Heather Lindenman
10 articles-
A Taxonomy of Life Writing: Exploring the Functions of Meaningful Self-Sponsored Writing in Everyday Life ↗
Abstract
This essay takes as its focus the everyday writing that people compose: the self-sponsored, nonobligatory texts that people write mainly outside of work and school. Through analysis of 713 survey responses and 27 interviews with accompanying writing samples, this study provides a panoramic view of the functions of self-sponsored writing and rhetorical activity for U.S. adults, ages 18 to 65+ years, from a range of geographic, cultural, and professional backgrounds. The Taxonomy of Life Writing presented in this essay demonstrates the range of ways that writing functions in people’s daily lives. It includes 19 key functions of life writing, organized into six metafunctions: Creativity and Expression, Identity and Relationships, Organization and Coordination, Preservation and Memory, Reflection and Emotion, and Teaching and Learning. Based on our findings, we affirm the important and diverse functions that life writing serves and propose expanding the threshold concepts of writing to include greater focus on nonobligatory, self-sponsored writing activity.
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Theorizing Writing Differently: How Community-Engaged Projects in First-Year Composition Shape Students’ Writing Theories and Strategies ↗
Abstract
Based on a qualitative case study of students’ “theory of writing” essays, this study examines ways that first-year students’ community engagement experiences solidify and disrupt their writing knowledge, beliefs, and practices. Analysis of student writing demonstrates how different community-engaged writing projects inform first-year students’ writing theories and strategies.
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Abstract
This essay presents a polyvocal review of the 2019 Conference on Community Writing. It is composed of a series of vignettes and reflections written by the authors, community partners, conference organizers, educators, and others who attended the conference. Together, these reflections examine a central theme of the conference, “the work” of community writing, by attending to four questions: 1) What is the work of the Conference on Community Writing, and what does it tell us about the state of the subfield of community-engaged writing?; 2) What spaces does the conference encompass, and who is included in these spaces?; 3) What are the material realities that enable and constrain our work, in and beyond the conference?; and 4) What work is unfinished, and what will sustain us as we tackle it? The polyvocal essay presented here examines these questions through multiple positionalities within community writing studies, ultimately arguing that attending to the diversity of voices, stories, and perspectives in community writing must guide our efforts to understand community writing as a field and imagine its future work.
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Abstract
Young people have the potential to transform public perspectives about pressing social issues—if their audiences listen deeply to what they have to say. This article examines the ways that high school student participants in a community-university writing partnership employ self-disclosure, or emotion sharing, to encourage audiences to listen empathically to performances about complex social issues. Our analysis of two student performance pieces reveals rhetorical strategies that might promote empathic listening. We argue that empathic listening is a necessary precondition for the kind of collective community listening that can lead to social change.
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Revision and Reflection: A Study of (Dis)Connections between Writing Knowledge and Writing Practice ↗
Abstract
This essay brings to light new evidence about the relationship between revision and reflective writing in the first-year writing classroom. Based on a robust study of student work, we illuminate a variety of complex relationships between the writing knowledge that students articulate in their reflections—including how they narrate their course progress, approach teacher commentary, and make decisions about their revisions—and the actual writing practices they execute in their revised essays. The essay offers pedagogical innovations that help students use reflective writing in ways that support substantive revision.
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What Changes When We “Write for Change?”: Considering the Consequences of a High School-University Writing Partnership ↗
Abstract
Scholarship in community writing and service-learning has called attention to the lack of community partner voices in the assessments of writing partnerships. This article foregrounds those missing perspectives by reporting on the consequences of a community literacy program, Writing for Change, from the perspective of the high school youth involved. Analysis of high school student interviews and letters demonstrates myriad benefits of the partnership, extending from personal growth to a heightened sense of social responsibility. However, our study also reveals disconnect between participants’ development as writers and rhetoricians and their perceptions of that growth and its relevance to their academic work. We ultimately argue for the importance of building connections between the rhetorical activism often forwarded by community literacy programs and the “school literacies” that youth associate with writing.
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Abstract
In this article, I challenge the scholarly consensus that suggests students only rarely forge meaningful connections between the genres they compose in different domains of writing (Reiff and Bawashi; Yancey, Robertson, and Taczak). I argue that the genre and domain categories composition researchers have imposed through data collection and analysis account for at least some of what has been identified as students’ inability to articulate how they transfer prior knowledge. When four focus groups and ten college juniors and seniors were interviewed and prompted to compare and contrast their own writing from various contexts, they forged idiosyncratic, action-oriented metageneric connections that are not limited by domains. My data, illustrated here by close discussions of four of these students, suggests that this student-driven metagenre-invention process may have three benefits for students, teachers, and researchers: it enables students to access prior genre knowledge that they may not have otherwise considered relevant; it enables students to re-envision their goals as writers; and it offers researchers and teachers insight into ways we might foster transfer by attending to students’ idiosyncratic metageneric connections.