This essay examines how the Swedish disability movement creates policies involving naming practices as a means for self-presentation.The study takes its departure from two kinds of empirical data: websites of specific disability organizations and an interview with representatives of a national disability organization.Different angles of problems associated with terms for selfdescription are discussed mainly from a rhetorical-agency perspective.Through the analysis of data, I show how different political goals are connected to naming practices, resulting in ambivalence toward ongoing linguistic innovation processes, especially those with roots in norm criticism.

This essay demonstrates the value of using artificial intelligence (AI) technologies to address specific kinds of research questions in rhetoric. The essay builds on a study of a novel rhetorical object first observed by Yang on the Reddit subreddit r/wallstreetbets. We demonstrate how the rhetorical structure of "pathologics" (1) generated a kind of rhetorical authority that can be measured by higher-than-average user engagement on Reddit and (2) circulated from Reddit into more traditional legacy media. Through our research on the rhetorical circulation of pathologics, we argue that researching rhetoric with AI can center new ways of knowing about concepts relevant in rhetoric, like circulation and rhetorical ecosystems. Further, we argue that researching rhetoric with AI always also entails considering a "rhetoric of AI," requiring critical attention to the platforms, infrastructures, and data sources connected to AI systems.

OpenAI's ChatGPT is a large language model (LLM) that excels at generating text and public controversy. Upon its release, many marveled at its ability to author intelligible and generically responsible texts (Herman). Writing about his students' experiences using artificial intelligence (AI) writing assistants, S. Scott Graham remarks that the results were "consistently mediocre—and usually quite obvious in their fabrication." Why might this be true? How can an LLM succeed in some respects and fail in others? We argue that the discrepant reactions to human and AI rhetoric are a question of genre, specifically that AI rhetoric is only generic; AI rhetoric represents a new enactment of "writing degree zero" (Barthes) that is disengaged from immediate rhetorical situations and knowledge bases. AI text generators (currently) have a more difficult time simulating the positioned perspectives that human writers bring to situations and communicate to audiences through their genre usage. Drawing on the work of Bakhtin, we treat this problem as a question of generic form and audience addressivity. We describe the interplay of form and addressivity as genre signaling and offer it as a construct for the analysis of AI rhetoric and genre as a cultural form (Miller). Genre signaling (Hart-Davidson and Omizo) describes a feature of communicative behavior as it occurs over time that can help both humans and machines evaluate written discourse as it exhibits certain stabilized formal features. When texts contain specific genre signals at expected frequencies and intensities, it may be recognized as being generally accurate, reliable, trustworthy. Without these signals, a text with a similar topical focus might fail to be taken as credible or useful. In this essay we propose to quantify genre signaling based on three measures: (1) stability, (2) frequency, and (3) periodicity.

The convergence of artificial intelligence technologies with the growth of Christo-fascist movements in the United States presents an alarming threat to women's health, especially considering known privacy violations by the major players—all in the shadow of the US Supreme Court's reversal of Roe v. Wade. These violations are ethotic; that is, they betray information that has been mined algorithmically to construct "user models," bits and pieces of which are sold or otherwise circulated without true "user" consent or cooperation. Such models are best understood as algorithmic ethopoeia, mathematized representations of individuals charted as matrices of commodified categories for commercial trafficking, but also for politicians and law enforcement. Taking inspiration from abolitionist tools for resisting intersectional racism, and incorporating data feminism, we offer six categories of design heuristics to respect and maintain ethopoeic integrity, especially in the domain of women's health in a post-Roe technological landscape, using a fundamental rhetorical concept to serve designers, as well as critics and activists.

Rhetoric is a trace retained in and by artificial intelligence (AI) technologies. This concept illuminates how rhetoric and AI have faced issues related to information abundance, entrenched social inequalities, discriminatory biases, and the reproduction of repressive ideologies. Drawing on their shared root terminology (stochastic/artifice), common logic (zero-agency), and similar forms of organization (trope+algorithm), this essay urges readers to consider the etymological, ontological, and formal dimensions of rhetoric as inherent features of contemporary AI.

Artificial intelligence (AI), particularly generative AI, provides a unique opportunity to reexamine how affect, memory, authenticity, embodiment, and authorship are conceptualized and discussed in rhetorical scholarship. This is particularly significant as affective experiences resulting from communication with AI are increasingly normative due to the public-facing nature of many large language model chatbots. Drawing first on a recent case wherein an AI user produced a chatbot facsimile of her childhood self, this article suggests that affective changes facilitated by AI represent not only new avenues for exploring affect, but also how time itself is experienced.

According to Black Twitter community members, who were active online just after rock 'n' roll artist Little Richard's passing in 2020, Michael Jackson's purchase of the Beatles catalog (thirty-five years prior) was viewed as what Twitter user and academic author DJ Scholarship calls "rhythmic reparations," offering restitution for Black artists like Little Richard who were never compensated fairly in a white industry. The purchase of Sony/ATV then became more than just a business transaction; it worked rhetorically as a pop culture object to amplify and change narratives about race, music, money, and power. I rely on two concepts of rhetoric—counterpunch and copia—to reexamine language surrounding Jackson's initial purchase and the conversation about Jackson occurring in the wake of Little Richard's death. I also explain how this conversation on Black Twitter led me to revise my knowledge of popular culture and music history and to confront my own white privilege.

This article reroutes the more radical tendrils of the commonplace by pursuing Christa J. Olson's call for questioning the "terrain of rhetoric." We ask: What if commonplaces and the commonality they entrench are not required for banding together in community? By thinking with Édouard Glissant's Creole garden, we rework the commonplace as common place, which conceives a place that welcomes difference without requiring common ground. To articulate the possibilities of Glissant's common place for rhetorical invention, we demonstrate its movement with examples of marronage in the southern Louisiana Territory of the United States. Marronage helps us to think how the Creole garden gathers the world's thoughts to "illustrate the immeasurable diversity of the world," thus founding a rhetoric that resists even as it relates to settler colonialisms and racial capitalisms (Treatise). This article demonstrates how the terrain of rhetoric may be limited by the pursuit of/for common ground.

Rhetoricians have long critiqued gendered (Gurak; Koerber) and racial (Banks; Haas) biases in rhetorics of science and technology. However, we have yet to fully consider how the patent, as a genre, perpetuates these biases both in the constraints it places on contemporary definitions of invention and innovation and in how it distorts historical narratives about who invented in the past. Delineating the patent's limitations as an index of inventive activity, this article advocates for more expansive understandings of invention. It argues that American patents have, since the nineteenth century, affirmed a dominant "rhetoric of innovation" that has since functioned as much as a marker of privilege as it has an index of inventiveness. Using the example of early twentieth-century Black hair culture, this article suggests other ways of recovering historical inventiveness among groups of Americans possessing their own, alternative "rhetorics of innovation" that reflect their culturally situated strategies for empowerment.

Taking the slogan "no lives matter" as a starting point to diagnose the nihilism of our contemporary political culture, in this essay I tie the rise of nihilism to the resurgence of far-right political movements, chiefly the neo-reactionary thought of Nick Land. Following my discussion of Land and the culture of apocalyptic nihilism, I elucidate a Black feminist and decolonial perspective that, I argue, resists this creeping nihilism, and instead offers avenues of engaged political praxis for recuperating the politics of personhood. Using Sylvia Wynter's work as an exemplar of such a perspective, I perform a rhetorical criticism of Land's essay "The Dark Enlightenment" through the lens of Wynter's understanding of the human. Critiquing his arguments, I argue that Wynter's work offers a radical alternative to Land's apocalypticism and antihumanism, one that maintains a commitment to reimagining the human rather than disavowing it.

Studies of Augustine's rhetoric have been focused on the De doctrina christiana and the Confessions. As a result, these studies have been restricted to questions of Augustine's reception of Greco-Roman ideas. This article analyzes an underappreciated source, the De catechizandis rudibus, to show that Augustine engaged with a topic that his pagan forebears did not account for, namely rhetorical depression, a condition that tempts speakers to slide into a grim silence. Because rhetorical depression does not admit of a technical solution, Augustine responds to it by locating discourse within a redemptive drama animated by love. The hope of love's ultimate victory over communicative futility and frustration inspires the depressed speaker to stammer onward rejoicing. Augustine's placement of rhetoric within a dramatic history can prompt future reflection on the stories and myths found in past handbooks of rhetoric. It may also help us tell stories about rhetoric today that help depressed speakers get up in the morning.

This article explores cadaverous rhetorics with a focus on public displays of human remains at anatomical museums. The article has two primary components: First, it advances a theory of cadaverous rhetoric grounded in a blending of rhetorical, feminist, and psychological affect theory. The article argues that combining Casey Boyle's transductive rhetoric with Sara Ahmed's cultural politics of emotion and the psychology of extensive affective regulation offers a great deal of insight into the public display of human remains. Second, the article explores the cadaverous rhetorics at three museums: the Mütter Museum, Surgeon's Hall, and the Museo de la Medicina. The article traces how the practices of acquisition, preparation, preservation, display and contextualization aim to blunt negative affective responses and to catalyze positive visitor experiences. The article closes with a rumination on the limited success of cadaverous rhetorics in the face of visitor tendencies anchored in attachments to justice-oriented frameworks.