This essay applies rhetorical framing analysis to vernacular student-created discourse promoting the Palestinian-led boycott, divestment, and sanctions (BDS) movement and Palestinian rights. The results of this study suggest that pro-BDS student activist-rhetors typically frame the BDS movement as a nonviolent movement to achieve Palestinian rights and hold Israel accountable for an ongoing system of oppression, discrimination, settler colonialism, and apartheid against Palestinians. This framing relies on the values of justice, freedom, equality, and joint struggle—values that strongly overlap with social and racial justice discourses focusing on intersectionality and justice for marginalized and oppressed peoples. In response to the rhetorical ecology for pro-BDS discourse, including counterframing by Israel advocates and the doxa that BDS is antisemitic, pro-BDS activist-rhetors regularly denounce antisemitism, emphasize Jewish support for the BDS movement, and draw comparisons to other struggles for justice and liberation.

Jennifer Hitchcock interviews community activist and director of Syracuse University’s Composition and Cultural Rhetoric doctoral program, Steve Parks. They discuss Parks’s working-class background, career path, influences, and activism. Parks also considers the direction of the field of composition and rhetoric and expresses optimism for the future.

In 2009, Jennifer Hitchcock and her husband, Vernon Hall, traveled to Israel and the West Bank with a $600 Canon camera to find and capture the voices of Israeli and Palestinian nonviolence advocates and activists. Their objective was to challenge the dominant narratives of violence, terrorism, and oppression perpetuated by the mainstream U.S. media, and Dreams Deferred: The Struggle for Peace and Justice in Israel and Palestine documents voices of nonviolence activism as an alternative to such narratives. In the following article, Jennifer takes us behind the camera to explain what compelled her and Vernon to make their documentary, why they made the choices they did, and how they went about making their first feature-length documentary. Theirs is a story that illustrates the rhetorical power of do-it-yourself activism in response to a deeply felt call to action. —Kathleen Kerr, Virginia Tech