Abstract

This essay argues that a trend in histories of literary and writing studies is to bifurcate the origins of the fields and so engage in those modernist narrative fallacies describedby Jean-François Lyotard. Such works limit our understanding of past practices and the longstanding connections between disciplinarity and labor.

Journal
College Composition and Communication
Published
2010-09-01
DOI
10.58680/ccc201011659
Open Access
Closed
Topics

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