Upon the Arab Spring’s rise (2010–11), Arabs started expressing a sense of confidence in their capabilities as agents of change (a sense of agency). The emergence of that sense appears to have pushed Arabs to protest in the streets across their region. I draw on theories of agency, affects, and rhetorical ecologies to illuminate the emergence of the sense of agency in the Tunisian revolution. I explicate that Arab cultures and Islamic tradition inspired the emergence of the sense of agency and its interrelation with a sense of vulnerability and a sense of responsibility among Arabs, which pushed them to revolt. Thus, I offer a decolonial theory that affirms the Arab Spring as an authentic movement led by its people. The theory contributes a new answer to the long-standing dispute over agency, which is essential to understand how structurally marginalized groups arrive at the moment of resistance across cultures.

ust as musical codas persist beyond the end of musical work, Coda-a new sec- tion of the Community Literacy Journal devoted to creative writing-offers space for the representation of the lingering effects of community engagement, public engagement, and activism. Beginning with this, our inaugural effort, Coda will publish creative writing in a range of genres and voices in a move to expand conversations about writing studies, to document and preserve the work of community writing, and to encourage more creative writing. We invite readers and writers who are eager to create knowledge in new ways to join us in enacting writing as a form of communion.