Lynn Worsham

7 articles
University of Wisconsin–Milwaukee
  1. Reviews
    Abstract

    Book reviews by Nedra Reynolds, Lynn Worsham, Robert R. Johnson, Christopher Wilkey, Scott Warnock, and Tim Fountaine.

    doi:10.58680/ccc20031502
  2. Feminism beyond Modernism
    doi:10.2307/3594190
  3. No Mere Passing Interest
    Abstract

    Review Article| October 01 2001 No Mere Passing Interest Lynn Worsham Lynn Worsham Search for other works by this author on: This Site Google Pedagogy (2001) 1 (3): 560–563. https://doi.org/10.1215/15314200-1-3-560 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lynn Worsham; No Mere Passing Interest. Pedagogy 1 October 2001; 1 (3): 560–563. doi: https://doi.org/10.1215/15314200-1-3-560 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2001 Duke University Press2001 Article PDF first page preview Close Modal Issue Section: Roundtable: Passing and Pedagogy: The Dynamics of Responsibility You do not currently have access to this content.

    doi:10.1215/15314200-1-3-560
  4. Feminism and Composition Studies: In Other Words
    Abstract

    Composition (at its best) and feminism work against the grain of conventional institutional practices. Both challenge assumptions and seek to transform ways of thinking, teaching, and learning. Both are complex, containing different agendas and different voices. Feminism and Composition Studies: In Other Words is a feminist project that boldly places at its center differences among women. Topics discussed include American history, politics, language, racism, pedagogy, contingent labor in the teaching of writing, e-mail behavior, and the need for educational and institutional reform. Teachers, graduate students, program administrators, and feminists will find valuable the critiques, theoretical as well as personal, contained in this unusually honest and thought-provoking volume.

    doi:10.2307/358973
  5. Reviews
    Abstract

    On Television, by Pierre Bourdieu; translated by Priscilla Parkhurst Ferguson. New York, New Press 1996. 104 pp. The Self after Postmodernity by Calvin O. Schrag. New Haven: Yale UP, 1997. 155pp. Assuming the Positions: Cultural Pedagogy and the Politics of Commonplace Writing by Susan Miller. Pittsburgh: U of Pittsburgh P, 1998. 339 pp. Reason to Believe: Romanticism, Pragmatism, and the Teaching of Writing by Hephzibah Roskelly and Kate Ronald. Albany, NY: State University of New York P, 1998. 187 pp. The Creation/Evolution Controversy: A Battle for Cultural Power by Kary Doyle Smout Westport: Praeger, 1998. 209 pp.

    doi:10.1080/02773949909391155
  6. Reviews
    Abstract

    Kenneth Burke: Rhetoric, Subjectivity, Postmodernism by Robert Wess. New York: Cambridge University Press, 1996. 262 pp. Addressing Postmodernity: Kenneth Burke, Rhetoric, anda Theory of Social Change by Barbara A. Biesecker. Tuscaloosa: U of Alabama P, 1997. x + 123 pp. Negation, Subjectivity, and The History of Rhetoric by Victor J. Vitanza. Albany: State U of New York P, 1997. 428 pages. Publishing in Rhetoric and Composition, ed. Gary A. Olson and Todd W. Taylor. Albany: State University of New York Press, 1997. 247 pp. Wertheimer, Molly Meijer, ed. Listening to Their Voices: The Rhetorical Activities of Historical Women. Columbia, SC: University of South Carolina Press, 1997.

    doi:10.1080/02773949909391146
  7. Reading wild, seriously: Confessions of an epistemophiliac
    Abstract

    For me ideology is a kind of vast membrance enveloping everything. We have to know that this skin exists even if it encloses us like a net or like closed eyelids. We have to know that, to change the world, we must constantly try to scratch and tear it. We can never rip the whole thing off, but we must never let it stick or stop being suspicious of it. It grows back and you start again. Helene Cixous

    doi:10.1080/02773949209390940