Advances in the History of Rhetoric Jul 2014

The Book of Margery Kempe and the Rhetorical Chorus: An Alternative Method for Recovering Women ’s Contributions to the History of Rhetoric

Julia Marie Smith University of Illinois Urbana-Champaign

Abstract

ABSTRACT This article defends the “rhetorical chorus” as a useful method for recovering women’s voices in the history of rhetoric. As distinct from the more amorphous term “collaboration,” which designates any act of cooperation in the production of rhetorical texts, the “chorus” offers a more nuanced way to identify and map the recording, preservation, appropriation, and alteration of works originally dictated by women rhetors. Using The Book of Margery Kempe as an example, the study traces both homophonic and polyphonic relationships between the lead voice of Margery and the voices of her scribes and annotators.

Journal
Advances in the History of Rhetoric
Published
2014-07-03
DOI
10.1080/15362426.2014.933720
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Topics
rhetorical criticism feminist rhetorics collaborative writing
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