Abstract

204 RHETORICA on the value for the human sciences of "contested concepts" and the endless debate which must go on around them. This collection provides models of different ways of studying the fas­ cinating parallelism between medicine and rhetoric. It shows how rhetorical knowledge can enhance our understanding of early modern medical and health-related works and it offers engaging readings of some very interesting little-known texts. Peter Mack Warburg Institute, London Patricia Pender, Early Modern Women's Writing and the Rhetoric of Modesty (Early Modern Literature in History, eds. Cedric C. Brown and Andrew Hadfield), New York: Palgrave/MacMillan, 2012. 218 pp., ISBN: 978-0-230-36224-6 In Early Modern Women's Writing and the Rhetoric of Modesty, Patricia Pender argues that the modesty topos frequent in early modern English women's works should not be read literally, but as "the very mark of liter­ ariness" and "early modern women's subtle and strategic self-fashioning" (3). In the introduction, Pender surveys earlier feminist criticism on modesty topoi that used this material to explain women's lower rate of publication, and argues that these critics have read the passages too literally, and, as a consequence, that we continue "to underrate [early modern women's] con­ siderable rhetorical ability and agency" (6). Pender's study reviews the use of modesty topoi in prefaces and writings by English authors Anne Askew, Katherine Parr, Mary Sidney, Aemilia Lanyer, and Anne Bradstreet, and also examines what Pender sees as a general tendency "to read women's modesty tropes autobiographically" (7). Chapter 1 surveys advice for the deployment of modesty topoi in classi­ cal and Renaissance rhetorics: Cicero, Quintilian, Ad Herennium, Castiglione, George Puttenham, Abraham Fraunce, and John Hoskins. Especially helpful is the summary (pp. 22-24) of the flexible and varied forms of this rhetorical strategy: disavowal of authorship, remorse, belittling the achievement, lack of time for writing, writing only at the behest of another, role of compiler not author, apology citing utility of the subject, and, in general, writers' discounting of their abilities. Pender links the use of the modesty topos to early modern understanding of figures as "dissimulation" (borrowing from Puttenham) and early modern anxiety about "women's innate duplicity" (34). Pender, whose background is English literature not history of rhetoric, convincingly argues that for women, as well as for men, avowing modesty is often not an apology, but rather a display of rhetorical proficiency. In Chapter 2 Pender quite brilliantly uses John Bale's editing of Anne Askew s Examinations as an example of the emphasis on "collaborative co- Reviews 205 authorship (al) in the early modern history of the book. However, in­ stead of seeing Bale as supporting Askew's purpose, Pender searches for those places where Askew's words "exceed the frame that Bale provides for them, finding that Askew offers a "profoundly confident and combative self-representation under the guise of weak and humble woman" (49). This conclusion is not news in Askew criticism, although reading Askew through the rhetoric of modesty is innovative and helpful. It is disappointing that Pender did not follow through, though, on her initial observation. For ex­ ample, she argues that Bale misunderstands Askew's rhetoric of modesty (complimenting judges, humble submission, quoting authority) to circum­ vent her accusers (60-61), that Bale himself is misled by Askew's modesty into reading her as a weak woman made strong by God's grace (59-60): "[wjhan she semed most feble, than was she most stronge. And gladly she rejoiced in that weaknesse, that Christ's power myght strongelye dwell in her" (61). Here is a missed opportunity to argue, instead, for collaborative coathorship, to see that Bale does understand Askew, recognizing her wily use of Paul's celebration of the weak and foolish made strong and wise by Christ (1 Corinthians 1:27—a celebration that Erasmus had famously deployed in The Praise of Folly). In Chapter 3, Pender suggests that focusing on modesty rhetoric in Katherine Parr's Prayers or Medytacions refines "our understanding of her development of a degendered, generically-human speaking subject" (72). But, suggests Pender, although Parr does not apologize for her sex, substi­ tuting the...

Journal
Rhetorica
Published
2014-03-01
DOI
10.1353/rht.2014.0015
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