“Bio warfare” describes a digital rhetorical tactic used by teen climate activist Greta Thunberg to challenge oppressive anger norms and assert a feminist paradigm that sees sometimes-angry teen girl activists as credible, rational rhetors. On the surface, the rhetorical strategy is simple: Thunberg copy/pastes world leaders’ disparaging language into her 160-character Twitter bio. Yet, in these seemingly simple Twitter bio updates, Thunberg recontextualizes conservative leaders’ language into her own Twitter profile, inverting their meaning to assert an opposing ideology: that teen girls’ anger can be wise.

This article examines how whistleblowing evolves as a rhetorical genre alongside emergent media. By analyzing three events involving student disclosures on social media, this article argues that students’ social media communication can qualify as whistleblowing, just as whistleblowing can qualify as rhetoric. Notably, whistleblowing’s current conventions, which are heavily based in business and organization studies, suggest otherwise. This article introduces a concept called kinderuption to facilitate rhetorical analyses of whistleblowing. Approaching whistleblowing events as kinderuptions invites critical attention to audience engagement and influence, and a reconsideration of underlying themes like intention, harm, and care.

Considering recent returns to pre-Aristotelian understandings of ethos as the creation of dwelling spaces, this article argues that dwelling in algorithmically mediated spaces such as Facebook is intrinsically connected to ethos. The 2016 Dueling Protests in Houston, Texas serve as a case study of how Facebook’s platform functioned as a crucial tool for the Russian Internet Agency’s (IRA) disinformation campaigns. Examining interactions in these ethe ecologies reveals how algorithms shape community perceptions and constructions of ethos.

This article examines how digital rhetoric in a big data age affects human and more-than-human life (lands, waters, energies, and so forth) in places beyond immediate rhetorical encounters. By putting particular pressure on what the author calls digital damage, the article draws out the material, ecological, and infrastructural dimensions of Facebook’s New Mexico data center. Coupling Donna Haraway’s methodological tactic of “staying with the trouble” with cultural rhetorics perspectives on story, accountability, and relationality, the essay shows how digital damage can be expressed through a series of interruptive stories. Ultimately, the article intervenes in debates on the Anthropocene, arguing that attending to digital damage through story is one way to register the sensitivities, urgencies, and accountabilities needed to respond to worlds of entangled damage.

"Rhetorics of Whiteness: Postracial Hauntings in Popular Culture, Social Media, and Education." Rhetoric Review, 39(1), pp. 118–119

This essay draws our attention to the rhetorics of everyday queer people by routing queer notions of embodiment through queer and feminist work on rhetorical silence. I argue that the queer body engages speech and silence simultaneously, troubling any binary division between the two rhetorical forms. I call for, instead, a continuum model of rhetorical silence that ties together verbal silence with other forms of rhetorical action such as material silence, visual silence, and embodied silence. To show how the continuum model functions, I offer an analysis of Grindr profiles. The social networking app—marketed primarily toward gay and bisexual men—serves as an example for how rhetorical silence is adapted and deployed by queer people. Exploring these profiles allows us to consider the rhetorical action of people who may not live openly queer, those whose claim to queerness is limited to a pixelated square inch of pectoral flesh.

I sit down to write this review at a fraught moment for talking about class, and especially the working class. On Facebook, many friends are discussing a recent Equality of Opportunity Project repo...

Meta G. CarstarphenFigure 1: Screenshot of YouTube video depicting an image of Obama grinning with a gold dental grill and gold chain necklace (Downs).University of OklahomaKathleen E. WelchUnivers...

Sarojini Naidu’s platform rhetoric suggests that she functioned as the representative for Indian women due to her presence in the public sphere as first a poet, and then a nationalist leader. Naidu used her role as a jingoistic orator to persuade her audiences to believe that female equality was a necessary precursor to the independence of India. In her speeches, she reasoned with her listeners using the ancient Indian method of Nyaya and other various rhetorical techniques to strengthen her arguments.

AbstractYouTube allows activists to broadcast their missions and engage global audiences. “Mother’s Day for Peace,” a 2007 video, features American actresses who recite Julia Ward Howe’s radical 1870 Mother’s Day Proclamation and describe their personal thoughts on mothering. Analyzing this video with transnational rhetoric and disability rhetoric frameworks not only illuminates the persuasive possibilities and drawbacks for the video’s normative feminine gender performance and the spectacle of a war-injured Iraqi girl but also models an approach that prompts rhetoricians to examine larger rhetorical concerns revealed by the intersections of disability, race, gender, and globalization. Notes1 I am greatly indebted to RR peer reviewers Anne Demo, who helped me sharpen my focus, and Jay Dolmage, who both illuminated the broader implications of my analysis and introduced me to Meekosha’s invaluable work. Cindy Lewiecki-Wilson, Maggie LaWare, and Jason Palmeri also provided feedback that benefited my analysis during earlier stages of this project.2 Led by President Robert Greenwald, BNF produces film projects with activist causes, addressing such issues as improving US worker safety, ending petroleum drilling, revealing the power of billionaire Koch brothers, and uncovering US military spending. Greenwald has directed and produced numerous short films with his company Brave New Films, including exposés of Fox News, Walmart, and more. BNF’s activist videos clearly showcase their intention to inspire and create change toward progressive causes.3 For the description I draw on here, see http://archive.is/0RFII. For NMV’s updated website, see http://www.nomorevictims.org/newsite/about/.4 According to holiday historian Jones, Mother’s Day has facilitated a variety of political and social action. For example, in 1933 President Roosevelt issued a proclamation on Mother’s Day that called attention to mothers and children living in poverty (216), and in 1968 Coretta Scott King led a Mother’s Day march to support poor children and their mothers (217). Regarding peace-related political action, a “Mother’s Peace Day” parade was held in 1938, and decades later in the 1980s, Helen Caldicott founded the Women’s Party for Survival, organized against nuclear arms and proliferation. The Party led demonstrations on Mother’s Day. Most recently, on May 2, 2012, supermodel Christy Turlington’s organization, Every Mother Counts, which focuses on maternal mortality, uploaded the video, “No Mothers Day,” prompting mothers to be silent and “disappear” on Mother’s Day in order to “help raise awareness about the hundreds of thousands of women who die each year from complications during pregnancy or childbirth” (see http://www.youtube.com/watch?v=x0w669fZBH8).5 Established in 2002, CodePink (http://www.codepink4peace.org/) identifies itself as a grassroots peace and social justice organization. While not exclusively, its approaches and strategies are women-initiated, women-led, and often based on traditionally feminine tropes such as the color pink.6 Attending to the massive influence of Mother’s Day as a major cultural event in the US is beyond the confines of this article, but I encourage readers to look out for activist events that coincide with the holiday.7 This photograph can be viewed online: http://www.loc.gov/pictures/item/ggb2005018835/.8 Widely available online, the full document can be read at CodePink’s website: http://www.codepinkalert.org/article.php?id=217.9 As of this writing, the site includes broken links and brief information on 2010’s International Women’s Day, another example of a lack of using YouTube’s ability to maintain a presence and further the ongoing discourse regarding Mother’s Day’s potential for antiwar activism.Additional informationNotes on contributorsAbby M. DubisarAbby M. Dubisar is an assistant professor of English and affiliate faculty member in women’s and gender studies at Iowa State University, where she teaches classes on women’s/feminist rhetoric, gender and communication, and popular culture analysis. Her research analyzes the rhetorical strategies of women peace activists in a wide variety of contexts, from archival holdings to YouTube.

Kelly Ritter's book, Who Owns School? Authority, Students, and Online Discourse, part of Hampton Press's New Dimensions in Computers and Composition Series, would at first glance appear to be writt...