This graduate level assignment requires students analyze rhetorical artifacts through an African American epistemology of rhetorical knowledge. The expectations of the assignment built on the concepts of Kemetic-rooted (Ancient Egyptian) rhetorical traditions that are common to the U.S.’s Black communities. The objective of the assignment was for learners demonstrate foundational declarative and procedural knowledge of the practices and frameworks within an African-American rhetorical tradition that would help them expand their understanding of rhetorical aims throughout the course and beyond. This assignment expanded the perception of the relationship between rhetoric, society, culture, and community both historically and contemporarily. For some students, working with a different rhetorical mindset allowed them to theorize about rhetorical communication in ways they feel they had not been able to articulate in previous courses or contexts.

This low-stakes assignment invites students in an online corequisite first-year writing course to explore the archives of a local historic African American newspaper as an alternative to more conventional research-based writing tasks. This course is taught at a large public community college with a predominantly white student population in Louisville, Kentucky. For this activity, students first are introduced to the concept of archives through a reading and a video. Next, they are invited to freely explore the digitized newspaper archive, choose one article that captures their interest to read in full and sharing a short summary of it along with a reflection on their experience of navigating the digital archive on a discussion board. Finally, each student is asked to respond to at least two classmates, looking for harmonies and tensions between their and their classmates’ summarized articles and experiences in the archive. The local focus of this assignment encourages students to see research as personal and quite literally close to home, while the focus on reflection and response encourages students to work collaboratively to overcome challenges when navigating difficult digital sources. In an online writing classroom, which can often be an isolating and unfamiliar space, particularly for the historically underserved populations most likely to be in a developmental writing course, this assignment encourages students to embrace their roles as researchers in community with other researchers.

In this paper, we present a science writing assignment in which students focus on targeting specific audiences when writing about a socioscientific issue as well as participate in a peer review process. This assignment helps students consider inclusive science communication in their writing, focusing on engaging unique audiences about the intersections of science and social justice. Students are introduced to evidence-based tools for formulating communication for unique audiences as well as for assessment of writing quality. This assignment is novel in that it helps students think about inclusion issues in STEM, science writing, and peer review, all of which are key disciplinary skills that are not always included in STEM courses. While this assignment was piloted in chemistry and environmental engineering courses, this assignment could easily be modified for other disciplines.

This article describes a Pitch Assignment, designed by two journalists turned faculty, to increase support and self-efficacy for writing majors enrolled at a minority-serving institution (MSI). Pedagogical theory to support pitching processes and development is substantially undertheorized. Much of the extant literature focuses on academic writing and editing for undergraduate research; this article extends that discussion by focusing on the needs of underrepresented students seeking careers in nonacademic fields. Those needs include opportunities for increasing confidence and skill for such nonacademic work as freelance writing for newspapers and magazines. For this assignment, students write a pitch for a preview or review feature they will write later in the course. This assignment scaffolds how to analyze, prepare, and successfully pitch to target publications of students’ choosing while developing a sense of self-efficacy that will transfer into future professional writing contexts. The authors conclude by reflecting on how this assignment might be approached differently by other instructors and how support for diversity might be offered in other ways.

As questions of social justice, diversity, equity, and inclusion have come into greater focus in the field of technical and professional communication (TPC), we have developed an assignment sequence in our TPC courses centered on these issues. This assignment sequence reframes our units on workplace communication and correspondence and asks students to practice a variety of genres in addressing and creating cases of intercultural miscommunication, insensitivity, and ignorance in the workplace. We have adopted a case study pedagogy for this assignment in an effort to preempt the resistance that can sometimes accompany discussions of social justice in courses where social justice is not traditionally addressed. We have found that this approach makes the instruction more authentic, provides students with realistic workplace situations in which to practice professional correspondence, and highlights the existence and reality of social issues in the contemporary workplace.

In this assignment, students learn to critique the frequently stereotypical and problematic depiction of Muslims in media sources. Based on their own linguistic analyses of TV shows, movies, or political speeches, students build arguments about the messaging and judgment of Muslims in the United States. Close linguistic analysis is a powerful method to practice critical-thinking skills as students select and analyze evidence in order to construct original arguments. I select sources that challenge students to question and critique not just Orientalist and racist stereotypes of Muslims but also representations that seem to be positive on the surface but subtly reinforce inequitable expectations of Muslims. This assignment allows students to explore some of the social justice issues facing Muslims in the U.S., such as the reinforcement of Islamophobia, the expectations to prove their allegiance to the nation, and the demand to conform to “good Muslim” expectations. Based on an exploration of their thesis statements, my analysis demonstrates that students used evidence from their sources to build arguments that condemn the perpetuation of stigma associated with Islam and Muslims. Additionally, many students critiqued media sources for subtly encouraging expectations that Muslims need to continually demonstrate patriotism and particular kinds of assimilation in order to be deemed “good” Muslims. Through this and similar assignments, students practice more critical perspectives on media and explore the challenges of representation through the perspectives of marginalized populations.

This article describes and reflects upon a student art project assignment and accompanying issue-advocacy written piece that allows students to explore topics of social justice and environmental sustainability in a business and society senior seminar course. The process of producing art and creative writing allows students to critically reflect on current business ethics concepts that are relevant to their interests. The art is displayed in a gallery exhibit, allowing for further intellectual exploration as students explain their work to others. The learning outcomes of this art project are two-fold. First, students and faculty develop a greater sense of liberatory consciousness, a social identity-shaping mechanism that extends beyond disciplinary boundaries. Importantly, as faculty, we learn a great deal from our students, particularly during the art exhibit. Second, students develop competency in, and a passion for, issue advocacy about important social and environmental issues. Ultimately, this assignment inspires students to become future leaders in professional organizations that are ethical, inclusive, and environmentally sustainable.

This research assignment asks preservice undergraduate secondary education teachers in an applied grammar class to engage in a two-prong research project: a multimodal, interactive “poster” and a research paper that together explore the pedagogical possibilities for engaging with World Englishes in middle and high school classrooms. The prompt invites students to consider social justice and equity at the level of language. The assignment draws on both antiracist and queer pedagogies and examines the relationships among language, power, and resistance to linguistic oppression in the classroom. As students work through the assignment, they enact real-life stories of historical and contemporary figures from around the world who were forced to speak a colonizer’s language and resisted linguistic oppression. They then read articles focusing on Black Language, Indigenous languages, and World Englishes, which serve as touchstones for their own research. Although designed for a grammar pedagogy class, the assignment can be modified for multiple disciplines; at the end of the article, I provide several examples of how teachers outside English might modify the assignment for their own disciplinary contexts.

Social justice goals are usually sought in civic or community settings in which stakeholders represent competing frameworks about what is just, good, and true. Modeling for students a way to identify these competing frameworks, and then intervene in deliberations to achieve just ends, is the focus of our assignment sequence. We examine civic deliberations over removing racist public symbols in this assignment for first-year students enrolled in linked rhetoric and philosophy courses. We read broadly in theories of public memory and civic identity, examine in depth one community’s deliberation, and reflect on public symbols in our home communities. The final joint assignment asks students to identify the principles that should guide deliberations about contested public symbols. We found that the assemblage of ideas that the students select from these pre-drafting activities shapes what they think is possible in the work of social justice; in other words, their own standpoint enables and limits what they see in the assemblage of ideas, sometimes limiting the arc of social justice insights and solutions, and sometimes unleashing it. For this reason, reflective writing is a necessary entwined process, one that can develop better awareness of how students’ epistemic norms shape their ability to imagine social justice ends. To most fully realize social justice knowledge, students must not stay bound within the contours of particular deliberations, or inward reflection. Instead, assignments must enlarge the context, asking students to make bigger inquiries into history, context, and relations of domination.

Students are often told that social justice is both the ideal and the reality to which they should be striving, and contributing to, as scholars and as citizens. However, they are often not given the space-and the challenge-to grapple with what social justice means to, and for, them. This paper shares the design of an upper level sociological theory assignment, Socialization as an Investigation of Social Justice Response Papers, that aims to do just that. The course units and theoretical texts are detailed, along with the response paper scaffold assignments, with special emphasis on a structured peer review process aligned with the assignment rubric. Now, having taught the course eight times to date, memorable student contributions to the course, along with an excerpt from the most memorable student response paper, are shared with the aim of inspiring faculty modification, particularly in the Social Sciences.

This article describes an undergraduate health sciences course where students propose a community-level intervention that addresses a local health disparity. Students use community planning principles and health equity concepts as a final project in their 8-week online community-engaged course. The student-proposed project engages a community in health education or promotion-program planning and allows for faculty assessment of pedagogical decisions. A curricular commitment to health equity enhances the capacity and competency of learners to address the structural inequities that fuel pervasive health disparities among socially disadvantaged populations. Ethnocultural empathy or racial/ethnic perspective taking is used as a measurable competency. The final paper requires students to describe how the perspectives of Black, Indigenous, People of Color (BIPOC) have shaped their proposed community intervention. They are also asked to offer recommendations on how to best mitigate the racial bias that may show up in community-based interventions.

This article describes and reflects on a collaborative, in-class activity that asks students in a business writing course to analyze the intersection of language, values, and social justice through a rhetorical analysis of corporate mission statements. The activity looks at how mission statements, as a genre, work to construct an ethos of civic engagement targeting a specific audience. Students reflect on values embedded in mission statements and compare these values with corporate action. Students then work in groups to create their own mission statements that direct their research and teamwork for their other, collaborative course projects. I offer this activity focused on mission statements as a concrete way to discuss social justice, values, and civic engagement in a business writing course; specifically, students explore how language impacts social justice and structural (in)equality.

This research assignment invites students in a first-year writing preparation course to explore topics of social justice through protest art. The course is taught at a small, private liberal arts college in a course for “emerging writers.” I have taught this assignment at a predominantly White institution (PWI), in a course where the majority of students are Black, Indigenous, and people of color (BIPOC). Students choose a work of protest art from the campus library special collections, frame the social justice issue it addresses in a local context using local sources, and then write an essay that puts that research in conversation with their own story. Finally, linking public history to civic engagement, students create their own protest art as a community call to action. The multimodal, local, and personal nature of this writing assignment creates opportunities for students to see the connections between their emerging identities as writers and civic actors. This assignment can create space for students to use their multilingual identities to speak back to the structural inequality within our institution, developing confidence in their own voices to call for meaningful change.

While online learning and community engagement are not necessarily adversarial, this article explores the tensions between the two and how an online rhetoric course adapted place-based pedagogy to explore the idea of belonging. The assignment described here leverages online learning while sponsoring community engagement. The assignment invites students to learn about and participate in social justice action that, while accomplished virtually by way of Web 2.0 technologies and spaces, still connects students to the places that are significant to them. Such an approach is inherently invested in place-based pedagogy that frames social justice as abstract and complex issues that not only affect nation-states, but that also have tangible implications for privileged and marginalized groups in local communities (Flynn et al., 2010).

This paper details the evolution of a course, Arts and Society, and the inception of a student-centered assignment, “Putting ‘US’ back in Museums.” By tapping into a nationwide discussion of inclusion and public spaces, this business proposal style assignment asks students to consider their own observations as museum visitors alongside research that considers community engagement, diversity and accessibility in order to identify a specific issue within a museum and to propose change. Throughout the project, students are supported by the implementation of smaller scaffolding assignments, in-class discussions, an embedded librarian and an assigned writing fellow. Furthermore, they will meet at least eight professionals in the field and visit at least four different local sites. This assignment demonstrates best practices via scaffolding, institutional support, experiential learning, and engagement with the local community.