Pan-African Pandemonium: Identities, Histories, and Constellations

Bryan Mukandi University of Queensland

Abstract

ABSTRACT Fiston Mujila’s Tram 83 provides a helpful point of departure for this philosophical treatment of pan-African subjectivity. His meditations on music resonate with continental and diasporic accounts of the musicality of African social organization. This in turn provides an opening into a discussion around the tension between conceptions of African identity tied to heritage and continuity on one hand, and considerations of the rupture brought about by the Middle Passage and colonialism on the other. Drawing on African philosophy and Black Studies more broadly, this article argues for a conception of African identity that, while taking seriously heritage and origins, ultimately emerges intersubjectively as a result of the movements and reverberations across the constellation of African worlds. Not only are these pan-African reverberations constitutive, the author argues that they are also key to our survival.

Journal
Philosophy & Rhetoric
Published
2023-07-04
DOI
10.5325/philrhet.56.1.0033
Open Access
Closed
Topics

Citation Context

Cited by in this index (0)

No articles in this index cite this work.

Cites in this index (0)

No references match articles in this index.

Also cites 8 works outside this index ↓
  1. “Redemption Works: From ‘African Redemption’ to ‘Redemption Song.’”
    Review: Literature and Arts of the Americas  
  2. “Authenticité, un système lexical dans le discours politique au Zaïre.”
    Mots. Les langages du politique  
  3. “Ways of Knowing, Being and Doing: A Theoretical Framework and Methods for Indigenous and…
    Journal of Australian Studies  
  4. “De l‘Authenticité à la Libération: se prénommer en République démocratique du Congo.”
    Politique africaine  
  5. “Damnation: Des usages de la religion chez Frantz Fanon.”
    ThéoRèmes [En ligne]  
  6. “On Repetition in Black Culture.”
    Black American Literature Forum  
  7. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.”
    diacritics  
  8. “On Teza, Cinema, and American Empire: An Interview with Haile Gerima.”
    Black Camera  
CrossRef global citation count: 0 View in citation network →