Abstract
Surveying the current state of our “plural and dynamic multiculturalisms” and directing attention to valuable resources in anthologies and criticism, the author suggests that multicultural studies might now focus more on resistance and creativity in the face of oppression than on oppression itself; more on the multiple intersections and interactions of different groups, positions, and experiences than on single (sometimes essentialized) groups; and more on existing power relations and social inequities, and the structural nature of racism and oppression, than on individual behavior.