Abstract

Reviews 115 in more advanced rhetorical practice. Webb s contention that the persuasive force of ekphrasis is a matter of the orator eliciting predictable responses from listeners based on widely accepted cultural conventions (pp. 109, 122, and passim) is certainly demonstrable but does not allow much scope for con­ testation. This view has an unfortunate resonance with an assumption Webb seeks to overturn, namely that ekphraseis tend to be predictable set pieces and that epideictic speeches in particular—a fertile ground for ekphrastic rhetoric—are usually "a catalogue of platitudes" (p. 164). On the other hand, her observations about the use of ekphrasis in orations to "cast a particular light (or chroma, 'colour' or 'gloss')" on the case at issue and to turn spectators into witnesses through the artful use of vivid detail (pp. 145-65) contribute to a vision of ekphrasis as far more than "decorative digression" (p. 158). It is difficult to do justice to the wealth of primary and secondary material arrayed in Webb's book on this multi-faceted rhetorical subject. Her impressive learning and obvious passion for the material are on abundant display; particularly notable is her familiarity with French scholarship. But this wide reach can frustrate an interested reader: a great deal of ground is covered here rapidly, with subjects such as "Ekphrasis and Interpretation" (pp. 145-46), "Ekphrasis as Fiction" (pp. 168-69), and "Statues and Signs" (pp. 186-87) treated in one or two paragraphs. The net effect is at times like standing too close to a mosaic: hundreds of tiles spark with color but the pattern is difficult to discern. In her Preface Webb acknowledges the constraints of space which prevented extended analyses of examples (p. xiii). A few such analyses would have been welcome. But the book succeeds in achieving the author's primary goal: elucidating the main sources for ekphrasis and enargeia. Although rhetoric scholars may find some points in this rhetorical treatment of ekphrasis familiar, they will appreciate the close attention paid to rhetorical handbooks and the wealth of material concerning ekphrasis accumulated here. Susan C. Jarratt University of California, Irvine Pernille EEarsting and Jon Viklund, eds., Rhetoric and Literature in Linland and Sweden, 1600-1900 (Nordic Studies in the History of Rhetoric 2), Copenhagen: Nordisk Netvaerk for Rhetorikkens Historie, 2008. ISBN 9788798882923 This is the second collection of studies produced by NNRH. It is not available in bookstores, but is available online at http://www.nnrh.dk. There are eight papers published here, arranged roughly in chronological order, beginning with Mats Malm s Rhetoric, ^/locals, and Patriotism in Early Swedish Literature: Georg Stiernhielm's Hercules (1658)." Here (pp. 126 ), Malm argues that the Hercules by Stiernhielm (1598-1672) is more than 116 RHETORICA just an allegory about the choice between virtue and vice, the traditional interpretation of the Hercules at the crossroads story. It is also an allegory about good style and bad style, and hence should be read as an allegory of importance to the teaching and practice of rhetoric. The second paper is "Apostrophe and Subjectivity in Johan Paulinus Lillienstedt 'sMagnus Principatus Finlandia (1678)" (pp. 27-65), by Tua Korhonen. This Finlandia, a versified oration of 379 verses in Classical Greek hexameters (of which Korhonen provides the first translation into English, pp. 52-61) is a classical epideixis of Finland, but his use of apostrophe and self-referential passages shows that Lillienstedt (1655-1732) transcends the limitations of his classical models, adapting the genre to quite different cultural conditions prevailing in 17th-Century Scandinavia. Hannu K. Riikonen's "Laus urbis in Seventeenth Century Finland: Georg Haveman's Oratio de Wiburgo and Olof Hermelin's Viburgum" (pp. 67-85) is the third paper. Hermelin's Viburgum is one of the elegiac poems describing 101 towns in the Kingdom of Sweden in his Hecatompolis Suiorum (1691 or 1692), seen by many scholars as one of the finest examples of Nordic neo-Latin poetry from the 17th Century. About three years after the publication of Hecatompolis, one of Hermelin's students at the University of Tartu, Georg Haveman, delivered an oration in praise of Vyborg, a town on the Finnish-Russian frontier. Both Hermelin's elegy and Haveman...