The idea that engineers are graduating without the necessary communication skills, specifically written communication, is not new. In the past 25 years, changes have been made both in accreditation requirements and in engineering program curriculums to work to improve students’ writing skills and make their writing better align with the needs of industry, and research is emerging that considers industry standards and how those standards can be applied to the classroom. One challenge is that the characteristics of quality writing are not always the same for the industry and the classroom, which can create problems for new graduates entering the workforce. This article looks at how effective writing is defined by both academics and professional engineers. Drawing on a study by Cunningham & Stewart (2012), which researched the criteria professional engineers consider essential in effective writing, this article provides the results of a survey of instructors of introductory professional and technical writing classes. The survey was designed to determine the characteristics the instructors use when grading writing assignments. The results are then compared to the characteristics of quality writing as identified by the engineers. In addition, the article reviews assessment rubrics to identify criteria used when evaluating writing and compares these criteria to the qualities of effective writing as determined by the Analytic Writing Continuum, part of the National Writing Project. After determining gaps between industry and academics, the article considers ways to bridge those gaps, including working with professional engineers to obtain sample documents, increasing reading and evaluation of engineering documents in professional and technical writing classes, and using interdisciplinary approaches to course design and instruction.

This paper aims to investigate the effectiveness of Halliday’s Sydney School genrebased approach in teaching Chinese written composition to South Asian ethnic minority students in Hong Kong. Chinese language, with its heightened status in Hong Kong, holds a key for South Asians with low socio-economic status to obtain upward mobility (Shum, Gao, Tsung, and Ki, 2011). However, South Asian ethnic minority students, as a disadvantaged group of second language learners, lack sufficient parental and institutional support in Chinese language learning. The genrebased pedagogy derived from Halliday’s Systemic Functional Linguistics (SFL) was applied in this study to improve Chinese language performance of South Asian ethnic minority students for a better chance to participate in mainstream society. The SFL approach is primarily concerned with language choice in social situations and has been widely applied in sociolinguistics (Hyland, 2007, 2012). Its latest model in language teaching methodology, the ’Reading to Learn, Learning to Write’ (R2L) pedagogy, is a genre-based teaching strategy which is designed to guide students to experience different levels of language through extensive classroom reading and writing activities with selected texts. The current study is intended to extend the approach to teaching and learning Chinese as a second language. The employment of genre-based pedagogy aims to support South Asian students with their learning of Chinese written composition in the senior secondary curriculum. The Chinese teachers involved were first provided with appropriate training in the genre-based approach to language teaching focusing on the genres of Narration and Explanation. Research data were collected while the teachers began to use theand Explanation. Research data were collected while the teachers began to use the and Explanation. Research data were collected while the teachers began to use the genre-based teaching approach, by means of pre- and post-tests after and before genre instruction. Text analysis based on SFL was then employed to analyze the students’ written composition in both pre- and post-tests in order to understand the effectiveness of the genre-based pedagogy in teaching Chinese as a second language. The finding shows that the students at the high, medium, and low levels improved both in the construction of schematic structure and the variation of lexicogrammatical choices from the whole-text, sentence and word levels respectively in their writing performance. Hopefully, the findings will help curriculum development and teacher education for teaching Chinese as a second language to non-Chinese speaking students in Hong Kong and beyond.

The importance of writing ability for academic and career advancement is increasingly a focus of education research and policy globally. In response to concerns regarding students' writing competence, policymakers and curriculum designers have begun placing more emphasis on writing in nationwide academic standards. However, given the complexity of writing as a cognitively dynamic and socioculturally situated activity, representing the development of writing competence in standards that vary by grade level is challenging, and little is known regarding how educational systems vary in approaching this challenge. In response to calls for more worldwide writing research, we undertake a cross-national examination of writing standards with the aim of informing policymakers, those involved in the research and development of writing standards, and researchers interested in writing development, by comparing how three educational systems (in Denmark, Norway, and the US) have represented writing development in curricular standards. To that end, we ask: (1) How do the three educational systems variously frame writing development in grade-level distinctions for writing standards? (2) How do the developmental pathways implicated in these grade-level distinctions relate to theory and research on writing competence and its development?

The introduction and tracking of discourse referents is a central feature of discourse coherence, alongside considerations for temporal, spatial and causal features. However, while much attention is usually paid to the management of temporal, spatial and causal language in L2 writing course materials and curricula, it is apparent that the appropriate management of reference in L2 writing is often overlooked. Typically associated with the label of cohesion (Halliday & Hasan, 1976), current research from pragmatics (notably Ariel, 1991, 2008, 2010) suggests that writers and readers are sensitive to the accessibility of referents in extended discourse, which is dependent on a variety of cues including salience, parallelism, number and type of competing referents, etc. The writer’s choice of referring expressions (i.e. full NP, pronoun, zero) at any given time thus reflects their belief regarding a referent’s accessibility to their intended reader. In L1 discourse, accessibility-mediated marking of reference is considered a pragmatic universal, despite different L1s marking accessibility in different ways. Recent research into L2 discourse, particularly Asian L2 discourse (e.g. Kang, 2009; AUTHOR, 2014a; Ryan, accepted, in press) has suggested that the appropriate introduction and maintenance of reference by L2 learners is problematic - despite the universal distribution of form/function found in L1 discourse – with learners often under or over-explicit in their reference management, or frequently miscommunicating entirely. This has serious implications for the overall coherence of the L2 discourse produced. The proposed paper explores the root causes of the failure of Asian EFL students to manage reference coherently in L2 writing, then focuses on how such management can be improved pedagogically. The paper proposes additions to L2 writing materials and in-class activities that would help improve L2 reference maintenance, including picture sequence descriptions, silent film retellings and collaborative writing projects designed to maximise the potential tracking of reference over extended discourse sequences.

This article explores the prospects for internationalizing the Master of Fine Arts (MFA) in Creative Writing, a degree that has gained considerable popularity in the United States in the past half century but has yet to gain much of a foothold in other countries. As part of this exploration, we describe the experiences of establishing the first low-residency Master of Fine Arts in Creative Writing in Asia at City University of Hong Kong, explaining the justification for setting up such a program with reference to the history of teaching creative writing and the current conditions for literary writing in English in Asia and globally. We also reflect upon the processes of planning, curriculum design, and administrative negotiation and that went into setting up the program and report on feedback from the first cohort of students. The experience of setting up this program is used as the basis for raising a number of more general issues regarding the teaching of creative writing in English in international contexts.

This study employs ethnographic case study method to explore secondary English language learners’ experiences with content-area writing in a U.S. public school setting. Documentary evidence, interviews, and students’ written work comprise the data set. Data are interpreted through a sociocognitive theoretical lens to take into account contextual and individual cognitive factors that come into play in English language learners’ development of content-specific writing. Findings suggest that a combination of institutional factors (e.g. school program design, state regulations, and state assessment systems) in concert with teacher beliefs and expectations of English language learners impact the content-area writing instruction which English language learners receive. This study points to the need for continued investigation of state policies, school processes, and teacher beliefs and practices that may enhance the quality and breadth of writing English language learners experience as they move through secondary school.