ABSTRACT Performative activism is a critical label that is applied to instances of shallow or self-serving support for social justice causes. The accusation rests on a distinction between what is said by supposed supporters and what they actually do. One of the challenges of understanding the rhetoricity of the phrase “performative activism” is that its definition seems to place it at odds with the most common scholarly definitions of “performative,” in which there is little or no difference between saying and doing. Nonetheless, making a distinction between what is said and done is rhetorically effective in itself. By understanding the accusation of performative activism as a type of critique, we can begin to see how such critical gestures are better understood as demands rather than condemnations.

ABSTRACTJacques Rancière's account of the political demonstration of equality makes an important contribution to long-standing conceptualizations of democracy as occurring apart from state institutions. Rancière's performative account of democracy, however, recognizes the impurity of political language used within state institutions as well as in democratic events. Rancière's polemics against “metapolitical” theories of social existence and the state take issue with how such forms of philosophy assume the primacy of their own capacity to explain political language. Community rights ordinances (CROs) demonstrate how conceptualizing shared political language as doxa reveals the possibility that a metapolitical rhetorical style can occur within Rancière's method of equality. CROs also demonstrate how the method of equality can operate in the context of democratic philosophizing.