Book Review| November 01 2018 Review: The Shape of Herodotean Rhetoric: A Study of the Speeches in Herodotus’ Histories with Special Attention to Books 5-9, by Vasiliki Zali Vasiliki Zali. The Shape of Herodotean Rhetoric: A Study of the Speeches in Herodotus’ Histories with Special Attention to Books 5-9. International Studies in the History of Rhetoric 6. Leiden and Boston: Brill, 2015. VIII + 383 pp. ISBN: 9789004278967 David M. Timmerman David M. Timmerman David M. Timmerman Carthage College 2001 Alford Park Drive LH 303 Kenosha WI 53140-1994 USA dtimmerman@carthage.edu Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (2018) 36 (4): 432–434. https://doi.org/10.1525/rh.2018.36.4.432 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation David M. Timmerman; Review: The Shape of Herodotean Rhetoric: A Study of the Speeches in Herodotus’ Histories with Special Attention to Books 5-9, by Vasiliki Zali. Rhetorica 1 November 2018; 36 (4): 432–434. doi: https://doi.org/10.1525/rh.2018.36.4.432 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. © 2018 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.2018 Article PDF first page preview Close Modal You do not currently have access to this content.

432 RHETORIC A The final topic, that of chapter eight, is lexis, "style." Enos says very lit­ tle about traditional features of style (e.g., pleonasm, prose rhythm), but dis­ cusses instead Demosthenes's "stylistic strategy," which consists primarily of what he calls "chiastic contrasting" (191). More than to chiasmus, this seems connected to antithesis, that is, the "polar" or "diametrical" opposi­ tion between Aeschines and himself. Enos concludes that like Lincoln, Churchill, and King, Demosthenes raised political oratory to a literary art and created a speech perfectly fitted for the political and rhetorical moment. The book could have used some good copy-editing and proof-reading; in particular, the bibliography is not easy to use. It consists of four sections; texts and translation of Demosthenes, translations and studies of Aeschines, studies of Demosthenes, and general studies. The first section is especially difficult: almost all works are under Demosthenes as author, followed by the title, so that if one is looking for X's translation, one needs to remember its exact title (some of the Texas series have the title Demosthe­ nes: Speeches . . ., whereas others are just Speeches . . .). Dilts's OCT is listed as a translation, as are several commentaries (e.g., Wankel's). One author is "Harris Edward Monroe." Etc. In sum, this book has much of value, especially Walker's chapter. But starting from scratch rather than revising a fifty year old publication might have improved its value. Michael Gagarin The University of Texas Vasiliki Zali. The Shape ofHerodotean Rhetoric: A Study of the Speeches in Herodotus' Histories with Special Attention to Books 5-9. Interna­ tional Studies in the History of Rhetoric 6. Leiden and Boston: Brill, 2015. VIII + 383 pp. ISBN: 9789004278967 This is a well-researched, detailed, and well-presented literary analy­ sis of the Histories of Herodotus that substantiates the author's claim that the Histories is an under-appreciated contributor to the development of rhetoric in the 5th century. As Zali explains, the intent of the work is "to show that in the Histories there is great interest in the rhetorical situation per se; that speakers are very well aware of the process of manipulating and adapting their arguments to suit the particular audience, and they do so systematically" (3). In this way, Herodotus can be understood as anticipat­ ing the rhetorical developments of Thucydides and the more theoretically oriented works of both Aristotle and the author of the Rhetoric to Alexan­ der. The Shape of Herodotean Rhetoric is characterized by the use of specific textual examples to illustrate claims about how the text operates. It also provides an impressive mixture of contextual information that is historical, political, and cultural in scope. These elements are trained on the larger Reviews 433 purpose of "a comprehensive study of particular modes, kinds and effects of speech, exemplified through in-depth discussions of case studies and of the ways these related to two overarching narrative themes: the GrecoPersian polarity and the problem of Greek unity" (31). The focus on these two themes, through the analysis of Herodotus' rhetorical choices, is divided into three sections. In the first section, "Allo­ cation of Speech," the analysis extends to the impact of the speeches both included and excluded as well as the selective use of both direct and indi­ rect speech. Zali takes these selections and choices by Herodotus to be rhe­ torical, choices that are made in order to advance his interpretive and persuasive goals. They are also shown to be empowering for the Greeks as presented in the text and disempowering for the Persians. Zali thus makes a strong case that these choices by Herodotus were not random. As a result, while Cicero and many others have viewed him as the father of history, Herodotus should also be viewed as a significant figure in the development of rhetoric. The text includes an appendix that categorizes all of the debates and conversations in books 5-9 by speaker, addressee and mode of speech (i.e., direct, indirect, and record of a speech act). In the second section of the book, Zali shows that a narrow definition of debate, as consisting only of instances reported as direct speech, yields...

Book Review| March 01 2013 The Genuine Teachers of This Art: Rhetorical Education in Antiquity The Genuine Teachers of This Art: Rhetorical Education in Antiquity. By Jeffrey Walker. Columbia: University of South Carolina Press, 2011; pp. 356. $49.95 cloth. David M. Timmerman David M. Timmerman Monmouth College Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2013) 16 (1): 216–219. https://doi.org/10.14321/rhetpublaffa.16.1.0216 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation David M. Timmerman; The Genuine Teachers of This Art: Rhetorical Education in Antiquity. Rhetoric and Public Affairs 1 March 2013; 16 (1): 216–219. doi: https://doi.org/10.14321/rhetpublaffa.16.1.0216 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2013 Michigan State University Board of Trustees2013 Article PDF first page preview Close Modal You do not currently have access to this content.

Abstract Humor that addresses race can easily backfire. This article engages in an analysis of The Boondocks, an adult cartoon, to investigate how humor about race and racism can function not only to generate laughter through satiric rejection of long-held racist stereotypes in the American context but also to encourage new perspectives. The analysis makes use of rhetorical concepts drawn from theorist Kenneth Burke to analyze the rhetorical and comedic functioning of the dialogue, the use of music, and the visual features of the show. Notes 1We thank two extremely helpful RR reviewers, Richard Marback and Adela Licona. The quotation in the title comes from Glenda R. Carpio. Laughing Fit to Kill: Black Humor in the Fictions of Slavery. New York: Oxford UP, 15. 2As an example, CitationVidmar and Rokeach (1974) examined audience interpretations of the humor in All in the Family. They found that while some viewers laughed at the overt racism in the comments of Archie Bunker, others laughed at his hippie son-in-law Michael, who portrayed a racially enlightened person. 3McGruder has also published his comic strips in a series of books including The Boondocks: Because I Know you Don't Read the Newspapers, Kansas City: Andrews McMeel (2000); A Right to Be Hostile: The Boondocks Treasury, New York: Three Rivers P (2003); Public Enemy #2: An All-New Boondocks Collection, New York: Three Rivers P (2005); and All the Rage: The Boondocks Past and Present, New York: Three Rivers P (2007). 4Readers interested in the media portrayal of Huey Newton and the Black Panthers will find the following works helpful: Pearson, Huey: Spirit of the Panther; Hilliard, Zimmerman, and Zimmerman, The Shadow of the Panther: Huey Newton and the Price of Black Power in America; and Jeffries, Huey P. Newton: The Radical Theorist. The Party is seen to have continued the militant and nationalistic efforts of Malcolm X. Huey Newton, who earned a PhD in Social History from the University of California at Santa Cruz, also continued the intellectual legacy of Malcolm X. He was convicted of manslaughter in 1967, but this was overturned two years later. He and the Black Panther Party later adopted a nonviolent creed and focused on providing food, housing, and basic social services to black Americans in need. He later faced another charge for murder, but this did not result in a conviction. In 1989, after a conviction and short jail sentence for the misuse of public funds, he was murdered in Oakland, apparently participating in a drug deal that went bad. 5All quotations from episodes of The Boondocks, season one and season two. 6Anime is a uniquely Japanese visual art form that began in the early twentieth century. In the United States, the form became popular in the 1960s when a Japanese comic book, Aru Machikado, was made into a television show, Astro Boy. Other anime television shows followed in the midsixties including Gigantor, Speed Racer, and Kimba the White Lion. The art form often includes children as main characters and heroes. The form also presents human emotion in a very visual manner and highlights the role of emotion in human interaction: "In anime the feelings of the characters play an important role in shaping their actions, much more so than in most American products, live or animated" (Poitras 55).

Abstract Aristotle's discussion of political deliberation fixes the practice in that it implicitly addresses critiques found in the writings of earlier authors such as Aristophanes, the Old Oligarch, Thucydides, Plato and Isocrates. His perspective likewise fixes political deliberation by securing its status as the central means by which the polls is able to confront the contingent and pursue the expedient. The acceptance of argument from probability, and the disciplining of that argument into proper and improper forms, made his position in favor of political deliberation tenable. Finally, his perspective fixes political deliberation in that it stands as the latest and most thorough treatment of the subject in the classical period.