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This article explores how three writers in ecology understand and enact a disciplinary writing style. To accomplish this, it draws on theoretical approaches to style from sociolinguistics and linguistic anthropology, as well as analyses of drafts of coauthored texts and video-recorded literacy history and discourse-based interviews. This study finds that metaphor and embodied actions such as gestures are valuable sites for comparing writers’ stylistic understandings and practices. The three writers expressed broad agreement when describing the qualities of good scientific writing, using similar verbal and gestural metaphors, such as Communication as Journey and entailments of the Conduit Metaphor. Yet in discourse-based interviews, specific stylistic choices provoked conflicting preferences not only between writers but even within them over time, as they sometimes changed their minds about what they had preferred over a year earlier. These conflicting and changing views, and the writers’ arguments for them, complicate popular notions of writing style: that a particular discipline has a style uniformly shared among experts and that experts’ mastery of their own style is stable and absolute. The finding that stylistic disagreements are undergirded by similar metaphors in language and gesture highlights the ways our stylistic understandings are tied to life histories and are also deeply embodied. Working from a sociocultural perspective, I provide a richer, more complex empirical and theoretical understanding of what it means to command a particular disciplinary style.

The question of whether written genres can be learned through explicit teaching or can only be acquired implicitly through writing in authentic contexts remains unanswered. The question is complicated by the different parameters associated with teaching genre to first- or second-language learners, to children or adults, in settings in which the genre is authentically used or in settings (such as writing classes) in which genre learning is decontextualized. Quantitative studies of teaching genre offer mixed results, but in particular, there are no control-group studies of first-language adults. In this paper, we report research on teaching the genre of the laboratory report to first-language university students in biology labs. In this posttest-only control-group study, the treatment was the use of LabWrite, online instructional materials for teaching the lab report. We hypothesized that the treatment group would be more effective in: (1) learning the scientific concept of the lab, and (2) learning to apply scientific reasoning. Results of holistic scoring of lab reports for hypothesis 1 and primary-trait scoring for hypothesis 2 showed that the lab reports of the LabWrite students were rated as significantly higher than those of the control group. A third hypothesis, that students using LabWrite would develop a significantly more positive attitude toward writing lab reports, was also supported. These findings suggest that first-language adults can learn genre through explicit teaching in a context of authentic use of the genre.

Examines four first-graders’ messages to family members in their “family message journals,” as students were learning to “do science.” Finds that they consistently composed texts in which they appropriated the linguistic conventions of science and that they seemed able to use these conventions flexibly, recontextualizing the genres to fit the task of a written dialogue with their families.