Terms used to describe writing support workers in higher education, as well as the location of their employment have sparked a long history of debate in writing center studies but have led to only scattered empirical research. The author examines the history of this debate addressing connotations of various terms and then aims to verify actual naming practice. The present study investigates the impact such debates have had on writing center practice by assessing public web pages from 575 university writing centers to see what terms are generally employed. The study shows that “writing center” is the most popular name for the location of writing tutorial services and that “tutor” remains the most popular term. This finding suggests that “center” has won out over other terms, but the popularity of “tutor” is much less decisive. At institutions with higher enrollment, in R1 institutions, and in the case of graduate student employees, the use of the term “consultant” increases. The general prevalence of the “writing tutor” and the rise of the more recent “writing consultant” and other variants may suggest a lag between scholarly critique and writing center practice, but it could also derive from institutional context. Alternative tutor terms could be employed, but an empirical study of efficacy would be needed to move naming from the realm of lore and conjecture.

From the recognized beginning of the “laboratory” movement in composition instruction, teachers have sought to employ new and more practical methods useful in developing student writing. Such trends continue today as new generations of students enter the academy and new challenges emerge. From such conditions, we might see how components within a system of activity work together to meet objectives and develop outcomes within the shared dialectic of an activity system. With this idea in mind, this article reviews writing center-related scholarship from the late 1880s through the early 1940s to trace emerging contradictions in laboratory teaching’s praxis. Through the evaluation of laboratory teaching’s textual artifacts using Cultural-Historical Activity Theory (CHAT), I present a narrative about the development of the earliest writing center praxes: The Formative Period. With this article, I look to narrate an epochal beginning for writing center activity and present the development of guiding principles we find in our writing center work today. Through the process of revealing historical impulses, this article offers a view of writing center praxes in their elemental stage: The Formative Period, early 1890s-early 1940s. Ultimately, this article will show how the writing center is an activity that, over time, has mediated old system contradictions and developed new methods born of self-reflection, debate, evaluation, and progressive mediation, which continues to evolve. As communities like writing centers re-create themselves—through pushing and pulling, conflict and resolution, tension and release—they birth new realities, which all begins with the Formative Period.

African American rhetorics and knowledges can be understood through a rhetorical method that is concerned with what circulates as Black, but is not limited to Black bodies, while avoiding becoming mired in the quicksand of authenticity. (27) —Vorris Nunley, Keepin’ It Hushed: The Barbershop and African American Hush Harbor Rhetoric

My article reports on an annual series of workshops I launched as director of my writing center. This ongoing initiative, titled Workshops on Real World Writing Genres, aims to introduce undergraduates to genres they will practice in their prospective careers. It is part of a larger effort at the University of Toronto to support students as they think ahead to life beyond their degrees. Drawing on material from workshops covering print journalism, law, public policy, medicine, and fiction, the article reflects on how well our theoretical presuppositions about genre help us prepare students to apply in their professional lives those critical thinking skills we seek to foster in our teaching. By regarding all knowledge as socially situated, contemporary genre theory has raised doubts about the capacity of our students to transfer even knowledge from one context to another. Insofar as genre theorists focus on the social creation of meaning, their account of genre, like their account of knowledge, must, I argue, remain incomplete. An exclusive focus on writing as social practice reflects a problematic division of labor in the academy between the sciences on the one hand and the social sciences and humanities on the other. The notion of writing as radically situated has always posed a problem for writing centers, since we do not typically find ourselves situated in the same communities of practice as our students. The recent interest in transfer in writing center scholarship reflects a promising shift towards a vision of the disciplines as interconnected.

The Burkean parlor has been integrated into the lore of writing centers, showcasing how writing centers have both conversational and collaborative elements. However, the ease for students to enter into the academic conversation is not as simple as this metaphor suggests. To rethink this concept, kairos, or the opportune moment, must be considered. This article will investigate kairos as spatial and how that conceptualization can deepen the Burkean parlor and the conversations within it. Breaking down the Burkean parlor into three stages—questions, metacognition, and choices—can benefit the practicality of the tutoring session. Kairos complicates each of these three points of the student writer’s integration into the conversation. The creation of kairos depends upon the student and tutor being mindful of these conscious and unconscious interactions and understanding how to most effectively disrupt the spatial boundaries of the tutoring session. Connecting kairos into the Burkean parlor metaphor differentiates the perspective of the tutoring session, encouraging both student and tutor to become more aware of the spatiality of tutoring and to redefine these boundaries.