This article explores how three writers in ecology understand and enact a disciplinary writing style. To accomplish this, it draws on theoretical approaches to style from sociolinguistics and linguistic anthropology, as well as analyses of drafts of coauthored texts and video-recorded literacy history and discourse-based interviews. This study finds that metaphor and embodied actions such as gestures are valuable sites for comparing writers’ stylistic understandings and practices. The three writers expressed broad agreement when describing the qualities of good scientific writing, using similar verbal and gestural metaphors, such as Communication as Journey and entailments of the Conduit Metaphor. Yet in discourse-based interviews, specific stylistic choices provoked conflicting preferences not only between writers but even within them over time, as they sometimes changed their minds about what they had preferred over a year earlier. These conflicting and changing views, and the writers’ arguments for them, complicate popular notions of writing style: that a particular discipline has a style uniformly shared among experts and that experts’ mastery of their own style is stable and absolute. The finding that stylistic disagreements are undergirded by similar metaphors in language and gesture highlights the ways our stylistic understandings are tied to life histories and are also deeply embodied. Working from a sociocultural perspective, I provide a richer, more complex empirical and theoretical understanding of what it means to command a particular disciplinary style.

Investigates cross-cultural tensions in Western writing pedagogy as reflected in Turkish teachers’ oppositional and accommodative attitudes and how those attitudes played out in classroom interactions. Discusses teachers’ perceptions concerning the effects of Western rhetorical styles on Turkish students’ thinking and identity, assumptions regarding philosophical and instructional objectives of Western approaches, and their views on what counts as good writing.

Researchers have frequently examined the effects of sentence combining (SC) practice upon writing and found positive results. Researchersh ave also investigatedt he effects of writing practice on reading comprehension. But these results have been mixed because of problems in design, the measures used, instructional variables, and the lack of a theoretical base to explain divergent outcomes. The purpose of the current study was to identify effects of SC practice upon reading comprehension and to determine whether cohesion knowledge would be augmented and, if so, whether enhanced cohesion knowledge would affect comprehension. Sixty- five grade 4 students met with a researcherf or 16 instructional sessions. Students in the experimental group devised narratives from sets of cued and uncued kernel sentences, while the control group read compiled narratives developed by the experimental group and then completed crossword puzzles, a “placebo” treatment. The study found statistically significant results on the Stanford Reading Test, positive results approaching significance on cloze passages with structure /function word deletions, but no positive results on passages with content word deletions. These results indicate that SC practice may have enhanced cohesion knowledge and general comprehension. They also suggest that children may effectively learn to attend to semantic and syntactic repetitions that form “chains of cohesion” following SC practice but not after merely reading the same texts.

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