Preface - Sidney Greenbaum Introduction - Alan C Purves PART ONE: THEORETICAL CONSIDERATIONS Culture, Writing and the Curriculum - Judit Kadar-Fulop The Problem of Comparability of Writing Tasks - Anneli Vahapassi Developing a Rating Method for Stylistic Preference - R Elaine Degenhart and Sauli Takala A Cross-Cultural Pilot Study PART TWO: NATIONAL DIFFERENCES IN WRITING STYLES Writers in Hindi and English - Yamuna Kachru Cultural Variation in Persuasive Student Writing - Ulla Connor and Janice Lauer Cultural Variation in Reflective Writing - Robert Bickner PART THREE: TRANSFER OF RHETORICAL PATTERNS IN SECOND LANGUAGE LEARNING The Second Language Learner and Cultural Transfer in Narration - Anna Soter Narrative Styles in the Writing of Thai and American Students - Chantanee Indrasuta Cultural Differences in Writing and Reasoning Skills - Sybil Carlson The Rating of Student Performance in Written Composition - Young Mok Park PART FOUR: SUMMING UP Contrastive Rhetoric and Second Language Learning - Robert B Kaplan Notes Toward a Theory of Contrastive Rhetoric

Preview this article: Reviews, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ccc/40/4/collegecompositionandcommunication11116-1.gif

Classrooms filled with glassy-eyed students provide an experiential base for Alice S. Horning s new comprehensive theory about basic writers.Horning explores the theory of writing acquisition in detail. Her examination of spoken and written language and redundancy give a theoretical base to her argument that academic discourse is a separate linguistic system characterized by particular psycholinguistic features. She proposes that basic writers learn to write as other learners master a second language because for them, academic written English is a whole new language.She explores the many connections to be found in second language acquisition research to the teaching and learning of writing and gives special attention to the interlanguage hypothesis, pidginization theory, and the Monitor theory. She also addresses the role of affective factors (feelings, attitudes, emotions, and motivation) in the success or failure of writing students.