Situated in the literature on threshold concepts and transfer of prior knowledge in WAC/WID and composition studies, with particular emphasis on the scholarship of writing across difference, our article explores the possibility of re-envisioning the role of the composition classroom within the broader literacy ecology of colleges and universities largely comprised of students from socioeconomically and ethno- linguistically underrepresented communities. We recount the pilot of a composi- tion course prompting students to examine their own prior and other literacy values and practices, then transfer that growing meta-awareness to the critical acquisition of academic discourse. Our analysis of students’ self-assessment memos reveals that students apply certain threshold concepts to acquire critical agency as academic writ- ers, and in a manner consistent with Guerra’s concept of transcultural repositioning. We further consider the role collective rubric development plays as a critical incident facilitating transcultural repositioning.

Rebecca Nowacek (2011) observes that “scholarship on transfer in the field of rheto-ric and composition has understandably focused on first year composition: what knowledge and abilities transfer out of, and less commonly, into FYC ” (p. 99). There is consensus in this research that all too often students fail to transfer skills learned in their first-year composition courses to other writing contexts across the curric-ulum. There is also consensus that composition instructors wishing to encourage transfer should focus on metacognitive awareness of writing processes; understand-ing of key writing studies concepts like rhetorical situation, genre, and discourse community; and making explicit connections to students ’ future college and pro-fessional reading and writing tasks (Beaufort, 2007; Bergmann & Zepernick, 2007; Clark & Hernandez, 2011; Fishman & Reiff, 2008; Wardle, 2007). What scholars have focused less attention on is how these lessons learned from the research on transfer and first-year composition might inform the design not just of first-year composi-tion courses, but of university writing across the curriculum (WAC) efforts, from a student’s first year to his or her final semester. With the exception of Anne Beaufort (2007) and David Smit (2004), even researchers who have studied courses across disciplines have focused their advice not on the structural design of campus WAC programs, but on what individual instructors can do to encourage transfer (Caroll,

WRITING ACROSS THE CURRICULUM linkages are generally acknowledged to help students improve as writers and engage more deeply in disciplinary course content. However, the extent to which the literacy skills that are taught in general writing courses transfer to the specific writing needs of a particular discipline remains a debatable issue. Referring to first year writing courses, Amy Devitt notes that writing courses “have been attacked as not useful, in part because of a potential lack of transferability of the general writing skills learned in composition courses to the particular writing tasks students will later confront” ( ). Margaret Mansfield similarly maintains that attempts to reproduce real world writing in the classroom are “intrinsically doomed” ( ), as do many of the essays in Joseph Petraglia’s collection, Reconceiving Writing, Rethinking Writing Instruction, which question the value of what Petraglia terms GWSI (General Writing Skills Instruction). However, an important benefit of a cross curricular model, one that receives little attention in writing across the curriculum scholarship, is that linked courses not only help students improve as writers, but they can also enable students to understand that “when people learn, they don’t take on new knowledge so much as a new identity” (Lindquist ). Identity is closely linked with writing, but WAC tends to focus primarily on the actual writing, not on the role writers play in a discourse community. In this essay, we discuss a successful linkage between a writing class and a class in Health Sciences that used rhetoric, with particular emphasis on the concepts of identity, genre, and performance, to help students gain insight into the role of writing in the field of Public Health and understand what it means to be a Public Health professional. Differences in students’ responses to essays written at the beginning of the semester as

“The first thing I want to say to you who are students is that you cannot afford to think of being here to receive an education: you will do much better to think of being here to claim one. ” —Adrienne Rich (1979, p. 231) It may seem odd to begin a discussion of academic research by quoting Adrienne Rich’s well-known 1977 speech, “Claiming an Education. ” But, if one substitutes “research ” for “an education, ” the sentiment more or less de-scribes the situation faced by most first-year students assigned research in com-position. Completing the monumental academic “Research Paper ” in first-year writing courses is considered a rite of passage for students in many universities (including my own, Auburn University), and is one often performed with grim resignation and uncertain purpose by many of those involved (Schwegler & Shamoon, 1982). Such was the case when I began teaching English Composi-tion II, a second-semester, first-year writing course that makes up one of sev-eral humanities core courses within Auburn’s curriculum. These core courses, including a two-semester sequence of composition, are mandated by our state articulation agreement, and many curricular guidelines are predetermined by that agreement. Our department has molded this curriculum somewhat, but any innovations must be implemented cautiously and creatively. Drawing on previous WAC research about disciplinary writing as well as classical rhetoric and critical pedagogy, I will describe my response to this mandate, theorizing a new critical space for WAC, one that promotes students ’ civic engagement while they are researching an academic discipline. Operating at the nexus of rhetoric, critical theory, and WAC scholarship, I will discuss ways that a criti-cal WAC pedagogy encourages students ’ investment in their own research and encourages students to become responsible “citizen-experts ” within their com-munities. Though the purpose of Auburn’s research paper in English Composi-tion II is to prepare students for academic research, I also strive to include a strong critical component, highlighting moral and ethical concerns within academic discourse much like that described by John Pennington and Robert Boyer (2003), wherein students are conscious of the responsibility they have

Writing across the curriculum means more than creating opportu-nities to learn by writing; it means, also, focusing on the nature of writing for particular purposes, in particular fields. In Australia, B.A. students are required to write extensively for all of their courses, but usually receive no theoretically-informed instruction about writing itself. This paper offers a framework that discipline specialists and their students might use in analyzing the varieties of writing in their field, to inform the students ’ subsequent choices of suitable forms and language when they write for different au-diences in a professional role. The paper follows the application of this framework in an archaeology subject where an academic skills adviser collaborated with an archaeology lecturer in invit-ing upper level students to closely examine the discourse of their profession.