This review playfully approaches Rickert’s book through the lens of sonic rhetorical studies, focusing on the parts that seems most useful to scholars in this area. Naturally, then, it is presented as an exercise in practicing sonic rhetoric, with a dynamic, loose conversation between two sound scholars enlivened with a number of musical and sonic clips that exemplify the spoken parts of the review. The review is presented through multiple playback options to make it easier to digest in small chunks, but those sections are fluid, and the experience makes most sense when heard all together.