The Pianist as Orator: Beethoven and the Transformation of Keyboard Style
Abstract
Research Article| February 01 1995 The Pianist as Orator: Beethoven and the Transformation of Keyboard Style George Barth, The Pianist as Orator: Beethoven and the Transformation of Keyboard Style (Ithaca and London: Cornell University Press, 1992), viii + 190 pp. Brian Vickers Brian Vickers Cenfre for Renaissance Studies, ETH Zentrum, Rämistrasse 101, CH-8092 Zürich, Die Schweiz. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1995) 13 (1): 98–101. https://doi.org/10.1525/rh.1995.13.1.98 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation Brian Vickers; The Pianist as Orator: Beethoven and the Transformation of Keyboard Style. Rhetorica 1 February 1995; 13 (1): 98–101. doi: https://doi.org/10.1525/rh.1995.13.1.98 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1995, The International Society for the History of Rhetoric1995 Article PDF first page preview Close Modal You do not currently have access to this content.
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- Rhetorica
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- 1995-02-01
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- 10.1525/rh.1995.13.1.98
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