This essay contributes to the emerging conversation about two-year college teacher-scholar-activism by revisiting the work of Elisabeth McPherson, the first community college faculty member to chair CCCC. Arguing that McPherson's fade from disciplinary memory reflects the marginalization of two-year college faculty that coincided with the rise of neoliberalism, Christie Toth traces three key themes in McPherson's published work: advocating for two-year colleges and the professionalization of their faculty; subverting institutional labeling of two-year college students; and challenging racism, classism, and sexism through pedagogy and policy. While her published work is not beyond critique, McPherson's career offers historical precedent for a two-year college English professional identity that integrates critical teaching, scholarly and organizational engagement, and activism for social justice at multiple scales.

This essay examines the complexities involved in taking up and sustaining one’s work as a teacher-scholar-activist working within literacy education today.  Spiegel argues that the guerrilla moniker may be a productive metaphor through which faculty can see and resee their positioning and approach to their work.  Focusing upon guerrilla cause, band, and tactics, she provides guided heuristics to help faculty shape their response to local context as exigencies compete, resources drain, and terrain shifts.

Without offering explicit, basic instruction in writing to graduate students, we up the risks of maintaining the exclusion of the most underserved of adult learners in graduate education, and, thus, perpetuating social and racial hierarchies in professions requiring advanced degrees and in society writ large. This article highlights the ways in which graduate writing intersects with Basic Writing, especially given the politics of remediation facing adult learners in both contexts. It then analyzes one attempt to administer and teach a graduate writing course for English language learners and concludes with a catalog of administrative concerns Basic Writing teachers and administrators may want to consider when developing and teaching similar courses.

This essay describes a year-long, grant-funded, cross-institutional collaborative project between Boise State University and the College of Western Idaho, a community college. The goal of the project was to institute an Accelerated Learning Program (ALP) model for first-year and basic writing in response to a state mandate to embrace Complete College Idaho, a form of Complete College America. The essay depicts the institutional context of each college and analyzes the challenges and benefits of the new model at each institution. The authors consider the differing roles of full-time and contingent faculty at the two institutions and the challenge of defining reasonable grant work requirements, given the varied teaching, research, and service expectations of instructors. The piece also considers the complex reasons Idaho students may not finish higher education and the extent to which the goals of Complete College Idaho could be met by instituting an accelerated model.

At a community college in the Midwest, an English Department designs and implements a teacher-driven pilot project to experiment with its basic writing program. The article discusses some methods and the value of a local decision-making process that is driven primarily by the concerns of teachers and the experience of students.

Entering college students are profoundly disturbed when placed in courses labeled “basic,” “developmental,” or “remedial.” Discouraged and often faced with pressing life problems, many of these students drop out of college before ever reaching first-year composition. Beginning in 2007, the Community College of Baltimore County (CCBC) renamed and reframed their basic writing program as ALP (the Accelerated Learning Program). Students enrolled in ALP take regular, credit-bearing composition along with a writing workshop taught by the same teacher and designed to help them succeed in the comp course. Now, ten years later, ALP has enabled thousands of students at CCBC to move into the college mainstream in a timely and cost-effective fashion. Efforts to disseminate the program have been wide-ranging and successful. Currently, the ALP model has been implemented at approximately 240 campuses nationwide. In this essay, I argue that with the widespread implementation of innovative, student-centered programs such as ALP, Stretch, and writing studios, the time has finally come to end remediation as we know it.

Henry, Hilst and Fox argue for expanding basic writing to include multimodal communications and digital literacies alongside print-based literacies. After defining key terms related to multimodal composition, the authors describe teaching and learning strategies related to visual and oral/aural communication modalities.

Basic writing students' photo essays demonstrate that the multimodal composition process affords opportunities to participate in engaging conversations about writing. The authors argue that the incorporation of multimodal assignments in the basic writing classroom promotes both digital and print literacies while fostering awareness of students' own writing processes.

Booth and Spina-Caza argue that because video is so widely used as a communication tool, it should be incorporated into the composition classroom. Guidelines for teaching and writing with video are presented along with suggested resources for basic writing instructors.

Shapiro describes challenges instructors confront when designing multimodal basic writing coursework while commenting on benefits afforded to students. Drawing on her teaching experiences in basic writing and Upward Bound classes, she offers sample assignments and provides a framework for creating curricula based on multimodal, academic and home literacies. Book Review: Shimmering Literacies