This article shares an assignment that has been successfully implemented in Writing Across the Curriculum (WAC) macroeconomic courses available to major and non-major undergraduate students enrolled in the City University of New York (CUNY) Kingsborough Community College. While the outcome at the end of the semester is a paper of about three pages, the steps designed to assist students with completing it are important because they provide a detailed research and investigation guide. The assignment is composed of a series of scaffolded tasks that engage students in data collection, data analysis, and interpretation using economic theory of the subject area, presentation of the actual findings compared to predictions of economic theory, and investigation and interpretation for convergence and/or divergence from the economic theory. This assignment is based on prior research on the benefits of assigning writing in economics courses and aims to achieve the outcomes described by the structure of cognitive process dimension of the revised Bloom’s taxonomy (Bloom et al., 1956; Krathwohl, 2002).

This article introduces a flexible and adaptable Map Composition assignment to promote cartographic literacy. With applications to composition and writing across the curriculum, this assignment promotes students’ awareness of the rhetorical nature of maps, which is important as maps inform and influence public discourse on wide-ranging issues. Student work shows how composing a map can lead them toward improved rhetorical awareness, cartographic literacy, and engagement with place-based civic issues. The article acknowledges limitations of teaching maps in writing classes and concludes with discussion of how this assignment can be adapted to a range of courses to promote cartographic literacy in support of broader literacies and civic engagement.

This article describes and reflects upon a student art project assignment and accompanying issue-advocacy written piece that allows students to explore topics of social justice and environmental sustainability in a business and society senior seminar course. The process of producing art and creative writing allows students to critically reflect on current business ethics concepts that are relevant to their interests. The art is displayed in a gallery exhibit, allowing for further intellectual exploration as students explain their work to others. The learning outcomes of this art project are two-fold. First, students and faculty develop a greater sense of liberatory consciousness, a social identity-shaping mechanism that extends beyond disciplinary boundaries. Importantly, as faculty, we learn a great deal from our students, particularly during the art exhibit. Second, students develop competency in, and a passion for, issue advocacy about important social and environmental issues. Ultimately, this assignment inspires students to become future leaders in professional organizations that are ethical, inclusive, and environmentally sustainable.

Storytelling is a practice which is critical for the communication of lived experience, the development of empathy, and for the creation of a rich sense of collective being. While essential, it is also deeply complex and fragile—wrought with potential for marginalizing and stereotype-confirming rhetoric. In community-based learning, and throughout the field of Poverty and Human Capability Studies, storytelling is often employed in the context of reflective practice. Understanding student reflection as a pivotal opportunity for the exploration of more equitable storytelling resulted in the development of an assignment which employs a metacognitive approach to student learning. This prompts students to call to the center their more difficult experiences and assumptions, as well as the social and political structures impacting the ways they understand these encounters. Expanding on foundational literature on reflective practice in service and community-based learning, this assignment points to a need for the addition of metacognitive practice as a widely implemented tool for exploring inequality and bias in narrative reflections. The assignment resulting from integrating metacognitive reflective work produced student writing that was increasingly rich, complex, and appropriately self-critical of their narrative approaches.

This makerspace-based assignment is designed to cultivate students' literate agency and their awareness of semiotic resources in two-year college contexts. The maker movement in education has been predominantly studied in business, science, and engineering fields and in four-year colleges. Networking translingual and transmodal scholarship and the maker movement, I devised a makerspace-based writing assignment as a scaffolding project to support students' analysis on their digital practices in the corequisite developmental writing courses and the composition courses in a community college. Although students' responses varied, I argue that this assignment can benefit two-year college students and offer social implications in multiple ways: it can promote students' access to the emerging trend of the maker movement and DIY fabrication culture; it encourages students to employ their multilingual and multimodal resources with an awareness of their changing literate ecologies; it can help them build their literate agency and transfer the maker mindset to other rhetorical environments such as their workplace or discipline-specific writing situations.

This article describes and reflects on experiences teaching students to compose a “Writing Process Photo Essay” in the context of an upper-division college writing course that satisfies a campus-wide writing requirement. As the culmination of a quarter-long student inquiry into their own writing processes, this multimodal assignment asks students to combine text and images to help them reflect on the environments, tools, habits and routines that surround their writing activity. This assignment takes its inspiration from calls for renewed scholarly attention to material and embodied aspects of writing process. In the end, this assignment creates opportunities for students to recognize, reflect, and reimagine their own writing activity in school contexts and beyond.

This article discusses a final writing assignment for “Culturally Responsive Service Learning,” a course taught during a four-week experiential education program in rural Fiji. This elective course was situated in an undergraduate teacher preparation program but included students from a wide variety of disciplines and majors. This article discusses the theoretical and cultural framework for the assignment, the pedagogical decisions that led to the final paper, the process of sharing the assignment with the community through a public event, the limitations of using a storytelling framework from another culture, and suggestions for future adaptations. In alignment with the topic, the author uses two different voices to interweave personal storytelling with academic research. The article opens and closes with vignettes that demonstrate how the class arrived at new levels of critical consciousness through engagement with the readings and learning from Indigenous community partners. The body of this article is written in a traditional academic format. Storied vignettes are italicized for clarity.

This paper details the evolution of a course, Arts and Society, and the inception of a student-centered assignment, “Putting ‘US’ back in Museums.” By tapping into a nationwide discussion of inclusion and public spaces, this business proposal style assignment asks students to consider their own observations as museum visitors alongside research that considers community engagement, diversity and accessibility in order to identify a specific issue within a museum and to propose change. Throughout the project, students are supported by the implementation of smaller scaffolding assignments, in-class discussions, an embedded librarian and an assigned writing fellow. Furthermore, they will meet at least eight professionals in the field and visit at least four different local sites. This assignment demonstrates best practices via scaffolding, institutional support, experiential learning, and engagement with the local community.

Scientists and writing studies scholars agree that students need to be able to repurpose scientific knowledge across audiences, goals, and genres. This article offers a much-needed, practical example of an assignment that allows students to work towards these goals. Working collaboratively, a faculty member from biology, a Writing Across the Curriculum (WAC) administrator, and an Encyclopedia of Alabama (EOA) editor redesigned a conservation biology course assignment around communication with multiple audiences. The assignment required students to produce a webpage about a rare species in Alabama that fulfills the technical, scientific writing component of the course and then repurpose that webpage into an entry for EOA aimed at a non-expert audience. We elaborate on the context in which the repackaging assignment developed, explain how it fits with student learning outcomes in biology, and share themes we noticed in students' reflections on the practice of repurposing their writing.

This article details an assignment sequence asking students to apply an adaptation of Swales and Feak's (2009) model of social sciences abstract writing to articles in the humanities. This model works as an exploded diagram of the article, explicitly identifying research questions, data, methods, results, interpretations, and implications. The assignment provides students, first, with a reading tool for exposing the articulated construction of academic research articles. Second, as a writing tool, it allows students to practice comprehensive synthesis; the breakdown of multi-part claims; concision and clarity; and selective quotation. Finally, it facilitates the next step in students' research process: framing new inquiry by identifying uses and limitations in prior scholarship. This assignment sequence has been used in first-year composition and upper-division WID/WAC courses in the humanities; it can be adapted for courses in social and natural sciences and for graduate courses.

This scaffolded writing-to-learn activity incorporates a number of Writing Across the Curriculum-based suggestions that draw upon the strengths of student reflection, the PTA (prioritization, translation, and analogization) model of concentric thinking, and the benefits of a flipped-classroom approach to learning. Thus, the purpose of this article is to explain what one model for structuring a flipped classroom that purposefully integrates writing in the PTA model looks like and to provide a concrete example of a flipped-classroom activity that I have utilized in numerous introductory sociology courses.