Abstract

This essay outlines the beginnings of a political economy of the children’s literature publishing industry. Central to the analysis is a consideration of the continuing commodification of children’s literature, the increase in the licensing and merchandizing of characters from children’s books and popular films, and the proliferation of series books that have assumed the status of brand names comparable to other commercial commodities.

Journal
Research in the Teaching of English
Published
2002-11-01
DOI
10.58680/rte20021769
Open Access
Closed
Topics

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