Pedagogy Oct 2007

Reading beyond Words: Sound and Gesture inThe Winter's Tale

Ros King

Abstract

Contains advice specifically for teachers on methods for identifying the performance implications of Shakespeare's language

Journal
Pedagogy
Published
2007-10-01
DOI
10.1215/15314200-2007-006
CompPile
Search in CompPile ↗
Open Access
Closed
Export
BibTeX RIS

Citation Context

Cited by in this index (0)

No articles in this index cite this work.

References (20) · 1 in this index

  1. All Shakespeare quotations are taken from The Complete Works of William Shakespeare, ed. Peter Alexander (Lon…
  2. Bernstein, Charles, ed. 1998. Close Listening: Poetry and the Performed Word. Oxford: Oxford University Press.
  3. Billington, Michael. 1987. Manchester Guardian, 10April.
  4. Bishop, T. G. 1996. Shakespeare and the Theatre of Wonder. Cambridge: Cambridge University Press.
     ↗
  5. Bowler, Peter J. 2005. “Darwin on the Expression of the Emotions: The Eclipse of a Research Programme.” In Mi…
     ↗
Show all 20 →
  1. Damasio, Antonio. 2000. The Feeling of What Happens: Body, Emotion, and the Making of Consciousness. London: …
  2. Edelman, Gerald M., and Giulio Tononi. 2000. Consciousness: How Matter Becomes Imagination. London: Allen Lane.
  3. Erne, Lukas. 2003. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press.
  4. Gallagher, Shaun. 2005. How the Body Shapes the Mind. Oxford: Oxford University Press.
     ↗
  5. Gregory (2006)
    From Shakespeare on the Page to Shakespeare on the Stage: What I Learned About …
    Pedagogy
  6. Gritten, Anthony, and Elaine King, eds. 2006. Music and Gesture. Aldershot: Ashgate.
  7. Hall, Edward. 2007. Interview on Start the Week, BBC Radio 4, 8January.
  8. Harland, John, Kay Kinder, Pippa Lord, Alison Stott, Ian Schagen, and Jo Haynes, with Linda Cusworth, Richard…
  9. Hatten, Robert S. 2004. Interpreting Musical Gestures, Topics, and Tropes. Bloomington: Indiana University Press.
  10. Hinton, Leanne, Johanna Nichols, and John Ohala, eds. 1994. Sound Symbolism. Cambridge: Cambridge University Press.
     ↗
  11. Lidov, David. 2004. Is Language a Music? Bloomington: Indiana University Press.
  12. Middleton, Peter. 1998. “The Contemporary Poetry Reading.” In Bernstein 1998: 262-99.
     ↗
  13. Morris, Adelaide, ed. 1997. Sound States: Innovative Poetics and Acoustical Technologies. Chapel Hill: Univer…
  14. Smith, Bruce R. 1999. The Acoustic World of Early Modern England. Chicago: Chicago University Press.
  15. Wright, Thomas. 1986 [1601]. The Passions of the Mind in General, ed. William Webster Newbold. New York: Garland.
CrossRef global citation count: 0 View in citation network → Build reading path →