Abstract

Few Anglophone rhetoric studies have explored how colonial environments affected the work of American-supported schools and performances. Korea’s first women’s college, however, used hybrid Korean, American, and Christian cultural references in the pageantry, visuals, and music of its 1930 May Day to negotiate Japanese colonization. These May Day “performative educational rhetorics” acknowledged colonial authority while resisting Japanese assimilation objectives until they were silenced during Japan’s Pacific War. Unlike American-operated schools in U.S. colonies and occupied territories, therefore, Japanese colonization rendered performances not only of Korean but also Christian and American identities as potentially subversive symbols of freedom.