This article makes a case for using Jane Austen’s Pride and Prejudice as a tool for skill-based writing instruction in the composition classroom. The novel employs prose strategies such as commonplaces and amplification that become springboards for class conversation about prose style and student writing. Additionally, the novel’s characters admit to difficulties with composition, such as language usage and organization in letter writing, that seem eerily familiar to those voiced by novice writers in a freshman writing course. Mangiavellano contends that students eagerly seek out ways the novel reminds them of their own lives, and he argues that Pride and Prejudice in the composition classroom can reflect back to students versions of their academic selves just as much as it does their personal selves.

This article makes a case for using MySpace as a pedagogical tool in the survey course. MySpace can draw attention to the kinds of restrictions the collaboration between “literary” and “history” places on how the survey course interprets the past. The article gives detailed accounts of how students uploaded MySpace sites for a cross section of literary figures on the Brit Lit II survey syllabus in Spring 2007. Placing figures from the syllabus on MySpace got students to rethink the past as a series of interconnected networks of complicated and evolving conversations throughout the century. Students used the kinds of communication that MySpace makes possible for their personal lives and used it as a way to manage speculative and informed conversations between literary figures on the course syllabus. Excerpts from student essays suggest that transplanting figures like William Blake, Robert Burns, John Keats, Mary Shelley, Matthew Arnold, Charles Dickens, Oscar Wilde, and Virginia Woolf onto MySpace impacts how we understand the kinds of conversations the nineteenth century has with itself, and what this tells us about their literary and historical legacy.