For nearly a decade, big data has been hyped as an amazing new technology that will benefit corporations and consumers alike. By promising customized knowledge at an accelerated pace, big data technologies have slowly saturated the digital systems American consumers use to live, work, and play. Yet have the promised benefits materialized? An examination of the proposed contact tracing applications in response to the novel coronavirus alongside existing wearable technologies reveal that our trust and vulnerability, opening our bodies to be sensed by these networked systems, is a fraught rhetorical activity: not because an omniscient system now sees us and cares for us in our time of grave need. Rather, the opaque system misunderstands our embodied rhetorical actions, is incapable of moving the American polis, and cannot generate the promised collective action.

‘Here’s a Chance to Dance our Way Out of our Constrictions’: P-Funk’s Black Masculinity and the Performance of Imaginative Freedom” considers the ways that George Clinton’s two funk projects, Parliament and Funkadelic, create new spaces for nonnormative heterosexuality and creative production. I explore issues of embodiment , sexual fluidity, and community in P-Funk’s iconography, lyrics and sound and then consider ways that black male fans have gained a sense of imaginative freedom from their music. P-Funk’s solidly funking music, hallucinatory and often politicized music, experimental cover art and wildly threatrical stage shows create a new a queer space for black heterosexual men. Most significantly, P-Funk’s music explores black experience, particularly bodily, sexual and sensual experience at points of ambiguity, vulnerability, pain, desire, and laughter, using tools of music that speak to their listeners individually and internally, as well as collectively. This power to harness emotionally strong and sometimes inchoate feeling had a powerful effect on its audience—prompting some to find unity and empathy with other black men.