Book Review| August 01 2019 Review: Direct Speech in Nonnus' Dionysiaca: Narrative and Rhetorical Functions of the Characters' “Varied” and “Many-Faceted” Words, by Berenice Verhelst Berenice Verhelst, Direct Speech in Nonnus' Dionysiaca: Narrative and Rhetorical Functions of the Characters' “Varied” and “Many-Faceted” Words. (Mnemosyne Supplements 397), Leiden / Boston: Brill, 2017. XI + 330 pp. ISBN: 9789004325890 Luuk Huitink Luuk Huitink Classics Department Leiden University Johan Huizinga Building Doelensteeg 16 2311 VL Leiden The Netherlands l.huitink@hum.leidenuniv.nl Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (2019) 37 (3): 321–323. https://doi.org/10.1525/rh.2019.37.3.321 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation Luuk Huitink; Review: Direct Speech in Nonnus' Dionysiaca: Narrative and Rhetorical Functions of the Characters' “Varied” and “Many-Faceted” Words, by Berenice Verhelst. Rhetorica 1 August 2019; 37 (3): 321–323. doi: https://doi.org/10.1525/rh.2019.37.3.321 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. © 2019 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.2019 Article PDF first page preview Close Modal You do not currently have access to this content.

Reviews Berenice Verhelst, Direct Speech in Nonnus' Dionysiaca: Narrative and Rhetorical Functions of the Characters' "Varied" and "Many-Faceted" Words. (Mnemosyne Supplements 397), Leiden / Boston: Brill, 2017. XI + 330 pp. ISBN: 9789004325890 The epic poem Dionysiaca, written by Nonnus of Panopolis sometime in the fifth century ce in 48 books, is the longest surviving poem from antiq­ uity. It relays the god Dionysus's childhood and youth, his expedition to India and his eventually triumphant return to Europe, in a sprawling, extremely discursive narrative. It is a notoriously difficult work to get a han­ dle on, and Verhelst does her readers a real service by including a summary of the poem in an appendix to the book under review (pp. 302-7). Amidst a recent upsurge of scholarly interest in Nonnus (the main fruits of which are ably reviewed in the introduction), Verhelst—in her first monograph—seeks to deepen our understanding of the special character of the Dionysiaca and the literary culture from which it sprang by focusing on a single prominent aspect of the poem, namely the form and function of its 305 directly repor­ ted speeches. Taken together, these speeches comprise 7,573 of the poem's 21,286 lines. Her hunch that an analysis of the speeches is a productive way to approach Nonnus's zorziZH on the whole pays off handsomely. Verhelst has written a book that is in many ways illuminating and will be essential reading for anyone interested in Nonnus and late-antique litera­ ture more generally as well as in the interaction between rhetorical theory and literary practice. A lengthy introduction globally compares Nonnus's strategies of speech representation to those of Homer, Apollonius of Rhodes, and Quintus of Smyrna. It shows that Nonnus's speeches both occur with a higher frequency and are on average significantly longer than those of his predecessors. In addition, Nonnus displays a marked preference for giving speeches to relatively minor characters, who also only speak once, and for representing monologues over dialogues. 78% of speeches stand alone, as opposed to only 14% in the Iliad, for instance. Both these initial observations raise questions about the nature and function of represented speeches in the Dionysiaca, as they appear to run counter to the idea, often found in scholarship on earlier Greek epics, that speeches serve to show how characters interact with one another and how they develop through Rhetorica, Vol. XXXVII, Issue 3, pp. 321-330. ISSN: 0734-8584, electronic ISSN: 15338541 . © 2019 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http:/ /www. ucpress.edu/joumals.php?p=reprints. DOI: https://doi.Org/10.1525/rh.2019.37.3.321 322 RHETORICA successive speeches. The body of Verhelst's book is divided into two parts, each with three chapters. The first part aims to show that Nonnus's spee­ ches are the product of a refined interplay between the conventions governing speech representation in the earlier literary tradition and the overtly formalistic rhetorical "bent" of late-antique culture. The second homes in on the narrative functions of the set speeches in the Dionysiaca. Except for Chapter 6, which contains an in-depth analysis of the speeches in the Beroe episode (Dionysiaca 41-43), each chapter combines a survey of the topic under discussion (e.g. "Tiç-speeches" in Chapter 3, or "persuasive speeches" in Chapter 4) with a number of more specific case studies. The strength of Verhelst's treatment throughout is that she fruitfully uses the speeches to synthesize and to confirm or modify emerging strands in recent scholarship on Nonnus and to suggest further lines of inquiry. For example, while scattered publications have focused on particular intertexts of the Dionysiaca, Verhelst makes a convincing case that, in order truly to understand the texture of Nonnus's poetry, we need to be aware of how he is constantly conscious of and playing with essentially the whole Greek tradition, including not only epic, but also tragedy, lyric, the novel, histori­ ography, rhetorical theory, and even the visual arts. A...