Executive functions are attributed a central role in maintaining fluency during L2 text composition, allowing writers to orchestrate the various linguistic and cognitive processes and resources involved in writing. The study examined (1) whether language proficiency moderates the relationship between executive functions and writing fluency in L2 writing and (2) whether the effects indirectly affect text quality. Sixty university students composed two texts in English as their L2, an argumentation and a description, three executive function tasks assessing inhibition, shifting, and updating skills, a language proficiency test, and a copy task. Keystroke logging protocols were recorded with Inputlog and analyzed for writing fluency. Text quality was assessed with a holistic benchmark procedure and comparative judgments. The results revealed language-dependent and genre-specific effects of updating and shifting but not inhibition skills on writing fluency. Path models indicated that the interactions between executive functions and language proficiency indirectly affect text quality through process-related writing measures. The findings suggest a complex relation between executive functions and writing performance that depends on language proficiency and varies with task demands.

Poor writing skills are problematic in today’s society where writing expertise is essential in personal, academic and professional contexts. Students struggle most with argumentative writing. To write a good argumentative text, students need genre knowledge on this type of text. After all, genre knowledge has been proven to be related to writing quality. Considering its relevance, in this study we investigated whether learning from (comparing) text exemplars could be an effective method to enhance genre knowledge. This study aims to investigate whether learning from (comparing) text exemplars can enhance genre knowledge. A quasi-experimental study with 77 11th grade students was carried out to test the effects of four conditions on genre knowledge of argumentative texts. Findings show that genre knowledge increases through single and analogue text examples. In addition, learning from comparing text exemplars does not seem to increase genre knowledge more than learning from single, sequential exemplars.

Composing a well-written text is a prolonged and challenging process. The present study explored the incipient stages in descriptive texts written (pen and paper) or dictated by 283 Hebrew-speaking Israeli children in second to fifth grades. This study aims to better understand the interplay between age, literacy-related abilities, and descriptive text quality by exploring developmental aspects across grade levels regarding text structural quality, length of text and literacy related abilities, and by analyzing the relation between text structural quality and literacy related abilities (cognitive, transcriptional, linguistic, and reading), beyond length of text and grade level. Regarding the developmental aspects, the results indicate that text structure quality becomes more sophisticated and complete with age, attaining high-quality descriptive text structure from third grade on in the production of autonomous texts with genre-driven elaborate features. Length of text and literacy related abilities also increase with age. Regarding the relation between text structural quality and literacy related abilities, we found in 2nd grade, for P&P text, a significant total effect of syntactic lexical ability on text structure rank, partially mediated by length of text, and a weaker but still significant direct effect of syntactic lexical ability on TS rank, when controlling for length of text. We also found in 5th grade, for DICT text, a significant total effect of reading high ability on TS rank, not mediated by length of text.

This study explores the relation between writing quality and contextualization and elaboration moves, two kinds of textual expansion devices crucial for building common ground between writers and readers. We ask whether elaboration and contextualization features differentially predict writing quality and whether their quality contributions differ between genres. We also ask to what extent elaboration and contextualization are tied to individual writers, and can be explained by writer characteristics. To examine these issues, we annotated descriptive and argumentative texts of Dutch adolescents. Text quality was rated holistically, using benchmark scales.     As regards elaboration, depth affects quality more than breadth does. It also contributes across genres, whereas breadth only contributes in argumentations. Depth shows a large individual consistency across tasks, which is substantially related to students’ school type, grade and gender. Breadth shows weaker links to individual writers and their characteristics.     With regard to contextualization, opening and closing moves play a modest role in text quality. Initial support moves contribute to quality across tasks; concluding moves contribute more in argumentations. Concluding moves are most consistent within writers; however, for all contextualization moves, the writer variance is substantially explained by writer characteristics. This study opens up new avenues for explicating writing quality and writing skill.

Academics are increasingly engaged in writing genres with purposes and for readers outside of academia—a variety of science-based communication practices that fall under the term science communication. These practices often span different modes, genres, and even languages, requiring high degrees of rhetorical flexibility, strategic knowledge, and regulation of writing. In this study, we probe the self-regulation and specifically the metacognitive strategy knowledge (MSK) of seven senior scientists who regularly and actively engage with writing for science communication. We argue that understanding their MSK can illuminate how strategic knowledge is transferred across written genres, and importantly offer useful insights for the training of future scientists. Using data derived from in-depth, narrative interviews with a recall component, we identify a variety of strategies for task conceptualization/analysis, planning and goal setting, monitoring, and evaluating the writing of different genres. Task analysis appears particularly crucial in science communication writing, due to the great variety of purposes and readers that fall under this umbrella. Interestingly, our participants underscore storytelling strategies, and seem to transfer language and style monitoring strategies to and from science communication and publication. We map the strategies identified and discuss the implications of our study for further research and science communication pedagogy.

Students need support through intentional writing instruction to develop their discipline-specific writing skills outside of Language Arts. Yet, we argue not all writing instruction provides the same opportunities for student learning. In this study, with the support of professional development, teachers engaged students in civic perspective-taking through writing, focusing on locally relevant public issues. Drawing from disciplinary literacy and genre pedagogy, our research team conducted a descriptive study where thematic analysis was applied to examine second and third graders’ civics writing samples. Our findings indicate that students’ engagement with key civic concepts became more complex and purposeful as they practiced argumentative writing. Development continued from second to third grade in both the sophistication of their civic perspective-taking as well as their writing. Additionally, we found that student motivation to engage in argumentative writing increased in all classrooms across both grade levels when engaging with locally relevant public issues. This article provides details about the elementary civics writing curriculum and the students’ writing outcomes as well as includes the two graphic organizers used in the curriculum.

This study focuses on disciplinary literacy in primary craft education. Disciplinary literacy refers to the specialised ways of reading, writing, and speaking in a particular discipline. In Finland, crafts is an obligatory school subject, and pupils are supposed to conceive and manage a complete crafts process, including documentation. However, disciplinary literacy in crafts has rarely been studied, let alone at the primary level. In this study, we explored the quality of a sample of work descriptions produced by third-graders. The data included digitally produced work descriptions (N=79) written by 42 third-grade pupils in a Finnish primary school. Based on a qualitative analysis, six main dimensions of work descriptions as a textual genre emerged: word count, crafts vocabulary, structure, spelling, multimodality, and self-assessment. The quality of work descriptions was analysed quantitatively according to scoring criteria based on these dimensions. A cluster analysis indicated that there were three groups of work descriptions with respect to their level of disciplinarity: limited, emerging, and advanced descriptions. The results show that the structure of the disciplinary texts develops first, and subject-specific vocabulary stabilises after that. The paper discusses the foundation for disciplinary literacy in primary craft education.

Upper elementary students face conceptual and linguistic challenges when writing in science. One way to scaffold science writing is the explicit teaching of cross-disciplinary language. Limited research has explored the dynamics of these language changes in instructional contexts. This study examines the micro-developmental changes in cross-disciplinary language skills and their contributions to the quality of 191 science explanations written by 65 fourth graders that participated in language and literacy-based instruction. The instruction’s pedagogical design was focused on writing-to-learn and learning-to-write the scientific explanation genre. Each student wrote an initial, a scaffolded draft, and a final explanation that was scored for scientific quality and productive cross-disciplinary language skills. Students’ prior and final scientific knowledge was also measured. The results showed large instruction size effects on the scientific quality (0.71), productive cross-disciplinary language skills (0.46), and explanation length (0.64). Stepwise regression analysis showed that prior and final science knowledge and productive cross-disciplinary language skills significantly predict the quality of the final explanation (R2 = .704, F(11,38) = 9.03, p < .000). This research offers evidence of the dynamic relationships between language, literacy, and science in contexts of explicit cross-disciplinary language instruction for disciplinary literacy and learning.

Much of the research that has examined the writing knowledge of school-age students has relied on interviews to ascertain this information, which is problematic because interviews may underestimate breadth and depth of writing knowledge, require lengthy interactions with participants, and do not permit a direct evaluation of a prescribed array of constituent knowledge elements. For these reasons, our goal in this study is to report the development, piloting, and field testing, using a sample of 335 students from grades 4 and 5, of four alternate versions of a writing knowledge assessment—the Student Knowledge of Writing Test (SKOWT)—that uses forced-choice responses to evaluate students’ knowledge of writing processes, genre elements, and linguistic features of written language. All versions of the SKOWT demonstrated adequate internal consistency reliability and construct validity based on exploratory factor analyses following deletion of some items. In addition, there was acceptable predictive criterion validity based on associations of SKOWT scores with subtests from the Test of Written Language-4 and measures of narrative, opinion, and informative essay quality. We discuss how the SKOWT might be used in future research and educational practice.

In popularization discourse, insights from academic discourse are recontextualized and reformulated into newsworthy, understandable knowledge for a lay audience. Training in popularization discourse is a relatively new and unexplored research topic. Existing studies in the science communication field suffer from under-utilized baseline assessments and pretests in teaching interventions. This methodological problem leads both to a lack of evidence for claims about student progress and to a gap in knowledge about baseline popularization skills. We draw the topic into the realm of writing research by conducting a baseline assessment of pre-training popularization skills in first-year undergraduate students. Undergraduate science communication texts are analyzed to identify instances of popularization strategies using a coding scheme for text analysis of popularization discourse. The results indicate a lack of genre knowledge in both academic and popularized discourse: textual styles are either too academic or overly popularized; the academic text is misrepresented; and the essential journalistic structure lacking. An educational program in popularization discourse should therefore focus on the genre demands of popularization discourse, awareness of academic writing conventions, the genre change between academic and popularized writing, the role of the student as a writer, and stylistic attributes.

In Dutch L1 classrooms, style in non-fictional genres is typically taught by means of normative exercises in which students are tasked to identify stylistic lapses. Not much is known about the effectiveness of such exercises when teaching style. Unknown factors include  what kinds of stylistic shortcomings are found in Dutch students’ writing, and how the occurrence of certain stylistic lapses relates to writing quality. The current study empirically explores these scarcely investigated issues. Teachers rated 125 argumentative texts written by tenth-grade pre-university students by means of comparative judgement. Additionally, these texts were manually analyzed to investigate the occurrence of stylistic lapses, taking into account stylistic lapses that are common in text books (‘standard category’) and other types of style related errors (‘other category’). Multilevel regression analyses revealed that only one of the stylistic lapses from the standard category negatively influenced text quality as evaluated by teachers, namely the use of detached phrases. In the other category, only mistakes in question marks negatively predicted text quality. A final model including those two predictors explained 11.1% of the variance in text quality. The article discusses the implications of these findings for non-fictional style education, suggesting that it might need to be refocused.

A pervasive finding in learner corpus research is that advanced EFL learners tend to overuse interactional features of writer/reader visibility (WRV) in their written academic texts, including first- and second-person pronouns, I think, modal adverbs, modal auxiliaries, and questions. Very little research has been done on younger learners, however. The present study is a mixed-methods investigation of WRV features in argumentative and expository genres in the TRAWL longitudinal corpus of learner texts from Norwegian lower secondary school. Comparisons are made with more advanced levels (undergraduate university students) using the Norwegian component of ICLE, ICLE-NO. The results show that the TRAWL pupils use many WRV features in their writing, first-person reference being especially frequent (with I dominating). Compared to the advanced learners in ICLE-NO, the TRAWL learners overuse some, but not all, features. One explanation for the high frequency of WRV features in TRAWL is that the prompts – both argumentative and expository – often request a personal style. Some expository prompts and texts are more impersonal, but overall there is little distinction between the genres. The pedagogical implications are that instructors need to be more specific about genre requirements, and create more obligatory prompts that do not request a personal style.

Doctoral students in the natural sciences who are writing research for the first time and also writing in an additional language (L2) need to acquire knowledge of the genre of the research article (RA). This knowledge can be elusive. One instructional activity that can mediate genre knowledge is students acting as reviewers to peers' RA texts. However, mediation of genre knowledge is contingent on reviewers' focusing on genre features of peers' texts. To explore the focus of L2 doctoral students' peer review, this study examined online feedback provided by 24 L2 doctoral reviewers on 73 texts written by their L2 peers. To determine the potential relevance of the feedback to the scientific research article, review comments were thematically coded, and the categories of comments were then compared with descriptions of text features of RAs in the natural sciences. Findings showed that review comments focused on precision, organization, cohesion, voice and stance, and research knowledge, categories that reflect key aspects of scientific RAs.

Theoretical models of early writing support the importance of discourse knowledge to writing (Bereiter & Scardamalia, 1987; Berninger & Winn, 2006). However, there is limited research on the relationship between discourse knowledge and writing among beginning writers. This study explored whether fall, spring, and change in discourse knowledge predicted first-graders' end-of-year writing. Three hundred eighty first-graders were given a discourse knowledge interview in the fall and spring assessing knowledge of writing production procedures, substantive processes, story elements, and writing motivation. Additional fall assessments included handwriting fluency, spelling, reading, and vocabulary. Students' narrative and descriptive writing was assessed at the end of the year. Hierarchical linear modeling showed that fall discourse knowledge and knowledge gain variables were not consistent predictors for writing outcomes. However, a more consistent relation was found between spring discourse knowledge and writing achievement, where production procedures predicted writing in both genres while substantive processes and story elements only predicted narrative writing. This study extended findings from earlier research by examining the discourse knowledge and writing achievement of young students.

Corpus linguistic methods can provide detailed and statistically robust information about how children's written language develops as they progress through their education. Such data can inform both models of written language development and curricular policies and practices. To this end, the current paper focuses on subordination as a key site of syntactic complexity. Using a corpus of 240 texts written by children aged 6 to 16 in England as part of their regular school work, it quantifies how the most common type of subordinate clause (the adverbial clause) varies across year groups and genres in terms of frequency, internal complexity and semantic function. A complex developmental picture emerges with length and frequency of finite vs. non-finite clauses changing in distinct ways across primary vs. secondary education. These patterns are found to be closely related to discipline- and genre-specific developments in the main functions for which adverbial clauses are used.

The case analysis, a prominent genre within business and information systems (IS) programs, is challenging for students because there are competing demands to perform both academic/learner and professional/mock-consultant roles. Drawing on design-based research data from four different IS courses at our institution, in this paper we aim to map a pedagogical to professional case analysis genre continuum. We examine the expectations for student roles in these four different courses, where and how the case analysis assignments in these courses fit into the continuum, and whether they facilitate an effective developmental trajectory as a whole. Our analysis shows that our institution's trajectory is mostly effective in moving students from pedagogical to professional roles, but could be enhanced with extra support for case analysis writing that falls in the middle of the continuum. We offer recommendations for how academic programs could leverage the value of the developmental trajectory to create a cohesive sequence across the four-year student experience.

Teaching the craft of written science communication is an arduous task that requires familiarity with disciplinary writing conventions. With the burgeoning of technological advancements, practitioners preparing novice research writers can begin to augment teaching and learning with activities in digital writing environments attuned to the conventions of scientific writing in the disciplines. The Research Writing Tutor (RWT) is one such technology. Grounded in an integrative theoretical framework, it was designed to help students acquire knowledge about the research article genre and develop research writing competence. One of its modules was designed to facilitate revision by providing different forms of automated feedback and scaffolding that are genre-based and discipline-specific. This study explores whether and how the features of the RWT may impact revision while using this module of the tool. Drawing from cognitive writing modeling, this study investigates the behaviors of a multidisciplinary group of 11 graduate-student writers by exploring how they interacted with the RWT's features and how this interaction may create conditions for enhanced revision processes and text modifications. Findings demonstrate promising potential for the use of this automated feedback tool in fostering writers' metacognitive processing during revision. This research adds to theory on cognitive writing models by acknowledging the evolving role of digital environments in writing practices and offering insights into future development of automated tools for genre-based writing instruction.

This paper offers a description and analysis of a genre-informed intervention that supported elementary-grade ELs to write arguments in response to narrative text. Instruction engaged students with the target genre's purpose, structure, and some key language features. The analysis offers an examination of the classroom discourse and materials, as well as the students' written responses. The paper offers evidence that lessons often supported students to actively engage in classroom conversations that highlighted some of the natural constraints and choices consistent with the target genre. The student writing samples provide evidence that young students are capable of writing analytical responses to literature with support. Students were able to write in ways that served the purpose of the genre and are highly valued in ELA classrooms. In addition, the analysis found significant variety among the student products: they took varied evaluative stances in response to prompts, modified their interpretations of character attitudes using nuanced lexis, and provided differing, but relevant evidence in support of their claims. Many students were likewise able to provide elaborated analysis of evidence from literary texts in a variety of ways.

This paper gives an analytic description of why and how an instructional writing program on the improvement of cross-genre writing skills in German secondary grade level has been designed and implemented. From a diagnostic research phase, and according to theoretical expectations, coherence management and perspective taking proved to be ability components that substantially contribute to text quality across different genres. To train these two abilities in a didactical setting, two 11-unit writing courses were analogously constructed and administered in 5th and 9th grades. There were 12 intervention classes and 12 control classes in each grade, forming 48 classes with 1.145 participants. The decisions that lead to the design of the intervention study and the corresponding didactical settings are explained and justified in detail, and the developed self-learning materials are described in terms of their assumed learning potentials and the underlying didactical principles. Based on the obtained empirical experiences, the intervention is critically evaluated with respect to good intervention research and its proper description.

In two experimental studies, we examined the effects of types of written production mode (hypertext writing versus linear writing, Study 1 and 2) and learning mode (performance versus observational learning, Study 2). Participants in Study 1 (Grade 10) were initiating the more formal academic argumentative text, while in Study 2 students (Grade 11) were familiar with the genre. Dependent variables were students’ content knowledge, self-efficacy for writing and text quality. For the independent variable written production mode both studies did show interaction effects between learning condition and pretest scores. For content knowledge, students with lower prior content knowledge performed best in the hypertext condition; students with higher prior content knowledge in the linear condition. For self-efficacy, linear writing was most effective for students with initial high self-efficacy (Study 2 only). For text quality, students with relatively very strong initial writing skills performed best in the hypertext condition, students with weak initial writing skills in the linear condition (Study 2 only). For the independent variable learning mode for the hypertext text learning activity (performing versus observing), almost no differences in effects could be observed: performing the hypertext learning activities or observing these performances did not make a difference, except to students with relatively low initial topic knowledge: students with low prior knowledge performed better in the performing condition. These complex patterns of interactions between learning conditions and pretest variables are discussed.

Theoretical explanations of learners’ poetry writing development are relatively new and, compared to other genres, rare. Neither the cognitive models of writing development, nor the descriptions of poet-practitioners or inspired experts give a fully nuanced representation of the complexity at play in poetry composition. Also missing from these models is the social context of learning to write poetry. We link Vygotsky’s work on the symbolic function of inner speech to documented accounts of poets ‘answering’ the social world to which they belong. We propose a theoretical model of development in poetry writing that takes into account learners’ fluid social contexts, and which draws on Schultz and Fecho’s survey of writing development. This fusion is a new contribution to theorisations of writing development.

This study examined the effects of an innovative comprehensive writing program in upper primary education on students’ writing performance and on teachers´ classroom practices, beliefs and skills. The program focused on the communicative nature of writing, on writing as a process, and on explicit teaching of five genre-specific writing strategies. It was implemented by 43 teachers in their regular classrooms (Grades 4 to 6, N = 1052), with three conditions: (1) a writing program condition, (2) the same program complemented by professional development sessions and coaching, and (3) a control condition in which teachers taught their usual writing lessons. Students’ writing performance was measured three times with multiple writing tasks. Data on teachers’ practices, beliefs and skills were collected through lesson observations, interviews, questionnaires, teacher logs, and a text assessment task. The comprehensive writing program had a beneficial effect on students’ writing performance and the extent to which teachers taught writing strategies. The complementary professional development and coaching had a direct effect on the number of lessons implemented, and an indirect effect on students' performance. Overall, the innovation proved to be effective for improving students’ writing performance in the upper grades of primary schools.

In recent years, embedding writing into subject teaching through genre-based writing instruction (GBWI) has been advocated in tertiary education. However, little is known about how this approach can be shaped and implemented in this context. In a design-based research study in Dutch higher professional education, we aimed to explore how GBWI can be used to scaffold students’ writing within the subject of Event Organization and to what extent students learned to use the typical features of the genre ‘event proposal’. A 5-week subject-specific writing intervention was designed and subsequently enacted by a subject lecturer in a first-year class involving 13 students. Using a coding scheme for interactional scaffolding strategies, five interaction fragments were analyzed against the background of designed scaffolding and learning goals. The fragments indicated that the interplay of designed scaffolding (instructional materials and activities) and interactional scaffolding (teacher-student interactions) promoted students’ writing performance over time. Comparison of students’ pre- and posttests by means of an analytic scoring scheme pointed to statistically significant growth in the use of typical genre features (d=1.41). Together, the results of this design-based research study indicate the potential of GBWI for scaffolding and promoting tertiary students’ writing.

This study investigates the move-step structures of Japanese and English introductory chapters of literature Ph.D. theses and perceptions of Ph.D. supervisors in the Japanese and UK higher education contexts. In this study, 51 Japanese and 48 English introductory chapters of literature Ph.D. theses written by first language writers of Japanese or English were collected from three Japanese and three British universities. Genre analysis of 99 introductory chapters was conducted using a revised “Create a Research Space” (CARS) model (Swales, 1990, 2004). Semi-structured interviews were also carried out with seven Japanese supervisors and ten British supervisors. The findings showed that the introductory chapters of literature Ph.D. theses had 13 move-specific steps and five move-independent steps, each of which presented different cyclical patterns, indicating cross-cultural similarities and differences between the two language groups. The perceptions of supervisors varied in terms of the importance and the sequence of individual steps in the introductory chapters. Based on the textual and interview analyses, a discipline-oriented Open-CARS model is proposed for pedagogical purposes of teaching and writing about this genre in Japanese or English in the field of literature and related fields.

Discourse-based interviews (or DBIs) have long been used in writing research to investigate writers’ tacit genre knowledge, including their rhetorical motivations for sentence-level wordings. Meanwhile, researchers in English for Academic and Specific Purposes (EAP/ESP) have used corpus techniques to uncover patterns of such wordings, ones that index community-valued ways of knowing and meaning. This article brings together these two methods in a novel way. By offering a case study of Richard, an advanced undergraduate writer majoring in philosophy at a U.S. university, the article demonstrates how systematic analysis of Richard’s writing informed and enriched DBIs with him and his professor, Maria. Specifically, corpus-based text analysis revealed that Richard regularly expressed an epistemic stance in his course essays in ways that are conventional and valued in philosophical argumentation, while the DBIs revealed that neither Richard nor Maria were consciously aware of these stance patterns, despite regular appearance in both their writing. Taken together, these findings point to the value of using corpus techniques prior to the DBI to identify meaningful choices in language that likely otherwise would be missed. The findings also raise important questions about the acquisition of disciplinary discourses and the sources of knowledge that foster that acquisition.

Research on the texts of apprentice academic writers has found that they often exhibit weaknesses related to presenting an authoritative argumentative stance. This study rendered explicit linguistic resources for stance-taking and engaged advanced L2 writers in exploring stance expressions in published research. Both linguistic and language learning theories informed this study. Seven Mandarin-speaking learners of English from fields in social sciences engaged in three writing sessions in which they consulted a concordance tool organized and created to present genre moves (Swales 1990; 2004) and engagement strategies (Martin & White, 2005) used by academic authors in research introductions. Analysis of their drafts showed improvement in rhetorical move structure and stance deployment after using the tool. They were found to be more accurate in applying and identifying stances that present assertive claims and factual statements than moderately assertive stance expressions that present expansive meanings. Despite some success in learning, close text analysis reveals that more help is needed to support students in deploying appropriately assertive claims, substantiating strong claims, and managing their stance expression across several clauses. Overall, this study found that an explicit approach to learning about authorial stance has the potential to raise L2 writers’ consciousness and improve their writing.

Writing researchers have long attempted to classify and describe patterns of citation and source use both to describe disciplinary differences, and to identify discourse-level characteristics of new knowledge production. The analysis of large corpora has provided great insights about the formal characteristics of citations, but little information about their rhetorical nature, which we know from interview studies as central to the understanding of source use practices. This study reports on an attempt to understand and describe patterns of source use across disciplines, genres and levels of participation through systematic verbal data analysis of documents produced by sixteen participants in expert/novice pairs (faculty advisor/doctoral advisee) from four disciplines (Computer Science, Chemical Engineering, Materials Science Engineering and Humanities and Social Sciences). The results of this analysis showed that, despite some disciplinary differences, all participants used similar patterns of reference use, namely elaboration, evaluation and relation to one’s own work.

This article discusses five trends in research on writing as a learning activity. Firstly, earlier decades were marked by conflicting views about the effects of writing on learning; in the past decade, the use of meta-analysis has shown that the effects of writing on learning are reliable, and that several variables mediate and moderate these effects. Secondly, in earlier decades, it was thought that text as a medium inherently elicited thinking and learning. Research during the past decade has indicated that writing to learn is a self-regulated activity, dependent on the goals and strategies of the writer. Thirdly, the Writing Across the Curriculum (WAC) movement emphasized domain-general approaches to WTL. Much recent research is consistent with the Writing in the Disciplines (WID) movement, incorporating genres that embody forms of reasoning specific to a given discipline. Fourthly, WTL as a classroom practice was always partially social, but the theoretical conceptualization of it was largely individual. During the past two decades, WTL has broadened to include theories and research that integrate social and psychological processes. Fifthly, WTL research has traditionally focused on epistemic learning in schools; more recently, it has been extended to include reflective learning in the professions and additional kinds of outcomes.

Two long-standing assumptions on which writing centers operate are that individual tutoring helps students’ writing development and that the actual talk of such tutoring enables such development (Bruffee, 1984; Lunsford, 1991; Gillespie & Lerner, 2008; Mackiewicz & Thompson, 2015). Questions, long thought of as one of the most important pedagogical tools, enable writing tutors to tap into students’ knowledge of writing, help them clarify the writing task, advance their thoughts, and advise them indirectly on how to proceed further. Whereas writing center lore has emphasized the importance of questioning in non-directive tutorials, scholars have only recently begun to explore empirically tutors’ actual use of questions more generally in tutorials, the differentiated functions of questions, and the strategic use of questions in tutorial discourse (Thompson & Mackiewicz, 2014).In this study we present an original, empirical scheme for coding question types in writing tutorials derived from 15 writing tutorial sessions in our own corpus of the genre. We apply this functionally oriented scheme to one typical session to show how questions operate locally, how they are distributed across a session, as well as how they achieve both pedagogical and organizational goals within such interactions. The use of questions in this tutorial is compared with question use in 14 other sessions to discover patterns in tutors’ questioning behavior. Our findings provide insight into how tutors’ strategic use of particular question types can empower students to become more active participants in the tutorial.

This article proposes novel methods for computational rhetorical analysis to analyze the use of citations in a corpus of academic texts. Guided by rhetorical genre theory, our analysis converts texts to graph-theoretic graphs in an attempt to isolate and amplify the predicted patterns of recurring moves that are associated with stable genres of academic writing. We find that our computational method shows promise for reliably detecting and classifying citation moves similar to the results achieved by qualitative researchers coding by hand as done by Karatsolis (this issue). Further, using pairwise comparisons between advisor and advisee texts, valuable applications emerge for automated computational analysis as formative feedback in a mentoring situation.

Abstract: In this paper, I report the effects of explicitly teaching five technical genres to English first-language students enrolled in a multi-major technical writing course. Previous experimental research has demonstrated the efficacy of explicitly teaching academic writing to English first-language adults, but no comparable study on technical writing exists. I used a mixed-method approach to examine these effects, including a control-group quasi-experimental design and a qualitative analysis to more fully describe the 534 texts produced by 316 student writers. Results indicated the genre participants constructed texts demonstrating a significantly greater awareness to audience, purpose, structure, design, style, and editing than participants taught through more traditional approaches. Within the technical genres, participants demonstrated greater awareness to audience, purpose, and editing in the job materials text type than with correspondence or procedures text types.

Spontaneous writing observed in chats, instant messengers, and social media has become established as productive modes of communication and discourse genres. However, they remain understudied from the perspective of writing process research. In this paper, we present an empirical study wherein keystrokes made by chat users in a game were recorded. The distributions of the inter-key intervals were analyzed and fitted with ex-Gaussian distribution equation, and an argument for psycholinguistic interpretation of the distribution parameters is presented. This analysis leads to establishing a threshold of 500 ms for the identification of pauses in spontaneous writing. Furthermore, we demonstrate that pauses longer than 1.2 s may correspond to higher-level linguistic processing beyond a single propositional expression (functional element of the discourse).

Given the widespread use of English for the international dissemination of scholars’ research results, numerous intercultural analyses have been undertaken in the field of English for Academic Purposes in diverse genres. Rhetorical and discursive conventions across languages and cultures have been studied to help non-native English scholars to be successful in the difficult endeavour of being granted publication in international English-medium publications. The increasing competition to get one’s research published in international journals in English has resulted in the authors’ need to clearly spell out what their contribution to their discipline is, a rhetorical convention which seems to be currently crucial especially in some fields. It is the aim of this paper to trace statements of contribution in the Introduction and Conclusion sections of research articles published in two international journals in finance and to compare the results with those obtained from an analysis of three manuscripts written in English by a team of Spanish scholars sent to the same journals but which received major revision or rejection reports. Reference to these statements made by reviewers in their reports will also be analysed to explore to what extent (non) compliance with this rhetorical convention may influence their final decision (not) to recommend publication.

Despite the fact that a considerable proportion of today’s writing programs operate according to the principles of genre-based instruction, research has not adequately dealt with the teaching of various genres (e.g., job application letters). Nor has research, to date, attempted to address the issue of written corrective feedback in conjunction with genre-based instruction. This study, therefore, aimed to investigate the impact of written corrective feedback in the context of genre-based instruction on job application letters. To this end, 120 Iranian advanced-level EFL learners at Kish Institute of Science and Technology participated in the present study. After administering the TOEFL test, 80 students scoring within ±1 SD of the mean score were randomly assigned to one of two experimental groups?namely, Direct Feedback Group or Indirect Feedback Group. Having sat a writing pretest, the participants received genre-based instruction on how to compose job application letters. Meanwhile, they were supplied with direct or indirect feedback on their writing. Following this instruction, a writing posttest was administered, the results of which showed that direct corrective feedback was more effective than indirect corrective feedback in the context of genre-based instruction on letters of job application.

The object of this research is a learning method that uses email correspondence to promote the development of narrative writing skills in year 4 and year 5 students. Focusing on the written production of episodes of adventure novels and peer review, this learning method was applied to four classes in the Paris region over a 1-year period. The classes were paired in such a way that some students were required to read and analyze texts produced by correspondents (advice givers) while others carried out revisions using peer advice and suggestions (advice receivers). To describe the dynamics of writing, revision and learning, a qualitative analysis of the texts and suggestions given or received by the student partners is carried out. A statistical analysis comparing the texts produced by students in both groups is used to corroborate the findings of the initial analysis. Students showed an increasing awareness and consideration of the key characteristics of the practiced genre, resulting in an improvement of the quality of the texts in the course of the revision process and throughout the year. The texts produced by the advice givers improved more than the texts produced by the advice receivers. The findings are attributed to greater self-reflection and successive reformulations fostered by the elaboration of advice and suggestions.

A significant percentage of students who attend secondary schools in the United States do not acquire the basic writing skills required to gain admission to four-year colleges and universities. In the present study, participants were 41 low-income, multi-ethnic 12th-grade students, 19 of whom received instruction on specific genre features for writing college admission essays. The other 22 12th-grade students formed the comparison group and received instruction as usual in their regular English class (mostly on literary analysis). The students who received instruction on genre features of the college admission essay scored higher on a rubric-based rating of the pre and post test essay writing and on writing self-efficacy surveys associated with the genre. Findings yielded from this study point to the merit of using a features-based genre instructional approach to teaching college admission essays to low-income, multi-ethnic high school students.

In the United States, composition researchers have consistently depicted First-Year Composition (FYC) teachers' responses to students' faith-based writing in terms of a conflict narrative. According to Goodburn (1998), Lindholm (2000), Perkins (2001), and Vander Lei and Fitzgerald (2007), FYC teachers hold strict secular expectations and reject the religious identity and expression of their fundamentalist Christian students. This study explores this conflict narrative by analyzing how 24 FYC teachers in the Midwestern United States describe their own religious identities as well as those of their institutions and respond to two faith-based student texts. The study results challenge simplistic depictions of the conflict narrative. The religious affiliations of the FYC teachers coincide with national averages and neither relate to how teachers described the religious environment of their institutions nor the grades the teachers gave the faith-based texts. Furthermore, rhetorical variables such as genre and audience awareness affect teachers' responses to faith-based writing. Composition researchers, this study concludes, need to complicate how they depict situations in which students express their religious identity within secular post-secondary institutions.

The trend towards using English as an academic lingua franca has undoubtedly increased the awareness of a need for specific EAP writing instruction and inroads into researching student writing have been made. However, systematic improvements for a theory-informed teaching practice still require more detailed knowledge of the current state of student academic writing, which also takes into account local practices and requirements. Extended genre analysis provides such a means of researching student writing in specific settings. This is an innovative methodology which expands on English for Specific Purposes (ESP) genre analysis (cf. Bhatia, 1993, 2004; Swales, 1990, 2004) to systematically integrate corpus linguistic tools into the analysis and to take into account the special status of student genres. A special advantage of this methodology is that it can be applied easily and successfully to small-scale purpose-built corpora.This paper presents an application of extended genre analysis to a corpus of 55 student paper conclusions produced by non-native speakers in the initial phase of their studies. Findings suggest systematic differences in structure between student and expert genres, as well as a more complex set of differences in lexico-grammar, and especially the use of formulaic language, between research articles and non-native student papers. The implications of these findings as well as of the proposed methodology of corpus-based genre analysis for teaching practice are also discussed.

Writing can be a tool for communicating and learning in content area subjects. This pretest-posttest quasi-experiment examined the effects of instruction in a content area writing framework on students' text quality and ability to use writing to learn. It also examined the effects of possible moderator variables (gender, previous writing achievement) and mediator variables (genre knowledge, approach to writing). A multilevel analysis was conducted with students nested within classes. Instruction significantly increased argument genre knowledge and explanation text quality, but not argument text quality, explanation genre knowledge, or learning during writing. Gender predicted previous writing achievement and posttest argument text quality, but did not interact significantly with instruction. Previous writing achievement strongly affected several posttest measures, but did not interact significantly with instruction. A path analysis supported the theory that instruction affects genre knowledge, which affects text quality, which predicts learning during writing.

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This paper gives an analytic description of why and how an instructional writing program on the improvement of cross-genre writing skills in German secondary grade level has been designed and implemented. From a diagnostic research phase, and according to theoretical expectations, coherence management and perspective taking proved to be ability components that substantially contribute to text quality across different genres. To train these two abilities in a didactical setting, two 11-unit writing courses were analogously constructed and administered in 5th and 9th grades. There were 12 intervention classes and 12 control classes in each grade, forming 48 classes with 1.145 participants. The decisions that lead to the design of the intervention study and the corresponding didactical settings are explained and justified in detail, and the developed self-learning materials are described in terms of their assumed learning potentials and the underlying didactical principles. Based on the obtained empirical experiences, the intervention is critically evaluated with respect to good intervention research and its proper description.