Perhaps one challenge facing postgraduate students is the writing of essays responding to a specific reading assignment. Such an essay requires students not only to summarize, but to engage in a discussion of the significant points of the article, pointing out its strengths as well as its weaknesses. This paper presents the results of an investigation on criticality in written assignments of postgraduate students in applied linguistics and TESOL. It will discuss: How 'critical' are students when writing their assignments?  What kind of 'critical' comments are they able to offer? Seventy assignments in the form of essays were analysed, using corpora from three universities in Asia (2010-2014). The investigation adopted a combination of quantitative and qualitative content analysis. In the quantitative phase, the commenting or critiquing sentences were identified and counted vis-à-vis reporting/summarizing information. In the qualitative phase, the critiquing or commenting parts were further analysed, and identified according to their functions or 'moves'. The initial findings from the investigation include: (1) the almost equal proportion of commenting/critiquing and summarizing/reporting information in the assignments; (2) the identification of four broad functions for the commenting or critiquing information adopted by students, each of which has a number of possible specific 'moves' or categories; (3) presence of critique 'nodes' as distinguished from 'support' comments; and (4) the identification of at least four moves as the most recurrent and possibly obligatory categories. This investigation has unearthed issues that are definitely worth investigating as extensions of this research, and will be of interest (most especially) to genre analysts and teachers of writing. Most of all, it will be of interest to postgraduate students in applied linguistics/TESOL programmes who may be wondering about the level of criticality they exhibit when writing assignments for their courses.

This paper introduces five linked resources and demonstrates, with a focus on Business, Economics and Engineering, their use in a novel genre-instantiation approach to teaching academic writing. The resources centre on the British Academic Written English (BAWE) corpus. They are: (1) published research literature that investigates the student assignment genres and registers; (2) descriptions of the contents of the corpus; (3) the BAWE corpus itself, which can be freely searched by teachers and learners; (4) online teaching materials based on the above; and (5) lesson plans from EAP teachers who use these materials in their teaching of presessional and in-sessional academic English. The genre instantiation approach to teaching academic writing builds on two central principles: the identification of key genres for target discipline-levels, and the exemplification of these through instances of successful student writing. This enables teachers to develop programmes that raise genre awareness, where learners can engage with instances from across specific topics, courses, levels and disciplines. The genre-instantiation approach is illustrated here with specific reference to Business Case Studies, Economics Essays and Engineering Methodology Recounts.

In this article, we describe an approach to teaching first-year composition that is built on a qualitative design for undergraduate research and writing. As writing instructors at a state teaching college, we see the need to move our students beyond the boundaries of expressivism, personal narrative, and argument and into the murkier, messier, and more critical territory of considering subjectivities, interpreting cultural texts and contexts, and, ultimately, coming to see the dynamic and dialogic nature of rhetorical situations and knowledge production. We have discovered that asking undergraduates to do field work as a way to enter the academic conversation allows them to shift from high school writing to college-level writing. Inviting them to delve into a primary research project of their own design grants them permission to construct their ownership, authority, and intellectual engagement of ideas. Case studies of the experiences of five student research writers illustrate the process through which, as ethnographers, students become actors in their own learning process.