Digital literacies have been recognized as significant practices for the identity formation of immigrant youth. However, the significance of self-sponsored digital literacies in the identity formation of African immigrant youth requires further scholarly examination. Drawing on racial and postcolonial theories, this study examines the identity constructions of a ten-year-old Nigerian girl through her digital art practices across various art apps. Data are interpreted through narrative analytical frameworks. Findings include that family and school contexts constrained her identity and how she desired to be known; digital literacies, specifically digital art literacies, facilitated her deconstruction of assigned US racial identity categories and construction of her desired identity; and digital literacies, such as coding and YouTube Nollywood videos, facilitated new friendships, familial bonds, and ethnic identity membership. Given the limited focus of existing literature on the agency and determination of African immigrant youth, this study makes visible how digital literacies can function as active mechanisms to deconstruct processes of racialization, rigid racial identity categorizations, and constructions of selfhood.

In this article, I propose Critical Race English Education (CREE) as a theoretical and pedagogical construct that tackles white supremacy and anti-black racism within English education and ELA classrooms. I employ autoethnography and counterstorytelling as methods that center my multiple identities and lived realities as I document my racialized and gendered experiences in relation to my journey to Ferguson, MO and my experiences as a secondary ELA teacher. The research questions guiding this study are the following: (1) As a Black male English educator and language and literacy scholar, how am I implicated in the struggle for racial justice and what does it mean for me to teach literacy in our present-day justice movement?; (2) How are Black lives mattering in ELA classrooms?; and, (3) How are we using Black youth life histories and experiences to inform our mindset, curriculum, and pedagogical practices in the classroom?This article explicates findings from three interconnected stories that work to show how CREE can be operationalized to better understand the #BlackLivesMatter movement in its historical and contemporary dimensions. The data analyzed stem from my autobiographical narratives,observations, social media artifacts, and images. I aim to expand English education to be more synergistically attuned to racial justice issues dealing with police brutality, the mass incarceration of Black people, and legacies of grassroots activism. This analysis suggests implications that aim to move the pedagogical practices around the intersections of anti-blackness and literacy from the margins to the center of discussion and praxis in ELA contexts.

The social media campaign #WeNeedDiverseBooks has called for more varied works of literature. However, one of the arguments for increasing the visibility of diverse books has not received much attention: using #WNDB to cultivate religiously pluralistic thinkers. Currently, there is a conflict between the evasion of religious neutrality in English language arts (ELA) instruction and the need to prepare young people to become pluralistic thinkers in a global society. This article examines three lines of inquiry: How likely are preservice teachers to (a) include children’s books with religious diversity in their future classrooms, (b) discuss the religious content of the books with their future students, and/or (c) employ dominant social discourses in interpreting the religious content? Grounded in theories of religious neutrality, social discourses, and cultural superiority,the study analyzes 79 preservice teachers’ responses to the cultural-religious milieu of the renowned picture book memoir In My Family/En Mi Familia (Garza, 1996). The corpus of data, which includes the preservice teachers’ written reflections and responses to a set of open-ended questions,indicates that privileging a nonreligious reading lens and excluding relevant religious perspectives from discussions about diverse works of children’s literature can inadvertently contribute to the defamation of other cultures and religious traditions. The study underscores the responsibility of teacher educators to help preservice teachers take a religiously neutral approach to ELA instruction.

This article develops a theoretical understanding of the processes involved in the co-construction of a written text by a teacher and student from a Vygotskian perspective. Drawing on cultural-historical and sociocultural theories of writing and Vygotsky’s concept of the Zone of Proximal Development (ZPD), this case study of a student and teacher interaction in a UK secondary school examines the social mediation of collaborative activity in the negotiation of meaning.While expressivist process theories of writing focus on the development of the authentic voice of the writer, this article contends that the development of a student’s writing abilities requires active intervention by a teacher within a constructed zone of development. Writing is viewed as a situated activity system that involves a dialectical tension between thought and the act of composition.Finally, the article will argue that the recursive and complex nature of writing development is an integral tool in the learner’s own agency in creating a social environment for development.

This article examines the ways in which a multimodal text—a YouTube video on globalization and business—was mediated in two English for Academic Purposes (EAP) classrooms, and how these mediations shaped the instructor’s and her students’ meaning-making in specific ways. I first explore the complex multimodal discourses involved with this particular video and present my own reading of it. In addressing the instructor’s and students’ engagements with this video, I adopt a mediated discourse analysis approach to examine their classroom discourses that interact with the social circulation of a globalization discourse featured in this multimodal text. A conversation with the participating instructor, who articulates several issues including concerns about the possible politicization of her classroom if certain approaches to texts are used, is also presented and used to examine her subsequent approach with her students in the second class. I discuss the ways in which social actors take up discourses differently, and conclude by exploring the possible classroom practices that can address an increasingly multimodal curriculum.