130 RHETORICA tion. Fascicule I incorrectly refers to Peter of Blois's dictaminal treatise as an abridgement of work by Bernard of Meting (p. xxxv). An appendix contains the edition of an allegorical letter from Simon O.'s Summa dictandi which concerns the authorship of Regina sedens Rhetorica . A useful Glossary of Medieval Words and Unusual Spellings with ref­ erences to standard Medieval Latin dictionaries is followed by a list of cited manuscripts, editions of primary texts, cited secondary sources, and a full and accurate index. A copy of this book should be found in the library of every student of the ars dictaminis. Emil J. Polak Queensborough Community College, The City University ofNew York Kathleen Welch, Electric Rhetoric: Classical Rhetoric, Oralism, and a New Literacy (Cambridge MA: MIT Press, 1999) xvii + 255 pp. The dust jacket of Electric Rhetoric sports a blurb from Andrea Lunsford which praises an author who "re-theorizes (and re-races, re-genders, and re­ performs) pre-Aristotelian rhetoric and then uses it to explore posthumanist literacy and rhetoric in a range of electronic spaces. In its insistent rejection of what Welch calls the 'worst' of Enlightenment, Modernist, and Postmod­ ernist values—and in its bold program for change—this book is going to make a lot of people nervous. A must read!" I open with Lunsford's remarks because they are as illuminating for what they say as for what they do not say. Welch's book is not a "program" but a polemic for change which, by the author's own avowal, seeks to "redirect inquiry" and raise more questions than it answers (p. 9). Welch does so handily in six chapters housed in two parts, "Classical Greek Literacy and the Spoken Word" and "Logos Perform­ ers, Screen Sophism, and the Rhetorical Turn", followed by an "Appendix: Excerpt from the Origin Myth ofAcoma and Other Records". In Chapter 1, "Introduction: Screen Literacy in Rhetoric and Composi­ tion Studies", she opens with the captivating image of the television screen which, for better or for worse, is ubiquitous in "locations of power as well as of powerlessness". In addition to contrasting it effectively with the com­ puter screen which "mostly appears in locations of power" (p. 4), Professor Welch vows to rouse humanities scholars from what she condemns through­ out as their utter refusal to acknowledge and rethink the massive cultural changes which attend the universal sign system of video. Of no surprise to those familiar with her prior excellent contributions to the history and theory of rhetoric and composition, she believes that that mission can best be accomplished by returning to (and revamping considerably) Isocratic rhetoric. Simply put, Electric Rhetoric proposes a holistic approach to three fundamental principles: (1) that literacy conditions "how people articulate Reviews 131 within and around their ideas, their cultures, and themselves, including their subject positions"; (2) that "any current definition of literacy must account for changes in consciousness or mentalité"; and (3) that literacy "depends on social constructions (including [sic] gender and racial constructions) that give value to some writing and speaking activities and that devalue others" (pp. 7-8). Chapter 2, "An Isocratic Literacy Theory: An Alternative Rhetoric of Oral/Aural Articulation", provides the forum for Welch's endeavor to re­ cover Isocrates. Praising his recognition of the dependence between articu­ lation and thought and his emphasis on aptitude vs. native ability (p. 51), she simultaneously vilifies his rhetoric, which "reveals for us strikingly one of the hideous aspects of classical rhetoric: it appears to erase women or to victimize us. This erasure works hand in hand with Isocrates's agenda of imperialism, an intolerance, a dehumanizing of Others, for which he must be held accountable" (p. 49). Our job, then, as readers of Electric Rhetoric, is to hold the past accountable. The main thrust of Chapter 3, "Disciplining Isocrates", is to dismantle "the Great Man theory of history writing, with some token women thrown in the same underlying theoretical structure" (pp. 82-83). It contains some fascinating readings of the Antidosis, notably the dancing bear episode and its link to learning ability. What is not clear, however, is why "Isocrates's biggest problem lies in his and...

Ever since Aristotle noted in the Rhetoric that, when fashionable, delivery ταύτό πoiήσϵι τη υποκριτική (has “the same effect as acting”; 1404a), classical and medieval rhetorical theorists fulminated against a crowd-pleasing oratory that had devolved into a theatrical spectacle more akin to that provided by the comic “actress” or the “effeminate” male. It cannot be coincidental, however, that, as the fifth rhetorical canon documents the theatricalization of rhetoric, it also offers companion testimony about the so-called emasculation of eloquence. In this essay, I examine the early belief that legal and religious rituals crossed gender lines into effeminacy at they same time that they crossed genre lines into theater. Close analysis suggests that the persistent association between theatrics, bad rhetoric, and effeminacy struck four different targets in a single, well-conceived blow: it marginalized women, homosexuals, bad oratory, and theater by casting certain types of speakers and speech as perverse and disempowered. Delivering delivery today thus entails exposing the ways in which early theorists themselves attempted to deliver it from evil.

Metaphor and Reason in Judicial Opinions by Haig Bosmajian. Carbondale, IL: Southern Illinois University Press, 1992, 205 pp. The Context of Human Discourse: A Configurational Criticism of Rhetoric by Eugene E. White. Columbia, SC, University of South Carolina Press, 1992, vii‐ix, 307pp. Rhetoric, Hermeneutics and Translation in the Middle Ages: Academic Traditions and Vernacular Texts by Rita Copeland.Cambridge, Cambridge University Press, 1991; 295pp. Terms of Response: Language and Audience in Seventeenth‐ and Eighteenth‐Century Theory by Robert L. Montgomery. University Park, PA: The Pennsylvania State UP, 1992; 216. The Discipline of Taste and Feeling by Charles Wegener. Chicago: U of Chicago P, 1992. Robert M. La Follette Sr., The Voice of Conscience by Carl R. Burgchardt. New York, Greenwood Press, 1992, viii + 243 pp.

Research Article| February 01 1992 Memory and the Psychology of the Interior Monologue in Chrétien's Cligés Jody Enders Jody Enders The University of Illinois at Chicago, Collage of Liberal Arts and Sciences, Department of French (M-C 180), Box 4348, Chicago, lllinois 60680. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1992) 10 (1): 5–23. https://doi.org/10.1525/rh.1992.10.1.5 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Cite Icon Cite Search Site Citation Jody Enders; Memory and the Psychology of the Interior Monologue in Chrétien's Cligés. Rhetorica 1 February 1992; 10 (1): 5–23. doi: https://doi.org/10.1525/rh.1992.10.1.5 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1992, The International Society for the History of Rhetoric1992 Article PDF first page preview Close Modal You do not currently have access to this content.