative impact through four patterns of ancestorship: (1) literacy is used to create, discover, and affirm relationships to ancestors; (2) ancestors model the multiplicity of identities as a category of rhetorical analysis; (3) descendants’ identity formation/affirmation is affected by an ancestors’ writing and lives; and (4) descendants receive cross-generational mandates to become ancestors through literacy. Further, while African American literacies and LGBTQ literacies have each emerged as potent areas of scholarship in literacy and composition studies, the absence of a sustained and substantive discussion at the intersection of both areas contributes to a larger critical vacuum in rhetoric and composition in which we have overlooked the literacy and composition practices shaped at the intersection of race and queerness. This article begins to address this oversight through an in-depth exploration of a specific literacy and rhetorical practice among Black LGBTQ people.

In this short essay, I want to consider, first, how literacy studies as a field has been sponsored—What work has been foundational, transformative, and innovative?—and second, to reflect on how my own study of literacy has been sponsored. In particular, I want to think about how Brandt’s concept of “sponsorship” has not only been transformative in conceptualizing the dynamics of literacy, but how it is also useful in addressing questions of equity and diversity within literacy studies. As defined by Brandt, “sponsors of literacy” are “any agents, local or distant, concrete or abstract, who enable, support, teach, and model, as well as recruit, regulate, suppress, or withhold, literacy—and gain advantage by it in some way” (19). It is the first part of this definition that is key to my discussion: How have sponsors who “enable, support, teach, and model” informed what we do as a field broadly, and what I have done in my own work specifically? In theorizing a deep understanding of how literacy is enacted, Brandt has helped us to see that literacy does not simply empower or provide access to resources for individuals, but perhaps most importantly creates a complex web of relationships that may sustain literate action. We might think of sponsorship itself as a literacy practice and as literate action, marshalling resources in order to create opportunities for literacy development.