Cited by in this index (1)

1. Hesse (2019)
   Journals in Composition Studies, Thirty-Five Years After
   College English

References (35)

1. Arciniegas (2012)
   Shakespeare’s Sense of Character: On the Page and from the Stage
2. Barton (2001)
   Playing Shakespeare
3. Berek
   Religion and Drama in Early Modern England
4. Berger (2010)
   Mercifixion in The Merchant of Venice: The Riches of Embarrassment
   Renaissance Drama  ↗
5. Bevington (2016)
   Shakespeare in Our Time

Show all 35 →

6. Bevington
   The Words: Teacher as Editor, Editor as Teacher
7. Boas (1896)
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8. Brown (2000)
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9. Burt (2013)
   What’s the Worst Thing You Can Do to Shakespeare?
    ↗
10. Dawson
    Teaching the Script
11. Drakakis (1981)
    Radio Drama
12. Evans (1987)
    Shakespeare on Radio
    Shakespeare Survey
13. Gay (2002)
    As She Likes It: Shakespeare’s Unruly Women
     ↗
14. Greenblatt (2017)
    If You Prick Us
    The New Yorker
15. Greenhalgh (2011)
    Shakespeare and Radio
    The Edinburgh Companion to Shakespeare and the Arts
16. Gross (1993)
    Shylock: A Legend and Its Legacy
17. Gurr (2004)
    Playgoing in Shakespeare’s London
18. Howard
    “Teaching Shakespeare, Mentoring Shakespeareans.”
19. Jackson (1994)
    Shakespeare: Cosmopolitisme et insularité
20. Jacobson (2016)
    Shylock Is My Name Hogarth
21. Leggatt
    “Questions That Have No Answers.”
22. Lewis (1999)
    Teaching Shakespeare Through Performance
23. Lewis (2013)
    Approaches to Teaching
24. Loomba
    “Teaching Shakespeare and Race in the New Empire.”
25. McDonald
    “Planned Obsolescence or Working at the Words.”
26. O’Connor (2002)
    The Merchant of Venice: New Critical Essays
27. Riggio (1999)
    Teaching Shakespeare through Performance
28. Rocklin (2005)
    Performance Approaches to Teaching Shakespeare
29. Sacco (2016)
    “Re: Question about microphones for Radio Shakespeare.”
30. Shakespeare (2010)
    The Merchant of Venice
31. Shand (2009)
    Teaching Shakespeare: Passing It On
32. Shapiro (1996)
    Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages
33. Smith (1999)
    The Acoustic World of Early Modern England: Attending to the O-Factor
34. Thompson (2016)
    Teaching Shakespeare with Purpose: A Student-Centered Approach
     ↗
35. Woodbridge (2008)
    Shakespeare and the Cultures of Performance