Abstract

AbstractThis article describes a creative public humanities project undertaken to mark the two hundredth anniversary of the publication of Mary Shelley's Frankenstein that transformed the entire novel into an erasure poem made by incarcerated and nonincarcerated participants. The article traces its genesis, outlines the pedagogies that informed it, and closely reads one image from the erasure poem as a touchstone for reflecting on the lessons learned from the project. It also addresses the absence of critical discussions of failure in the discourse of the public humanities.

Journal
Pedagogy
Published
2022-04-01
DOI
10.1215/15314200-9576415
Open Access
Closed
Topics

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Cites in this index (1)

  1. Pedagogy
Also cites 11 works outside this index ↓
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  3. The Humanities and Public Life
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    Journal of Prisoners on Prisons  
  6. Of Other Spaces
    Diacritics  
  7. Public Humanities as Third Space: Memory, Meaning-Making and Collections, and the Enuncia…
    University of Toronto Quarterly  
  8. The University and the Undercommons: Seven Theses
    Social Text  
  9. A Sense of Belonging: The Walls to Bridges Educational Program as a Healing Space
  10. The Disorientation of the Teaching Act: Abolition as Pedagogical Position
    The Radical Teacher  
  11. The Work of Art in the World: Civic Agency and Public Humanities
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