Threshold concept theory can identify transformative concepts in disciplinary communities of practice, making it a useful framework pedagogically for scholars of academic literacies. Although researchers have studied how to teach thres hold concepts and how students have taken up theseconcepts in learning to write, few have looked at two aspects that are particularly important for students placed into basic writing: threshold concepts of reading and questions of learning transfer.Taking an epistemological approach to disciplinary literacies, I used case study research to trace the changing reading and writing practices of Bruce, a basic writing and first-generation college student, during his first year of college as he moved from a basic reading course into biochemis-try. Bruce leveraged audience awareness to write rhetorically and to comprehend difficult texts written for professional biochemistry researchers. Findings show that audience awareness is a threshold concept of reading, one that transforms academic literacy practices and that furthersidentity in disciplinary communities of practice. These findings support the teaching of audience awareness in secondary and postsecondary classrooms, but they also demand that we recognize the additional work basic writing students, like Bruce, must do to establish agency in a system that has labeled them underprepared.

Four case studies of proficient undergraduate writers from working-class backgrounds were conducted in the context of a course preparing sophomore and junior students to be tutors for first-year basic writers. It was found that, in contrast to much of the theorizing by and about working-class academics that emphasizes loss, a stronger theme in these students’ narratives of growing academic literacy was gaming. Students explained their experiences in ways that suggested a greater degree of agency, an awareness of themselves as writers in a contact zone, and a stance of tricking teachers on the way to producing acceptable texts. These findings suggest that writing in the contact zone of the classroom may require a double-voicedness that need not always be heard by instructors but is nevertheless important to students.

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This study investigates the relationship between the oral and written language of one college-level basic-writing student who is a speaker of Vernacular Black English. One possible explanation for basic-writing students’ difficulties in writing is that they may inappropriately use features from their oral language in their written language. We found in this study that neither VBE patterns in the student’s oral language nor other features of orality which previous research has identified primarily account for his writing problems. For other such students, future research will need to explore 1) whether or not the use of oral, or the lack of literate, features account for problems in writing, and 2) the nature of other, as yet unidentified, features of orality and literacy.