Computers and Composition Digital Press
307 articlesFebruary 2012
December 2011
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Abstract
Collaborative Approaches to the Digital in English Studies joins the ongoing conversation about collaborative work in the humanities. Instead of focusing exclusively on the digital humanities or emphasizing only the large-scale computational analysis or archival projects typical of that field of study, the collection focuses on a variety of projects led by or involving English studies professionals in particular.
November 2011
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Abstract
Winner of the 2011 Computers and Composition Distinguished Book Award Winner of the 2012 Winifred Bryan Horner Outstanding Book Award from the Coalition of Women Scholars in the History of Rhetoric Winner of the 2013 CCCC Outstanding Book Award Technologies of Wonder: Rhetorical Practice in a Digital World considers the theoretical and pedagogical implications of designing academic scholarship in interactive digital media, and proposes renewed emphasis on embodied visual rhetoric and on the canon of arrangement as an active visual practice. This project uses the concept of the Wunderkammer to argue for techné and wonder as guiding principles for a revitalized visual canon of arrangement and as new models of invention and intervention in multimodal scholarly production.
March 2010
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Abstract
Teachers, students, and administrators interested in traditional literacy, electronic literacy, bilingualism, Latino/a studies, and media literacies showcasing the rise of technological literacies across generations and within the marginalized population on the U.S.-Mexico border will better understand literacy experiences in niche locations. From over a hundred surveys and interviews and a final focus on over 40 participants, Generaciones’ Narratives reveals how terms like sponsor and gateway become nuanced in significant ways, and how both refined and new terminology useful for niche studies comes into play.
May 2009
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Abstract
Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital.