Each of these students was a participant in our study of working-class students who use the writing center. They are typical of our interviewees, and they are also typical, in many ways, of the students who visit writing centers across the country. As Beth Boquet (1999) notes, writing centers are arenas in which wider institutional currents become material. In particular, writing centers are places where inequality-unequal access to educational resources-is made manifest. Students like Brandon, Talisha, and Juanita grew up in families and communities where getting a college degree was not the norm and where a college education did not seem entirely necessary. Or at least that was the case in the past, when our students' parents were coming of age. The students we interviewed felt that, anymore, college degrees have become a necessity for anyone who wants to make a decent living, and they were each trying to work toward that goal. But in many ways, working-class students' lives before college have not prepared them for what they encounter on college campuses. And-other side of the same coin-the colleges they attend are not fully prepared for them either. All colleges make implicit assumptions about students-what they need, what they want-but students like our interviewees come with a host of expectations and needs colleges have not fully anticipated.

Working in writing centers is a great gig. We get to lead units committed to making collaborative learning happen in a host of ways: students gaining access to or refining disciplinary literacies, faculty and administration discovering more effective ways for writing to demonstrate learning and transfer, and tutors becoming conscious of their voices as mentors of communities of practice, both disciplinary and sociocultural. Many of us "graduate" from being students who have been tutored in writing centers to serving as writing tutors ourselves; some of us inspired by all of that labor decide to pursue graduate education in and become directors of these amazing units, charged with sustaining and growing these amazing units and all those who teach and learn within While our field has plenty of resources for educating tutors, for coaching faculty across the disciplines on using writing for teaching

I showed up for work on my first day of work and they didn 't even have an office for me. The writing center was just an empty classroom filled with just dirt and boxes and ladybugs. Ladybugs, which is actually an omen of good fortune , which is kind of interesting. And so I sat down at a computer I found in the library and I started typing and I typed a philosophy

Writing centers are sites around which folklore circulates.Staff meetings, classrooms, newsletters, and journals are filled with tales of individual and collective actualization, celebrating one-to-one teaching as deeply social, collaborative, and empowering.Legends from the writing center also speak to the tensions inherent in the spaces, reflecting divisions of tutoring as prescriptive versus directive, banking versus dialogic, and peer-driven versus expertowned.Following their review of writing center theory, history, and practice, Paula Gillespie and Neal Lerner advise, "What is most important is to understand where our practices come from and to unravel the various influences on those practices" (154).Knowing these conditions of possibility makes for more effective tutoring, and this awareness also speaks to a politics about learning and the production of writers.Gillespie and Lerner describe commonplace mindsets about writing centers as garrets for skills -building and testing, as generative spaces for confidence and collaboration, and as critical arenas in which to problem-pose institutional and social discursive practices (147-50).For each domain, the tutorial and the social actors in and surrounding it are implicated in a certain identity politics.In the storehouse writing center, skill-building and knowledge transmission posit the writer as a vessel in need of filling, and identity becomes conferred as a sort of membership card or rite of passage.In the generative writing center, the writer emerges from social interaction, and identity becomes a negotiation of assimilation, separation, and subversion.In the critical/activist writing center, consciousness-raising produces writers aware of the constellation

Writing centers are sites around which folklore circulates. Staff meetings, classrooms, newsletters, and journals are filled with tales of individual and collective actualization, celebrating one-to-one teaching as deeply social, collaborative, and empowering. Legends from the writing center also speak to the tensions inherent in the spaces, reflecting divisions of tutoring as prescriptive versus directive, banking versus dialogic, and peer-driven versus expert-owned. Following their review of writing center theory, history, and practice, Paula Gillespie and Neal Lerner advise, "What is most important is to understand where our practices come from and to unravel the various influences on those practices" (154). Knowing these conditions of possibility makes for more effective tutoring, and this awareness also speaks to a politics about learning and the production of writers. Gillespie and Lerner describe commonplace mindsets about writing centers as garrets for skills -building and testing, as generative spaces for confidence and collaboration, and as critical arenas in which to problempose institutional and social discursive practices (147-150). For each domain, the tutorial and the social actors in and surrounding it are implicated in a certain identity politics. In the storehouse writing center, skill -building and knowledge transmission posit the writer as a vessel in need of filling, and identity becomes conferred as a sort of membership card or rite of passage. In the generative writing center, the writer emerges from social interaction, and identity becomes a negotiation of assimilation,