The story of digital publishing in Writing Studies is one of innovation, collaboration, and do-it-yourself spirit. The field's digital publication venues emerged alongside the birth of the World Wide Web, and scholars used those venues to experiment with the possibilities of publishing in digital spaces. Visionary editors built journals with just a university server and a call for papers, and that creative spirit expanded the form and possibilities of scholarly communication. This article extends that work through the concept of “reader-choice publishing,” an approach that privileges reader needs and preferences by distributing scholarly texts in multiple open formats: HTML, PDF, and EPUB. Through a reader-choice approach, writers and publishers ask, “How will the reader use this text?” “What affordances do they need?” “What tradeoffs will they accept, and how might a single text be offered in multiple ways to offset those tradeoffs as the reader's needs and contexts change?” This article situates the reader-choice approach alongside a history of digital publishing in the field, acknowledging the past while pointing to a more usable future.

• Year 7 students can learn to code engaging animated narratives with basic Scratch. • English teachers can learn to sufficient coding to support students coding stories. • Student animated narratives of 2 – 3 min can meet English curricula requirements. • Student multimodality use can be evaluated using a criterion-based framework. • Student coding proficiency can be extended through coding animated narratives. Coding animated stories in the English classroom has been advocated from over a decade ago as an integrated curriculum context for early teaching of computer programming while simultaneously developing students’ multimodal narrative authoring. However, related research has not adequately addressed English curriculum requirements for narrative creation. This article describes the development of a framework for analysing coded animated stories from the perspective of English curriculum expectations. Analysis of 23 stories showed substantial variation in the emphasis given to different multimodal resources among those stories with the most extensive use of such resources. Stories with limited use of these resources excluded those expressing characters’ emotions and positioning the audience to experience the story from a variety of points of view. Stories with extensive multimodal expression were at the upper, but not necessarily highest, coding proficiency levels, while some with high coding proficiency showed limited use of multimodal resources. Implications are drawn for coding as an engaging creative tool in English classrooms.

• Students reported better understanding of writing with screencast assignments. • Students reported technology gains from screencast and screen recording assignments. • Students reported screencast and screen recording assignments were not complicated. • Blending spontaneous speech with the writing process helped students. • Students may feel self conscious when recording their screens and voices. Inexperienced writers often resist meaningful revision, which underscores the need for pedagogical approaches that foster deeper engagement. This study explores the use of student-led screen recordings and screencasts as pedagogical tools to promote students’ ownership and confidence in their writing processes. Our study surveyed 76 student writers in First-Year Writing classrooms to investigate this approach. The findings suggest that these assignments are easy to use, focus writers’ attention on the writing process, and leverage learning opportunities afforded by the transmodal blends of writing, video, and speech. Specifically, students reported more benefits from screencast assignments that allowed them to blend spontaneous speech into the writing process. Additionally, students reported that their technology skills improved after completing either the screencast or screen recording assignment. One downside was that students tended to feel self-conscious when recording their screens and voices. Overall, these student-led assignments are worth exploring in composition classrooms as they can lead to a deeper, more hands-on understanding of the writing process.

• Generative AI can help multilingual communicators in professional writing. • Generative AI supports email/report writing and meeting summary. • Practical, ethical and legal concerns remain. • Students’ AI use at workplace informs academic writing teaching and learning. Because multilingual students’ languaging practices are not limited to academic settings, it is important to explore their lived experiences communicating in real-world situations to shed light on how to prepare them in college classrooms in the era of generative AI. Drawing upon writing samples, artifacts and interview data, this case study brings attention to the potential and challenges a multilingual international student face in implementing generative AI-assisted written communication during her 5-month internship in the workplace. The findings indicate that generative AI tools, especially ChatGPT, have the potential to help multilingual communicators meet their written linguistic demands in professional contexts, especially in email writing, report drafting and meeting summary. Generative AI-assisted writing tools could assist multilingual students with idea expression and boost their confidence and agency in communication. Yet, despite its many advantages, practical, ethical and legal concerns remain. This study contributes to the scarce yet budding literature exploring multilingual international students’ AI engagement in professional settings and offers concrete pedagogical implications and directions for future research.

Abstract I propose a distinction between evidentiary and argumentative modes of the straw man fallacy. Traditional studies of this fallacy have focused on the changes that occur when a discussant represents another’s speech acts. This places undue normative significance on the question of “How much change is too much change?”, a question that has constantly eluded theorizing. I argue that in a dualist framework, when the evidentiary mode of the fallacy is taken as a starting point, the evaluation can begin with the phenomenon of deceit (as a marker of fallaciousness) and construct critical responses without the need to demonstrate that the change induced was in some sense disproportionate. To make this point, I give both imaginary and real-life examples of such evaluations.

This article makes the case for studying community writing using sociohistorical writing ethnography, an approach that combines ethnographic and historical research methods to produce “deep theorizing” about present writing activities grounded in felt senses of history. Drawing from a study of a community writing group, the author demonstrates how individuals’ writing practices become entangled with a community’s literacies throughout time, highlighting how this methodology provides deeper insight into this research context.